Part of Series
The origin (prequel) story of Coheed and Cambria's epic series, known widely as "The Amory Wars." Welcome to the worlds of Heaven's Fence, where a lattice of mysterious energy known as 'the Keywork' binds and sustains life on a triangular network of planets—from the bleak and hellish Howling Earth to the spare beauty of Bendelesh. Beneath the Keywork's glow, under the governance of the twelve grey-skinned Mages and the watchful gaze of the winged Prise, humanity goes about it's daily life unaffected by the goings-on of the higher powers at work in the universe. Until the day when the ambitious Wilhelm Ryan, newest member to the brotherhood of Mages, acts on his growing discontent at being branded another ordinary Mage, ruling over one lowly Sector. Shrewd and silver-tongued, Ryan launches the Mage Wars: a devastating campaign to win control of the entire Fence and take on the legendary mantle of Supreme Tri-Mage, a position likened to God himself. Dr Leonard Hohenberger, the Fence's top scientist is summoned by the Prise to stop Ryan. His creations, Coheed and Cambria, are thus born and lead the battle to save Heaven's Fence.
Authors
Claudio Paul Sanchez III (born March 12, 1978, in Suffern, New York, United States) is an American writer and musician of Puerto Rican and Italian descent best known for being the lead singer and guitarist for the alternative/progressive rock group Coheed and Cambria. He is the creator of the comic book series The Amory Wars, as well as Key of Z and Kill Audio, both co-written with wife Chondra Echert. Sanchez co-authored the novel Year of the Black Rainbow with Peter David. From Wikipedia: https://en.wikipedia.org/wiki/Claudio...
aka David Peters Peter Allen David (often abbreviated PAD) is an American writer, best known for his work in comic books and Star Trek novels. David often jokingly describes his occupation as "Writer of Stuff". David is noted for his prolific writing, characterized by its mingling of real world issues with humor and references to popular culture. He also uses metafiction frequently, usually to humorous effect, as in his work on the comic book Young Justice.
