This sweeping novel depicts the intertwined lives of an assortment of Egyptians―Muslims and Copts, northerners and southerners, men and women―as they begin to settle in Egypt’s great second city, and explores how the Second World War, starting in supposedly faraway Europe, comes crashing down on them, affecting their lives in fateful ways. Central to the novel is the story of a striking friendship between Sheikh Magd al-Din, a devout Muslim with peasant roots in northern Egypt, and Dimyan, a Copt with roots in southern Egypt, in their journey of survival and self-discovery. Woven around this narrative are the stories of other characters, in the city, in the villages, or in the faraway desert, closer to the fields of combat. And then there is the story of Alexandria itself, as written by history, as experienced by its denizens, and as touched by the war. Throughout, the author captures the cadences of everyday life in the Alexandria of the early 1940s, and boldly explores the often delicate question of religious differences in depth and on more than one level. No One Sleeps in Alexandria adds an authentically Egyptian vision of Alexandria to the many literary―but mainly Western―Alexandrias we know already: it may be the same space in which Cavafy, Forster, and Durrell move but it is certainly not the same world.

During the 1956 Suez War―or the Tripartite Aggression, as it is known in Egypt―life in Alexandria goes on. The railroad workers and their families live in the low-income housing of el-Masakin, along the Mahmudiya Canal, but some of them take us on forays into the other, cosmopolitan Alexandria, whose European denizens, mainly Greeks, Italians, and Jews are departing in droves. This spellbinding novel teems with memorable characters, not a few of whom are themselves a budding novelist writing about el-Masakin and its eccentric denizens and about his own improbable love affair with a 12-year-old girl; a spice merchant dreaming of the bygone glory of his ancestors and their trade along the spice road, beginning on the Malabar Coast; a train guard who is a teller of very tall tales; and a would-be filmmaker trying to make a film showing what happened in Port Said during the war. Then there is the cinema aficionado who plays Tarzan in real life along the Mahmudiya Canal; the young boy who leads a group of assorted crazies every afternoon to see ‘God’ at sunset; the singing nurse whose only dream is to perform on the radio; and Arabi, the young man who is in love with all things European, but especially with his employer, Katina the widowed Greek dressmaker. As in his earlier novel, No One Sleeps in Alexandria, Ibrahim Abdel Meguid here combines historical fact with fiction, and the mundane with the fantastical, to weave an engrossing, multilayered story of stories.

In the 1970s, once-cosmopolitan Alexandria was at the forefront of the clash between Nasser’s socialist-era principles and the burgeoning fundamentalist movement. Five idealistic students find themselves caught up in this tangled web, as their leftist activism makes them a target both from government surveillance and the Islamist groups seeking to curtail the city’s social life. The group of friends’ participation in the explosive ‘bread riots’ is swiftly followed by the crushing experience of prison, and the course of their young lives changes irrevocably. The final part in Ibrahim Abdel Meguid’s Alexandria trilogy conjures up this turbulent era in rich detail. This story of young love, aspiration for social change, disillusionment and frustration will resonate with readers today.