A woman and her young son travel by car through the southern and midwestern United States in this heartbreakingly spare novel-in-dialogue. As the mother drives, she and the boy, Roy, trade impressions of the landscape and of life, in the process approaching an understanding of each other and their shared inner landscape. "Mom, can we drive to Wyoming?" "You mean now?" "Uh-huh. Is it far?" "Very far. We're almost to Georgia." "Can we go someday?" "Sure, Roy, we'll go." "We won't tell anyone, right, Mom?" "No, baby, nobody will know where we are." "And we'll have a dog." "I don't see why not." "From now on when anything bad happens, I'm going to think about Wyoming. Running with my dog." "It's a good thing, baby. Everybody needs Wyoming." —from Wyoming
Author
Barry Gifford is an American author, poet, and screenwriter known for his distinctive mix of American landscapes and film noir- and Beat Generation-influenced literary madness. He is described by Patrick Beach as being "like if John Updike had an evil twin that grew up on the wrong side of the tracks and wrote funny..."He is best known for his series of novels about Sailor and Lula, two sex-driven, star-crossed protagonists on the road. The first of the series, Wild at Heart, was adapted by director David Lynch for the 1990 film of the same title. Gifford went on to write the screenplay for Lost Highway with Lynch. Much of Gifford's work is nonfiction.
