Zoe Wicomb's complex and deeply evocative fiction is among the most distinguished recent works of South African women's literature. It is also among the only works of fiction to explore the experience of "Coloured" citizens in apartheid-era South Africa, whose mixed heritage traps them, as Bharati Mukherjee wrote in the New York Times, "in the racial crucible of their country. "Wicomb deserves a wide American audience, on a part with Nadine Gordimer and J.M.Coetzee." - Wall St. Journal Wicomb is a gifted writer, and her compressed narratives work like brilliant splinters in the mind, suggesting a rich rhythm and shape."-Seattle Times "[Wicomb's] prose is vigorous, textured, lyrical... [She] is a sophisticated storyteller who combines the open-endedness of contemporary fiction with the force of autobiography and the simplicity of family stories."-Bharati Mukherjee, New York Times Book Review For course use in: African literature, African studies, growing up female, world literature, women's studies Zoe Wicomb was born in 1948 and raised in Namaquland, South Africa. After 20 years voluntary exile, she returned to South Africa in 1991 to teach at the University of the Western Cape. She currently lives in Glasgow and teaches at the University of Strathclyde, Scotland. Marcia Wright is professor of history at Columbia University and a member of the executive committee for the Women Writing Africa series. Carol Sicherman is professor emerita of English at Lehman College, CUNY.
Author
Zoë Wicomb attended the University of the Western Cape, and after graduating left South Africa for England in 1970, where she continued her studies at Reading University. She lived in Nottingham and Glasgow and returned to South Africa in 1990, where she taught for three years in the department of English at the University of the Western Cape She gained attention in South Africa and internationally with her first work, a collection of short stories, You Can't Get Lost in Cape Town (1987), which takes place during the apartheid era. Her second novel, David's Story (2002), takes place in 1991 toward the close of the apartheid era and uses the ambiguous classification of coloureds to explore racial identity. Playing in the Light, her third novel, released in 2006, covers similar terrain conceptually, though this time set in contemporary South Africa and centering around a white woman who learns that her parents were actually coloured. She published her second collection of short stories, The One That Got Away. The stories, set mainly in Cape Town and Glasgow, explore a range of human relationships: marriage, friendships, family ties or relations with servants. She was a winner of the 2013 Windham–Campbell Literature Prize for Fiction. Zoe Wicomb resides in Glasgow where she teaches creative writing and post-colonial literature at the University of Strathclyde.
