Margins
Blues for Cannibals book cover
Blues for Cannibals
The Notes from Underground
2002
First Published
4.04
Average Rating
350
Number of Pages
Blues for Cannibals continues the quest Bowden began in Blood Orchid -to discover the headwaters of the sickness that seeps through the American soul, and to consider what it might mean to come fully alive in a time of exalted consumption, global pillage, gated communities, and wholesale destruction of the environment. Down, down he leads us, in intoxicating, nearly hallucinogenic prose-past the Yaqui, the Anasazi, and other ghosts of our collective history, past the hookers, winos, and assorted have-nots outside the prosperous circle by the fire. We meet a prisoner obsessed with painting presidents, sex offenders whose desires are not as alien as we wish, a murderer whose execution does not cure what ails us. "I wound up looking at a world where cannibalism is life," Bowden writes, "and of course, given the diet, a life without a future." He mourns a young artist who couldn't find a reason to keep living and tends a mesquite tree that won't die. And down among its metaphoric roots, he reacquaints us with the appetites-fierce, flawed, human-that might save us too. Blues for Cannibals is scripture for an age when bushes no longer burn.
Avg Rating
4.04
Number of Ratings
171
5 STARS
43%
4 STARS
32%
3 STARS
15%
2 STARS
6%
1 STARS
4%
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Author

Charles Bowden
Charles Bowden
Author · 21 books

Charles Bowden was an American non-fiction author, journalist and essayist based in Las Cruces, New Mexico. His journalism appeared regularly in Harper’s GQ, and other national publications. He was the author of several books of nonfiction, including Down by the River. In more than a dozen groundbreaking books and many articles, Charles Bowden blazed a trail of fire from the deserts of the Southwest to the centers of power where abstract ideas of human nature hold sway—and to the roiling places that give such ideas the lie. He claimed as his turf "our soul history, the germinal material, vast and brooding, that is always left out of more orthodox (all of them) books about America" (Jim Harrison, on Blood Orchid ).

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