Lady Jane Everard cannot abide the new Earl of Hadley. The unmannered Scot is a menace to genteel ladies everywhere, what with his booming laugh and swishing kilt and endless supply of ‘ochs’ and ‘ayes.’ Jane wishes Lord Hadley would behave as an earl should and adhere to English rules of polite conduct. Andrew Langston, the new Earl of Hadley, knows that the English aristocracy think poorly of his lowly Scottish upbringing. This is hardly new. History is littered with the English assuming the worst about Scotland. By living up to their lowest expectations, he is simply fulfilling his civic duty as a Scotsman. Jane sees Andrew as an unmannered eejit. Andrew considers Jane to be a haughty English lady. But, as the saying goes, . . . opposites attract. And what if beneath his boisterous behavior and her chilly reserve, Andrew and Jane are not nearly as different as they suppose? Can Scotland and England reach a harmonious union at last?

Lady Sophronia Sorrow considers herself an unlikely heroine. Why, just her name alone proves this. Sophronia Sorrow sounds like a girl from a gothic penny novel—the foolish miss who falls prey to a rake and becomes an object lesson for the true heroine to avoid. No, despite her mawkish name, Sophie refuses to spend her life invisible and unwanted, relegated to the margin of the text. Despite her eccentric, bluestocking ways, there must be a place where she is wanted. If only she could uncover the identity of her natural father, perhaps she would belong there?But one thing Sophie knows for sure—unlike that foolhardy miss in a novel, she will not succumb to a rake. No matter how thoroughly the rakish Lord Rafe Gilbert may tempt her.Lord Rafe Gilbert longs for freedom—freedom from his controlling father, freedom to live his life as he chooses. He knows playing the rake keeps his autocratic father in check, but Rafe longs to determine his own destiny. Case in point, he fell in love with Lady Sophie years ago, but his father’s threats and his mother’s health prevent him from pursuing Lady Sophie in earnest. So when Fate thrusts Sophie into his path, Rafe knows he must turn her away and distance himself. But doing the right thing has never been so impossibly difficult.Sophie and Rafe soon find themselves on a journey together from London to a castle in the Scottish Highlands. Along the way, can two kindred souls heal from past hurts and seize a second chance to write a love story of their own?

Ewan Campbell fought to free himself from his past. Quite literally. A former prizefighter, he now earns his living as an artist. But Ewan still fights more figurative opponents—dark memories that threaten to overwhelm him. Worse, when he is hired to assist a famous painter, Ewan finds himself falling for the man’s highborn niece, Lady Kildrum. Such feelings are pointless. Countesses do not fall in love with impoverished Highlanders, no matter what fairy tales say. Violet Kerr, Lady Kildrum, struggles to make decisions. She is a countess in her own right, for heaven’s sake. Decision-making skills should flow through her blood. After all, her life’s path is clear—marry a nobleman, provide for her sisters, and see to the welfare of her tenants. Though Violet has made one decision—She must curb her attraction to Ewan Campbell, her uncle’s new art assistant. The lowly Highlander, no matter how alluring, is not a proper suitor for a countess. She definitely should not fantasize about the man. Or, if she does, she should not allow such fantasies to lead to very real kissing. Because kissing could bring on the most difficult decision of all—What happens if Violet chooses to fall in love with the one man she can never have?

Lady Charlotte Whitaker is devoted to her family, particularly her sister’s son, Freddie. Her late father, the Marquess of Lockhead, died without a male heir. But on his deathbed, her father requested that Freddie inherit the title. Consequently, Lottie’s family has petitioned the Crown to recreate the title with Freddie as the new heir. Lottie wants nothing more than to honor her late father’s wishes. But she unwittingly reveals a wrinkle to this plan. Dr. Alexander Whitaker is dedicated to his work as a physician in Edinburgh, Scotland. He dislikes surprises—disruptions to his daily schedule, interferences with his ability to care for his patients, and events that might alter his future. He particularly abhors things that threaten to do all three. So when a solicitor calls with news that Alex might be heir to an English marquisate, Alex wants nothing to do with the claim. But the law is the law, and a man cannot revoke his lineage, can he? Alex does not want to be the new marquess. Lottie is determined to honor her late father’s wishes. Their goals should be simple enough to accomplish, right? But when two kindred souls crash into one another, the resulting conflagration may have consequences neither can anticipate. And Lottie and Alex soon face a difficult truth—sometimes, life makes us choose between two loves, and in order to have one, we must forsake the other.

Miss Eilidh Fyffe always assumed her life would follow a predictable pattern—meet a charming man, fall in love, marry, and live happily ever after. But when an accident damages her memory, she is left with only questions. Has she already fallen in love and married? If only she could remember... Master Kieran MacTavish has spent six years searching for his lost wife. But, turns out, finding Eilidh alive is only the beginning of the battle. She has no memory of him—no recollection of their courtship, love, or handfasting. Refusing to be discouraged, Kieran relishes the chance to make Eilidh fall for him all over again. Surely he can rekindle the flame of their love. But the intervening years have changed them both. Eilidh is crippled by grief—the deaths of her father, her younger brother, Jamie, and others overwhelm her. And the more Kieran comes to know this new Eilidh, the more he is haunted by the woman she once was. Throughout it all, one question looms large—Is your love still your love if the person they once were no longer exists?