Sometimes you take the shot, and sometimes the shot takes you. As the manager of Montreal’s most infamous dive bar, Monroe—and it’s just Monroe, thank you very much—is used to serving up her signature pearls of wisdom alongside an array of shots, pints, and pitchers. In fact, she thrives on it. Taverne Toulouse is a mighty ship, and she its fearless captain, trusted by patrons and bar staff alike to steer them through choppy waters. If only she’d been given a little warning before a full-on tsunami swept in next door. Julien Valois’ wining and dining empire is making waves. The next item on his agenda is opening a trendy lounge right next to Monroe’s beloved Taverne Toulouse—one that’s meant to run the dive bar out of business so he can buy up that property too. His plans did not include falling for a five-foot-nothing brunette with an impressive vocabulary and an even more impressive ability to manhandle drunk frat boys twice her size. They’re rivals in every sense of the word, but when Monroe and Julien are in a room together, the battle lines fade away. Their defences lower, their hearts get louder than their heads, and the burn between them goes down like just the right shot—intense, intoxicating, and able to sweep their priorities away with a single taste. Until reality decides to slap up a big ‘For Sale’ sign and force them remember those priorities all too clearly. The Bar Next Door is part of the Barflies series, a set of standalone romantic comedies that chronicle the lives and loves of the staff at a Montreal dive bar.

You win some, you lose some. Back at home with half a college degree after the fiasco of the century sent her packing, it’s safe to say that Renee Nyobé is losing some. She’s a hot mess, and not the cute kind. No, if hot messes had categories, hers would be ‘littering the stairs of the metro station with your sweaty underwear because you were too busy rushing to the job interview you’re already late for to zip up your yoga bag.’ A job—any job—is just what she needs to get her life back on track, and it might as well be at Montreal’s most famous dive bar, Taverne Toulouse. Dylan Trottard is winning some. As Taverne Toulouse’s new manager, he’s got one rule for himself: don’t screw up. Following that rule gets a lot harder when the woman he’s spent the past three years trying to forget starts working behind the bar. They were never supposed to want each other, and they sure as hell aren’t supposed to want each other now. She’s the girl that got away before he even had her, and he’s the guy she didn’t think would ever give her a second glance. Now they can’t keep their eyes off one another, and the stakes are even higher than before. There’s a lot to lose, but as the pull between them gets harder and harder to ignore, Renee and Dylan start asking how much winning is worth. Glass Half Full is part of the Barflies series, a set of standalone romantic comedies that chronicle the lives and loves of the staff at a Montreal dive bar.

Better late than never. It’s the phrase on the tip of everyone’s tongues. For three years, every staff member and regular at Taverne Toulouse has watched Zach and DeeDee edge their way closer to the grand finale of a ‘will they, won’t they’ dance that feels like it’s lasted for decades. Bets have been placed. Wagers have been drawn. The whole of Montreal’s most famous dive bar is holding its breath. Will the small town boy with a heart of gold finally make a move on the wild, pink-haired bartender he’s been in love with for years, or will the moment pass them by and leave Zach and DeeDee insisting they’re ‘just friends’ yet again? A rowdy night at the bar gets served with a twist that sends DeeDee spinning—not into Zach’s arms, but straight into his living room. With his dream girl crashing on his couch for a few weeks and brightening his days with spontaneous dance parties and eventful forays into the art of hair dyeing, Zach’s feelings only get stronger, and DeeDee’s follow right behind. He calms her storms, and she streaks his skies with lightning. They fill each other’s gaps with a symmetry neither of them can ignore, but every step closer only raises the stakes of losing it all. Late or never. A choice three years in the making. Their final shot to get it right. One for the Road is part of the Barflies series, a set of standalone of romantic comedies that chronicle the lives and loves of the staff at a Montreal dive bar.

Fool me once, shame on you. Fool me twice— Paige Rivera doesn’t need to know the rest; she doesn’t intend to end up among the twice-fooled. It’s been six years since Youssef Salah let her down, and not even the shock of his reappearance is enough to make her consider letting him do it again. She learned a lot from that first fall: how to pick herself up, brush herself off, and push away anyone with the ability to knock her off her feet. He’s no longer the teenage boy she knew, but Youssef still possess the powers of a gravitational force, so Paige employs her failsafe strategy: head down, eyes on the prize. The prize in this case is her burgeoning career as a music producer and one-to-watch in the Montreal DJ scene. Unfortunately, that’s the prize Youssef has always had his eyes on too. As the city’s sweaty clubs and neon-lit bars throw them together again and again, Paige can’t help getting caught in the pull of the boy she used to know and the man he’s now become—a man who’s not afraid to hide that he’s just as drawn to her. Passing words turn into late-night conversations that force them both to realize their past was never as simple it seemed, and neither was their goodbye. There’s a future waiting for them, as ready as an empty stage under the lights, but fools have a way of showing up in the spotlight–especially if they’ve been there twice. When the Lights Come On is part of the Barflies series, a set of standalone of romantic comedies that chronicle the lives and loves of the staff at a Montreal dive bar.