Professional, methodical and only slightly sentimental, Wyatt is a flinty poem of a criminal and one of the most memorable creations in modern Australian literature. Wyatt plans to hit a suburban law firm for the settlement money in its safe. But he’s working with cowboys, and the lawyer planning to rip off her boss is a little too mysterious for his comfort. Wyatt’s as good as they come, but everything needs to go like clockwork—and you can’t always plan around human frailty. This is the perfect introduction to an exquisite series: hard-boiled Melbourne in the time of video rentals and answering machines, paper money, Datsuns and Customlines. It’s as sinewy and efficient as Wyatt himself, superbly crafted and relentlessly tense. And it gets even better from here. In 2000, Kickback won the international section of the Deutscher Krimi Preis, the oldest and most prestigious German literary prize for crime fiction. “Tough, realistic crime-from-the-inside” — Stephen Knight “Garry Disher is a superior writer of crime fiction... Kickback is tough, violent, relentless and thoroughly convincing. It may well become the book by which contemporary Australian crime fiction is measured.” — Stuart Coope “Disher’s masterly control over detail make Kickback one of the most successful books of its kind.” — Robert Hood

Careful, exacting and ruthless, Wyatt is a consummate criminal and a solitary giant in Australian crime writing. This time it’s a payroll and bank run in the north of South Australia, an outpost town suddenly transformed by a pipeline construction project that brings petty crime, prostitution—and opportunity. It’s a town with its own secrets and Wyatt isn’t quick to trust at the best of times. But he’s on the run and he can’t afford to be choosy. This is another masterpiece of orchestration and unravelling, anchored by an unforgettable ticking-clock sequence that will keep you swiping those pages. Fans of Garry Disher’s other writing may recognise the landscape and some of the place names of The Sunken Road, and fans of noir and hard-boiled fiction will find a fascinating extension of the genre.

Wyatt, professional hold-up man, is back in another tight, remorseless thriller. On the run after the payroll heist that went horribly wrong in Paydirt, wanted by the police and contract hitmen, he discovers that a shadowy third player has joined the hunt. Enter Stolle. Stolle specialises in finding people who don't want to be found. But who is his Brisbane client? Is this a trap Wyatt's walking into? And what of the score itself, the suburban bank with two million in the vault? It looks easy enough - if you don't count a bank manager who owes favours to the wrong people, a gun-running pilot, grifters, bent cops and punks with ambition...There's death in a deal like that. What the critics said about previous Wyatt 'Real books, not junk fiction.' Booklist, USA 'Wyatt is the sort of character Australian movies are made of.' Sunday Age 'Wyatt's as hard-boiled as a hubcap.' Weekend Australian

Wyatt is meticulous, demanding and implacable, and this may be the toughest, coolest and most uncompromising series in Australian literature. Wyatt made some powerful enemies in his first three outings, and the time has come to confront them. But we know by now that Wyatt’s revenge won’t be showy, impetuous and futile; it will be pragmatic, elaborate—and still possibly futile. He holes up in Sydney, preparing to return home to Melbourne to play his enemies against each other in a dangerous double-cross that will tear down the notions of loyalty and obligation. “A cold hand grips the imaginative nerves more and more tightly.” — Robert Hood “Violent, gripping, realistic... impossible to put down.” — Sunday Age “As hard as it gets and very entertaining.” — Weekend Australian

Wyatt snatches the cash easily enough. He bypasses the alarm system, eludes the cops, makes it safely back to his bolthole in Hobart.It's the diamond-studded Tiffany brooch - and perhaps the girl - that brings him undone. Now some very hard people want to put Wyatt and that brooch out of circulation. But this is Wyatt's game and Wyatt sets the rules - even if it means a reckoning somewhere far from home.Port Vila Blues is Wyatt's fifth heist. It's faster than ever, racing towrads the inevitable confrontation on a clifftop above the deceptively calm waters of Port Vila Bay. "In a murky world where the cops are robbers, old-style crim Wyatt positively shines. Clear taut writing - not a word wasted." - Marele Day "...tough, violent, relentless and thoroughly convincing"Stuart Coupe

Australian jewel thief Wyatt has a bounty of stolen jewels and a yacht, but nothing can stop him from returning to his life of crime. He drugs his lover, police officer Liz Redding, and escapes into the night only to discover the gems he lifted are fakes. With his luck and his resources rapidly running out, Wyatt begrudgingly joins forces with Raymond, his estranged nephew and an established criminal himself, to lift some expensive artwork. It should be an easy job—the gallery is under construction and Wyatt has performed similar heists before. But it isn’t long before things go south, leaving Wyatt with some tough choices. Will the young and eager Raymond prove to be a worthy pupil or is he nothing but deadweight? For Wyatt, putting faith in other people has never been as tempting... or as dangerous.

Garry Disher's cool, enigmatic anti-hero Wyatt has a job—a jewel heist. The kind Wyatt likes. Nothing extravagant, nothing greedy. Stake out the international courier, one Alain Le Page, hold up the goods in transit and get away fast. Wyatt prefers to work alone, but this is Eddie Oberin's job. Eddie's very smart ex-wife Lydia has the inside information. Add Wyatt's planning genius and meticulous preparation, and what could possibly go wrong? Plenty. And when you wrong Wyatt, you don't get to just walk away. Taut plots, brilliant writing and relentless pace; plus an unforgettable cast, including the ever-elusive Wyatt these are the hallmarks of Garry Disher's Wyatt series.

Wyatt needs a job. A bank job would be nice, or a security van hold-up. As long as he doesn’t have to work with cocky idiots and strung-out meth-heads like the Pepper brothers. That’s the sort of miscalculation that buys you the wrong kind of time. So he contacts a man who in the past put him on the right kind of heist. And finds himself in Noosa, stealing a painting for Hannah Sten. He knows how it’s done: case the premises, set up escape routes and failsafes, get in and get out with the goods unrecognised. Make a good plan; back it up with another. And be very, very careful. But who is his client? Who else wants that painting? Sometimes, being very careful is not enough.

The latest gripping story in the popular Wyatt thriller series kicks off in Sydney and then unfolds on the beaches of Newcastle. Some people just work better alone. Wyatt’s one of them. He’s been getting by on nice quiet little burglaries—one-man jobs—when he gets wind of something bigger. A corporate crook, notorious Ponzi schemer, set to face court and certain jail time. He’s about to skip bail the old-fashioned way: on a luxury yacht with a million dollars in cash. Wyatt thinks it sounds like something he should get into. He’s not alone.