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Allegories of the Iliad book cover
Allegories of the Iliad
2015
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4.38
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In the early 1140s, the Bavarian princess Bertha von Sulzbach arrived in Constantinople to marry the Byzantine emperor Manuel Komnenos. Wanting to learn more about her new homeland, the future empress Eirene commissioned the grammarian Ioannes Tzetzes to compose a version of the Iliad as an introduction to Greek literature and culture. He drafted a lengthy dodecasyllable poem in twenty-four books, reflecting the divisions of the Iliad, that combined summaries of the events of the siege of Troy with allegorical interpretations. To make the Iliad relevant to his Christian audience, Tzetzes reinterpreted the pagan gods from various allegorical perspectives. As historical allegory (or euhemerism), the gods are simply ancient kings erroneously deified by the pagan poet; as astrological allegory, they become planets whose position and movement affect human life; as moral allegory Athena represents wisdom, Aphrodite desire. As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, the work is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it must also be seen as part of the millennia-long and increasingly global tradition of Homeric adaptation.

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Author

Joannes Tzetzes
Author · 1 books

John Tzetzes (Greek: Ἰωάννης Τζέτζης) (c. 1110, Constantinople – 1180, Constantinople) was a Byzantine poet and grammarian, known to have lived at Constantinople during the 12th century. Tzetzes was Georgian on his mother's side. In his works, Tzetzes states that his grandmother was a relative of the Georgian Bagratid princess Maria of Alania who came to Constantinople with her and later became the second wife of the sebastos Constantine Keroularios, megas droungarios and nephew of the patriarch Michael Keroularios.[1] Tzetzes was described as vain, seems to have resented any attempt at rivalry, and violently attacked his fellow grammarians. Owing to a lack of written material, he was obliged to trust to his memory; therefore caution has to be exercised in reading his work. However, he was learned, and made a great contribution to the furtherance of the study of ancient Greek literature. 16th century manuscript of Hesiod's Theogeny with commentaries by John Tzetze The most important of his many works is considered to be the Book of Histories, usually called Chiliades ("thousands") from the arbitrary division by its first editor (N. Gerbel, 1546) into books each containing 1000 lines (it actually consists of 12,674 lines of political verse). It is a collection of literary, historical, theological, and antiquarian miscellanies, whose chief value consists in the fact that it to some extent makes up for the loss of works which were accessible to Tzetzes. The whole production suffers from an unnecessary display of learning, the total number of authors quoted being more than 400. The author subsequently brought out a revised edition with marginal notes in prose and verse (ed. T. Kiessling, 1826; on the sources see C. Harder, De J. T. historiarum fontibus quaestiones selectae, diss., Kiel, 1886). His collection of 107 Letters addressed partly to fictitious personages, and partly to the great men and women of the writer's time, contain a considerable amount of biographical details. Tzetzes supplemented Homer's Iliad by a work that begins with the birth of Paris and continues the tale to the Achaeans' return home. The Homeric Allegories, in "political" verse and dedicated initially to the German-born empress Irene and then to Constantine Cotertzes, are two didactic poems in which Homer and the Homeric theology are set forth and then explained by means of three kinds of allegory: historical (πρακτική), anagogic (ψυχική) or physical (στοιχειακή). In the Antehomerica, Tzetzes recalled the events taking place before Homer's Iliad. This work was followed by the Homerica, covering the events of the Iliad, and the Posthomerica, reporting the events taking place between the Iliad and the Odyssey. All three are currently available in English translations. Tzetzes also wrote commentaries on a number of Greek authors, the most important of which is that on the Cassandra or Alexandra of Lycophron (ed. K.O. Müller, 1811), in the production of which his brother Isaac is generally associated with him. Mention may also be made of a dramatic sketch in iambic verse, in which the caprices of fortune and the wretched lot of the learned are described; and of an iambic poem on the death of the emperor Manuel, noticeable for introducing at the beginning of each line the last word of the line preceding it (both in Pietro Matranga, Anecdota Graeca 1850). For the other works of Tzetzes see J. A. Fabricius, Bibliotheca graeca (ed. Harles), xi.228, and Karl Krumbacher, Geschichte der byz. Litt. (2nd ed., 1897); monograph by G. Hart, "De Tzetzarum nomine, vitis, scriptis," in Jahn's Jahrbucher für classische Philologie. Supplementband xii (Leipzig, 1881).

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