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Amy Peppercorn book cover
Amy Peppercorn
2006
First Published
2.87
Average Rating
224
Number of Pages
Amy is an overnight sensation. She is top of the pops. She's abandoned school and A levels for a five year contract with Solar Records and a punishing regime of dance routines and singing lessons, endless rehearsals and her first tour. It's a huge success. But in the middle of all the glamour and fame, Amy has never felt so utterly lonely. Geoff is dead and Ben is on remand. She seems to be losing her best friend Beccs and even Mum is slipping out of reach. That's when Jag - one of her dancers - comes into her life. It seems as though he's the answer to her dreams and Amy clings to him desperately. But will her dreams turn into nightmares? There are certainly some big surprises in store. John Brindley has written a heart-searching, page-turning sequel to 'Amy Peppercorn: Starry-eyed and screaming' which once again packs a massive emotional punch.
Avg Rating
2.87
Number of Ratings
31
5 STARS
0%
4 STARS
23%
3 STARS
45%
2 STARS
29%
1 STARS
3%
goodreads

Author

Italo Calvino
Italo Calvino
Author · 52 books

Italo Calvino was born in Cuba and grew up in Italy. He was a journalist and writer of short stories and novels. His best known works include the Our Ancestors trilogy (1952-1959), the Cosmicomics collection of short stories (1965), and the novels Invisible Cities (1972) and If On a Winter's Night a Traveler (1979). His style is not easy to classify; much of his writing has an air reminiscent to that of fantastical fairy tales (Our Ancestors, Cosmicomics), although sometimes his writing is more "realistic" and in the scenic mode of observation (Difficult Loves, for example). Some of his writing has been called postmodern, reflecting on literature and the act of reading, while some has been labeled magical realist, others fables, others simply "modern". He wrote: "My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language."

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