Kelly Sue DeConnick’s work spans stage, comics, film and television. Ms. DeConnick first came to prominence as a comics writer, where she is best known for reinventing the Carol Danvers as “Captain Marvel” at Marvel and for the Black Label standard-setting Wonder Woman Historia: The Amazons at DC. Her independent comics Bitch Planet and Pretty Deadly (both from Image Comics) have ranked as New York Times best-sellers and been honored with Eisner Awards, British Fantasy Awards and Hugo nominations. Ms. DeConnick’s screen work includes stints on Captain Marvel, a film that earned $1B for Disney worldwide, and 2023’s forthcoming The Marvels with Marvel Studios; in addition to having consulted on features for Skydance and ARRAY, and developed television for NBCUniversal, Legendary Entertainment and HBOMax. Her most recent stage work is the mythic spectacle AWAKENING, which opened at the Wynn Resort Las Vegas in November 2022. Mission-driven, Ms. DeConnick is also a founding partner at Good Trouble Productions, where she has helped to produce non-fiction and educational comics including the “Hidden Voices” and “Recognized” series for NY Public Schools and Congressman John Lewis’ Run, in partnership with Abrams Comics. In 2015, Ms. DeConnick founded the #VisibleWomen Project, whose mission is to help women and other marginalized genders find paid work in comics and its related industries. The project continues to this day and recently expanded in partnership with Dani Hedlund of Brink Literacy. Ms. DeConnick lives in Portland, OR with her husband, writer Matt Fraction, and their two children.

Mark Bagley was born to a military family in Frankfurt, Germany. He had always wanted to break into the comic book business. At age 18, he joined the military so that he could qualify for the G.I. Bill and go to art school. After his work in the military and art school, he continued trying to break into the comic industry but ended up working for Lockheed Martin making technical drawings. Later in life, he fathered a child, a daughter named Angela, who is a teacher In 1983, Marvel Comics Editor-in-Chief Jim Shooter created the Marvel Try-out Book to draw new talent into the comic book industry. The contest involved a deconstructed comic book in which contestants could complete the comic and submit it to Marvel. The winner would be awarded a professional assignment with Marvel. At 27 years old, Mark Bagley entered the contest and won first place for penciling. This led to a series of low profile penciling jobs including jobs for Marvel's New Universe line and backup stories in Captain America. A majority of his work during this time was for the first series of Marvel Universe Trading cards A couple of years into the New Warriors run, New Warriors editor Danny Fingeroth became responsible for the Spider-Man line of titles. At the same time, Erik Larsen vacated his spot as penciler on Spider-Man’s flagship title The Amazing Spider-Man. Fingeroth decided to take a chance on Bagley, who was a relatively inexperienced artist to be assigned what is arguably Marvel’s flagship title. After a rough start, Bagley hit his stride on The Amazing Spider-Man and eventually grew to be considered the definitive Spider-Man artist of the mid-1990s. His artwork was used extensively for licensed material, appearing on everything from plates and cups to credit cards. Bagley also holds the distinction of being the artist on Marvel’s first web-based comic book, featuring Spider-Man, which appeared on Marvel’s official website.

Brian Wood's history of published work includes over fifty volumes of genre-spanning original material. From the 1500-page future war epic DMZ, the ecological disaster series The Massive, the American crime drama Briggs Land, and the groundbreaking lo-fi dystopia Channel Zero he has a 20-year track record of marrying thoughtful world-building and political commentary with compelling and diverse characters. His YA novels - Demo, Local, The New York Four, and Mara - have made YALSA and New York Public Library best-of lists. His historical fiction - the viking series Northlanders, the American Revolution-centered Rebels, and the norse-samurai mashup Sword Daughter - are benchmarks in the comic book industry. He's written some of the biggest franchises in pop culture, including Star Wars, Terminator, RoboCop, Conan The Barbarian, Robotech, and Planet Of The Apes. He’s written number-one-selling series for Marvel Comics. And he’s created and written multiple canonical stories for the Aliens universe, including the Zula Hendricks character.

Jason Aaron grew up in a small town in Alabama. His cousin, Gustav Hasford, who wrote the semi-autobiographical novel The Short-Timers, on which the feature film Full Metal Jacket was based, was a large influence on Aaron. Aaron decided he wanted to write comics as a child, and though his father was skeptical when Aaron informed him of this aspiration, his mother took Aaron to drug stores, where he would purchase books from spinner racks, some of which he still owns today. Aaron's career in comics began in 2001 when he won a Marvel Comics talent search contest with an eight-page Wolverine back-up story script. The story, which was published in Wolverine #175 (June 2002), gave him the opportunity to pitch subsequent ideas to editors. In 2006, Aaron made a blind submission to DC/Vertigo, who published his first major work, the Vietnam War story The Other Side which was nominated for an Eisner Award for Best Miniseries, and which Aaron regards as the "second time" he broke into the industry. Following this, Vertigo asked him to pitch other ideas, which led to the series Scalped, a creator-owned series set on the fictional Prairie Rose Indian Reservation and published by DC/Vertigo. In 2007, Aaron wrote Ripclaw: Pilot Season for Top Cow Productions. Later that year, Marvel editor Axel Alonso, who was impressed by The Other Side and Scalped, hired Aaron to write issues of Wolverine, Black Panther and eventually, an extended run on Ghost Rider that began in April 2008. His continued work on Black Panther also included a tie-in to the company-wide crossover storyline along with a "Secret Invasion" with David Lapham in 2009. In January 2008, he signed an exclusive contract with Marvel, though it would not affect his work on Scalped. Later that July, he wrote the Penguin issue of The Joker's Asylum. After a 4-issue stint on Wolverine in 2007, Aaron returned to the character with the ongoing series Wolverine: Weapon X, launched to coincide with the feature film X-Men Origins: Wolverine. Aaron commented, "With Wolverine: Weapon X we'll be trying to mix things up like that from arc to arc, so the first arc is a typical sort of black ops story but the second arc will jump right into the middle of a completely different genre," In 2010, the series was relaunched once again as simply Wolverine. He followed this with his current run on Thor: God of Thunder.

David Marquez was born in London and grew up in Houston, Texas. After graduating from the University of Texas at Austin with degrees in History and Government and a teaching certificate for high school history, David chose to take a risk to pursue his passion for illustration. He auditioned for an animation position on Warner Independent Pictures’ A SCANNER DARKLY, and was immediately hired. After SCANNER David worked on a variety of small press and creator-owned comics projects, culminating in the summer of 2010 with the release of his first major project, SYNDROME, a graphic novel from Archaia Entertainment. His work on SYNDROME and DAYS MISSING:KESTUS (also through Archaia) earned David a nomination for the Russ Manning Most Promising Newcomer Award, given out each year at the Eisner Awards ceremony at San Diego Comic Con. David is currently working under an exclusive contract with Marvel Comics. His projects include ULTIMATE COMICS SPIDER-MAN and ALL-NEW X-MEN, both with acclaimed writer Brian Michael Bendis. David resides in Austin, Texas with his fiancée, Tara, and dogs Shisha and Chomps. He fills what little free time that’s left practicing Aikido and working on his first creator-owned original graphic novel THE JOYNERS IN 3D, written by his close friend and SYNROME collaborator R.J. Ryan. Photo © Tara Cowan 2011

A comic book writer and erstwhile artist. He has won critical acclaim (including five Eisner Awards) and is one of the most successful writers working in mainstream comics. For over eight years Bendis’s books have consistently sat in the top five best sellers on the nationwide comic and graphic novel sales charts. Though he started as a writer and artist of independent noir fiction series, he shot to stardom as a writer of Marvel Comics' superhero books, particularly Ultimate Spider-Man. Bendis first entered the comic world with the "Jinx" line of crime comics in 1995. This line has spawned the graphic novels Goldfish, Fire, Jinx, Torso (with Marc Andreyko), and Total Sell Out. Bendis is writing the film version of Jinx for Universal Pictures with Oscar-winner Charlize Theron attached to star and produce. Bendis’s other projects include the Harvey, Eisner, and Eagle Award-nominated Powers (with Michael Avon Oeming) originally from Image Comics, now published by Marvel's new creator-owned imprint Icon Comics, and the Hollywood tell-all Fortune and Glory from Oni Press, both of which received an "A" from Entertainment Weekly. Bendis is one of the premiere architects of Marvel's "Ultimate" line: comics specifically created for the new generation of comic readers. He has written every issue of Ultimate Spider-Man since its best-selling launch, and has also written for Ultimate Fantastic Four and Ultimate X-Men, as well as every issue of Ultimate Marvel Team-Up, Ultimate Origin and Ultimate Six. Brian is currently helming a renaissance for Marvel’s AVENGERS franchise by writing both New Avengers and Mighty Avengers along with the successful ‘event’ projects House Of M, Secret War, and this summer’s Secret Invasion. He has also previously done work on Daredevil, Alias, and The Pulse.