Chase Holland spends his days painting Portland scenes to hang in local businesses, neglecting his own surrealist style. After twenty-five years as a full-time artist, he’s frustrated that his career has stalled, but churning out the equivalent of corporate art is better than getting a day job. Chase and Garrett have been together—off and on, but mostly on—for a decade. If asked, they would both say the source of their trouble is the seventeen-year age gap. The truth is less clear-cut. Life would be so much easier if Chase could make a living with his own art, or if Garrett held less conventional ideas about relationships. Garrett Frisch has been watching their friends get married for the past two years, and it’s taking an emotional toll. When he proposes as a way to keep them together permanently, he thinks he’s being responsible, but Chase is ambivalent and hurt and can’t hide it. It doesn’t help that Garrett’s anxiety is out of control and he’s dealing with insecurities about his own art career. They will have to do their least favorite thing—talk about something more important than which food cart to visit—if they are to get the happy ending they both want.