Four masters of sensual historical romance transport readers to a world where fantasies come true and passion is bound only by the limits of the imagination. A LADY'S PLEASURE by Robin Schone Seeking shelter from a storm, Colonel Robert Coally intrudes on Abigail Wynfred while she is reading a book that would surely raise more than one eyebrow in London society. When the lonely Abigail confides in him that she aches for the touch of a man, Robert takes her on a breathless journey filled with sensual surprises surpassing even the most scandalous of fictional exploits. DARK DESIRES by Thea Devine Drue Caledon despises her new husband Courtland Summerville, the man she was forced to marry, and vows to remain loyal to her true love, Gerard Lenoir. But Court intends to make Drue his in body and spirit by introducing her to the pleasures of the flesh—tantalizing her until she has no choice but to surrender to his every desire. BOUND AND DETERMINED by Susan Johnson The Princess Marko has kidnapped Hugh Dalsany, Marquis of Crewe. Now Hugh finds himself her prisoner, shackled to a bedpost. But it isn't long before he becomes a very willing captive, succumbing to her expert skills in seduction. ECSTASY by Bertrice Small Dagon, Prince of Aramis, had been betrayed by his twin brother and sold into slavery. He vowed to escape his tortured life and seek revenge, until he was brought to Kava. Now Dagon is under the rapturous spell of the women who rule this kingdom and of its queen, the irresistible Kelida whose wickedly lascivious games leave him begging for more.
Authors
Bertrice Williams was born on December 9, 1937 in Manhattan, New York City, New York, USA, the daughter of Doris S. and David R. Williams, both broadcasters. She studied at Attended Western College for Women and Katharine Gibbs Secretarial School. On October 5, 1963, she married George Sumner Small, a photographer and designer with a History Major at Princeton. They had a son Thomas David. She lived on eastern Long Island for over 30 years. Her greatest passions were her family; Finnegan and Sylvester, the family cats; Nicki, the elderly cockatiel who whistles the NY Mets charge call; her garden; her work, and just life in general. Published since 1947, Bertrice Small was the author of over 50 romance novels. A New York Times bestselling author, she had also appeared on other best-seller lists including Publishers Weekly, USA Today, and the L.A. Times. She was the recipient of numerous awards including Career Achievement for Historical Romance; Best Historical Romance; Outstanding Historical Romance Series; Career Achievement for Historical Fantasy; a Golden Leaf from the New Jersey Romance Writers chapter of Romance Writers of America; an Author of the Year (2006) and Big Apple Award from the New York City Romance Writers chapter of RWA, and several Reviewers Choice awards from Romantic Times. She had a "Silver Pen" from Affair De Coeur, and an Honorable Mention from The West Coast Review of Books. In 2004 she was awarded a Lifetime Achievement Award by ROMANTIC TIMES magazine for her contributions to the Historical Romance genre. And in 2008 she was named by ROMANTIC TIMES along with her friends Jennifer Blake, Roberta Gellis and Janelle Taylor, a Pioneer of Romance. Bertrice Small was a member of The Authors Guild, Romance Writers of America, PAN, and PASIC. She was also a member of RWA's Long Island chapter, L.I.R.W., and is its easternmost member on the North Fork of Eastern Long Island.
And it all began rather serendipitously. Long ago, as they say, in another time, when fast food hadn't reached our area and the only shopping was what the feed mill offered, I was reading a book that annoyed me . My husband was lying beside me in bed, watching TV. Turning to him, I sort of petulantly said, "How the hell did this book get published?" "If you think you're so smart," he replied, with one eye still on the TV, "why don't you write a book?" So I did. And very badly. I've since learned how to do, he said, she said, and a great variety of other adverb heavy, sometimes lengthy explanations of why my characters are saying what they're saying, along with finally coming to an understanding of what things like POV means. Point of View for you non-writers}. Although, I still don't fully comprehend why it matters if you switch POV and I cavalierly disregard it as much as possible. So while my technical skills have hopefully improved, what hasn't changed is my great joy in writing. There's as much pleasure today in listening to my characters talk while I type as fast as I can, as there was the first time I put dialogue to paper—in long-hand, then, in my leather bound sketch-book.
