Another Person
By Kang Hwagil
2017
First Published
3.74
Average Rating
288
Number of Pages
Vacuum cleaner bitch. When Jina sees this anonymous comment on a forum it forces her out of her stupor. It is posted on a website dissecting her public allegations of workplace sexual assault, the backlash to which forced her to quit her job. She has spent months glued to her laptop screen, junk-food packaging piling up around her, tracking the hate campaign that's raging against her online. This post stands out from the noise, for it could only have been made by someone who knew her as a student at university. The comment stirs something deep repressed. So Jina returns to Anjin University, and to the toxic culture that destroyed the lives of many female students including one, Ha Yuri, who died tragically and mysteriously not long before Jina left. Somewhere within Jina's memories is the truth about what happened to Yuri all those years ago. Told in alternative viewpoints, in sharp, intelligent and multi-layered prose, this powerful and necessary novel confronts issues of sexism and abuse on university campuses.
Avg Rating
3.74
Number of Ratings
294
5 STARS
21%
4 STARS
42%
3 STARS
28%
2 STARS
8%
1 STARS
1%
goodreads
Author
Kang Hwagil
Author · 3 books
강 화길 (Kang Hwagil) is a young Korean writer best known for her 2017 novel Dareun Saram (‘Others’) which won her the Hankyoreh Literature Award as well as a Young Authors’ Prize. She was heralded by the Hankyoreh panel as a ‘new voice’ and received much praise for her fearlessly honest portrayal of Korean society, carrying a confrontational message. A champion of feminist writing in her own right, Kang is often mentioned in one breath with Cho Namjoo, whose Kim Jiyoung, Born 1982 brought gender equality and #MeToo to the forefront of South-Korea’s national debate, following its publication in 2016. Kang’s hit novel, like Cho’s, seems to have struck a chord also by way of its unembellished style. She excels in sparse, almost understated prose, leaving the reader to appreciate, in its purest form, the gravity of what is being said.
