
Książka dla wszystkich wrażliwych, którzy nie boją się zaglądać pod podszewkę rzeczywistości. Wiersze z tomu „Znowu pragnę ciemnej miłości” zabierają na wyprawę pełną czułych wyznań, miłosnych szeptów, pikantnych opowieści, ale także bezbrzeżnej tęsknoty wypełniającej niekiedy ciała kochanków. To poetycka podróż po światach, które mieszczą się pod powiekami i w uścisku dwójki zakochanych w sobie ludzi. Joanna Lech dokonała subiektywnego wyboru tekstów kilkunastu postaci polskiej sceny poetyckiej. „Znowu pragnę ciemnej miłości” obejmuje wiersze autorek i autorów obsypanych nagrodami, uznanych, ale też tych, o których zapomnieliśmy. Łączy ich jedno—historie o najbardziej pożądanym, a jednocześnie najokrutniejszym uczuciu: miłości. „Znowu pragnę ciemnej miłości” obejmuje wybór wierszy Jakobe Mansztajna, Jacka Podsiadły, Haliny Poświatowskiej, Tadeusza Różewicza, Rafała Wojaczka, Tomasza Różyckiego, Marcina Świetlickiego, Justyny Bargielskiej, Miłosza Biedrzyckiego, Julii Fiedorczuk, Romana Honeta, Genowefy Jakubowskiej-Fijałkowskiej, Marii Pawlikowskiej-Jasnorzewskiej, Joanny Lech, Marty Podgórnik, Joanny Oparek, Anny Świrszczyńskiej oraz Agnieszki Wolny-Hamkało.
Authors

Halina Poświatowska (born Helena Myga) was a Polish poet and writer, one of the most important figures in modern Polish literature. She is famous for her lyrical poetry and for her intellectual and passionate yet unsentimental poetry on the themes of death, love, existence, famous historical personages, especially women, as well as her mordant treatment of life, living, being, bees, cats and the sensual qualities of loving, grieving and desiring. She died at 32 after a second heart operation to correct a heart defect that limited her mobility and breathing, which she acquired when she fell ill as a child during the World War II German occupation of Poland. Source: wikiedia.com

Anna Świrszczyńska (also known as Anna Swir) was a Polish poet whose works deal with themes including her experiences during World War II, motherhood, the female body, and sensuality. Świrszczyńska was born in Warsaw and grew up in poverty as the daughter of an artist. She began publishing her poems in the 1930s. During the Nazi occupation of Poland she joined the Polish resistance movement in World War II and was a military nurse during the Warsaw Uprising. She wrote for underground publications and once waited 60 minutes to be executed. Czesław Miłosz writes of knowing her during this time and has translated a volume of her work. Her experiences during the war strongly influenced her poetry. In 1974 she published Building the Barricade, a volume which describes the suffering she witnessed and experienced during that time. She also writes frankly about the female body in various stages of life.

Maria Pawlikowska-Jasnorzewska, née Kossak was a Polish poet known as the Polish Sappho and "queen of lyrical poetry" of Poland's interwar period. Fluent in French, English, and German, she married three times and lived the life of a world traveller. Born in Kraków to a family of artists, Maria Kossak grew up around painters, writers, and intellectuals. Her grandfather, Juliusz Kossak, and father, Wojciech Kossak, were both professional painters famous for their historical paintings. Her younger sister, Magdalena Samozwaniec, was also a popular writer. As well as her cousin Zofia Kossak-Szczucka. In her youth, Kossak painted as often as she wrote poetry. It was only during her marriage to Jan Pawlikowski—after the invalidated first marriage to Władysław Bzowski—that her literary interests prevailed, inspired by the couple's discussions about her poetic output and the world of literature in general. Their passionate relationship based on shared interests and mutual love was the endless source of her poetic inspiration. However, the second marriage didn't last either. Following her divorce, Maria Pawlikowska became active in the community of poets from the Warsaw-based Skamander group: Julian Tuwim, Jan Lechoń, Kazimierz Wierzyński, and renowned writers such as Jarosław Iwaszkiewicz, Irena Krzywicka, Kazimiera Iłłakowiczówna and Tadeusz Boy-Żeleński. During the inter-war period Pawlikowska-Jasnorzewska published twelve volumes of poetry and established herself as one of the most innovative poets of the era. She began her career as a playwright in 1924, with her first farce, Archibald the Chauffeur, produced in Warsaw. By 1939 she had written fifteen plays whose treatment of taboo topics such as abortion, extramarital affairs, and incest provoked scandals. She was compared by critics to Molière, Marivaux, Oscar Wilde, George Bernard Shaw, and Witkacy. Her plays depicted her unconventional approach to motherhood, which she understood as a painful obligation that ends mutual passion. She spoke in support of a woman's right to choose according to her needs and feelings. In 1939, at the onset of World War II, she followed her third husband, Stefan Jasnorzewski, to England. She was diagnosed with cancer in 1944, became semi-paralyzed, and on 9 July 1945 died in Manchester, cared for by her husband. Source: wikipedia.com

Rafał Wojaczek was a Polish poet and writer. As a poète maudit, his life was marked by abortive studies, alcoholism, depression and suicide attempts. He commited suicide by an overdose of various drugs, including diazepam. His short career took place during the turbulent years of modern Poland when the younger generation began to realize that they were trapped in a mendacious political system. His works focused on topics of life and death, obsession on carnality and feminity. He also provoked with presenting himself as an alcoholic and a sponger. He was famous for his frequent riots, scandals and alcoholism. Source: wikipedia.com & wikipedia.pl