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Casa de muñecas / Hedda Gabler book cover
Casa de muñecas / Hedda Gabler
1891
First Published
3.86
Average Rating
237
Number of Pages
Las raíces directas del teatro actual se encuentran en la obra de Henrik Ibsen (1828-1906), quien no sólo puso los cimientos de la escena moderna, sino que dio expresión a muchos de los problemas del mundo contemporáneo. Uno de los temas que están presentes a lo largo de todo su teatro -la mujer como ser capaz de elegir libremente- llega a su cima en la Nora de "Casa de muñecas" (1879) y en la protagonista de "Hedda Gabler" (1890). Si la primera obra fue causa de uno de los mayores escándalos en la historia del teatro occidental, la segunda ofrece el retrato de una compleja psicología femenina encarnada en su protagonista, una mujer capaz de sacrificar todo en aras de su independencia. Prólogo de Alberto Adell
Avg Rating
3.86
Number of Ratings
396
5 STARS
28%
4 STARS
39%
3 STARS
26%
2 STARS
6%
1 STARS
2%
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Author

Henrik Ibsen
Henrik Ibsen
Author · 50 books

Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.

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