
Part of Series
3 • Words from the Editors (Cemetery Dance #37) • [Editorial (Cemetery Dance)] • (2002) • essay by Robert Morrish and Richard Chizmar 4 • Peering Through Darkness: A Conversation with T. M. Wright • (2002) • interview of T. M. Wright • interview by William P. Simmons [as by William Simmons] 10 • Circularity • (2002) • interior artwork by Matt Eames 11 • Circularity • (2002) • short story by T. M. Wright 18 • Genetically Predisposed • (2002) • interior artwork by Keith Minnion 19 • Genetically Predisposed • (1992) • short story by Elizabeth Engstrom 24 • From the Dead Zone: Stephen King News (Cemetery Dance #37) • [From the Dead Zone] • (2002) • essay by Bev Vincent 32 • Liner Notes for "Michael McDermott" CD • (1996) • essay by Stephen King 34 • A Door Opens and Closes • (2002) • interior artwork by Keith Minnion 35 • A Door Opens and Closes • (2002) • novelette by Conrad Williams 48 • Waves of Fear (Cemetery Dance #37) • (2002) • essay by Paula Guran 48 • Review: Smoking Poppy by Graham Joyce • (2002) • review by Paula Guran 49 • Review: Threshold by Caitlín Kiernan • (2002) • review by Paula Guran 50 • Review: Pact of the Fathers by Ramsey Campbell • (2002) • review by Paula Guran 52 • Chimaera's • (2002) • interior artwork by Matt Eames 53 • Chimaera's • (2001) • short story by Robin Spriggs 58 • Visiting in the Dark: A Conversation with Al Sarrantonio • (2002) • interview of Al Sarrantonio • interview by William P. Simmons [as by William Simmons] 64 • Mediadrome (Cemetery Dance #37) • [MediaDrome] • (2002) • essay by Michael Marano 70 • Miami Supercops • (2002) • interior artwork by Matt Eames 71 • Miami Supercops • (2002) • short story by Michael Cadnum 74 • Midnight Matinee (Cemetery Dance #37) • (2002) • essay by Ray Garton 76 • Cleaning Compulsion • (2002) • interior artwork by Keith Minnion 77 • Cleaning Compulsion • (2002) • short story by Gary L. Raisor [as by Gary Raisor] 80 • Ramblings from the Dark #30 • [Ramblings from the Dark • 30] • (2002) • essay by Charles L. Grant 84 • Spotlight on Publishing: Stealth Press • [Spotlight on Publishing] • (2002) • essay by Robert Morrish 90 • CD Reviews (Cemetery Dance #37) • (2002) • essay by various 90 • Review: Dark Carnival by Ray Bradbury • (2002) • review by William P. Simmons 90 • Review: From the Dust Returned by Ray Bradbury • (2002) • review by Hank Wagner 91 • Review: Pact of the Fathers by Ramsey Campbell • (2002) • review by William D. Gagliani [as by William Gagliani] 91 • Review: The Last Vampire by Whitley Strieber • (2002) • review by Hank Wagner 92 • Review: The Association by Bentley Little • (2002) • review by Wayne Edwards 92 • Review: The Museum of Horrors by Dennis Etchison • (2002) • review by Garrett Peck 93 • Review: Cobwebs and Whispers by Scott Thomas • (2002) • review by Garrett Peck 93 • Review: Darkness Divided by John Shirley • (2002) • review by Garrett Peck 93 • Review: Exotic Locals by Janet Berliner and George Guthridge • (2002) • review by Garrett Peck 94 • Review: Extremes 3: Terror on the High Seas by Brian A. Hopkins • (2002) • review by William D. Gagliani 94 • Review: Heretics by Greg F. Gifune • (2002) • review by William P. Simmons 95 • Review: House of Pain by Sèphera Girón • (2002) • review by Hank Wagner 95 • Review: Night Moves and Other Stories by Tim Powers • (2002) • review by William D. Gagliani 96 • Review: Night Terrors by Drew Williams • (2002) • review by Garrett Peck 96 • Review: Dark Universe by William F. Nolan • (2002) • review by Wayne Edwards 96 • Review: Succubi by Edward Lee • (2002) • review by Garrett Peck 97 • Review: The Scarecrow and Other Stories by G. Ranger Wormser • (2002) • review by William P. Simmons 97 • Review of the nongenre novel "Wild Turkey" by Michael Hemmingson • essay by Garrett Peck 98 • Review: Chaosicon: A Novel of Supernatural Terror by Christopher Leppek and Emanuel Isler • (2002) • review by Garrett Peck 98 • Review: Duet for the Devil by T. Winter-Damon and Randy Chandler • (2002) • review by Wayne Edwards 99 • Review: The Best of Horrorfind by Brian Keene • (2002) • review by Jack Lloyd 99 • Review: Balak by Stephen Mark Rainey • (2002) • review by Jack Lloyd 99 • Review: The Machine in Ward Eleven by Charles Willeford • (2002) • review by Jack Lloyd 100 • Review: Frightening Curves by Antony Johnston and Aman Chaudhary • (2002) • review by Jack Lloyd
Authors

Charles Lewis Grant was a novelist and short story writer specializing in what he called "dark fantasy" and "quiet horror." He also wrote under the pseudonyms of Geoffrey Marsh, Lionel Fenn, Simon Lake, Felicia Andrews, and Deborah Lewis. Grant won a World Fantasy Award for his novella collection Nightmare Seasons, a Nebula Award in 1976 for his short story "A Crowd of Shadows", and another Nebula Award in 1978 for his novella "A Glow of Candles, a Unicorn's Eye," the latter telling of an actor's dilemma in a post-literate future. Grant also edited the award winning Shadows anthology, running eleven volumes from 1978-1991. Contributors include Stephen King, Ramsey Campbell, R.A. Lafferty, Avram Davidson, and Steve Rasnic and Melanie Tem. Grant was a former Executive Secretary and Eastern Regional Director of the Science Fiction and Fantasy Writers of America and president of the Horror Writers Association.


Robin Spriggs is the author of Diary of a Gentleman Diabolist, Wondrous Strange: Tales of the Uncanny, The Dracula Poems, Capes & Cowls: Adventures in Wyrd City, and over 200 short stories and poems that have appeared in a wide variety of publications. His work has been nominated for a Bram Stoker Award, Pushcart Prize, and multiple Rhysling Awards. As an actor, Spriggs has appeared as Captain Franco in NBC's Revolution, Chris Amante in USA Network’s Necessary Roughness, and as affable sociopath Alfonse Duncan in the rural noir Sinkhole. He is currently attached to the romantic comedy The Genesis of Lincoln and the horror film The Ballad of Jimmy Hallows.

Stephen Edwin King was born the second son of Donald and Nellie Ruth Pillsbury King. After his father left them when Stephen was two, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of them. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged. Stephen attended the grammar school in Durham and Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, THE MAINE CAMPUS. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums. He met Tabitha Spruce in the stacks of the Fogler Library at the University, where they both worked as students; they married in January of 1971. As Stephen was unable to find placement as a teacher immediately, the Kings lived on his earnings as a laborer at an industrial laundry, and her student loan and savings, with an occasional boost from a short story sale to men's magazines. Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many were gathered into the Night Shift collection or appeared in other anthologies. In the fall of 1971, Stephen began teaching English at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.

Elizabeth (Liz) Engstrom grew up in Park Ridge, Illinois (a Chicago suburb where she lived with her father) and Kaysville, Utah (north of Salt Lake City, where she lived with her mother). After graduating from high school in Illinois, she ventured west in a serious search for acceptable weather, eventually settling in Honolulu. She attended college and worked as an advertising copywriter. After eight years on Oahu, she moved to Maui, found a business partner and opened an advertising agency. One husband, two children and five years later, she sold the agency to her partner and had enough seed money to try her hand at full time fiction writing, her lifelong dream. With the help of her mentor, science fiction great Theodore Sturgeon, When Darkness Loves Us was published. Engstrom moved to Oregon in 1986, where she lives with her husband Al Cratty, the legendary muskie fisherman. She holds a BA in English Literature with a concentration in Creative Writing, a Master’s in Applied Theology, and a Certificate of Pastoral Care and Ministry, all from Marylhurst University. An introvert at heart, she still emerges into public occasionally to teach a class in novel or short story writing, or to speak at a writer’s convention or conference.

'Simmons draws from a well with waters dark and deep, that taste of guilt, despair and fear, to cultivate his surprising and inventive tales of horror.' — ADAM NEVILL (British Fantasy Award Winning author of THE RITUAL and NO ONE GETS OUT ALIVE). William Simmons is an acclaimed author, critic, anthologist, and journalist specializing in supernatural horror fiction. He is an Active Member of the HWA. Eight of his stories received ‘Honorable Mentions’ in The Year’s Best Fantasy & Horror. His collection WE FEED THE DARK received accolades from such horror legends as ADAM NEVILL, ERIC J. GUINGARD, and FORREST AGUIRRE. “Avoiding horror’s traditional icons and their premeasured fright potential ... (Simmons is) a writer whose approach is both original and refreshingly unconventional.”
- PUBLISHER'S WEEKLY His collection BY REASON OF DARKNESS received rave reviews from Cemetery Dance, All Hallows, and Publisher's Weekly, who called him Simmons “…evokes both Ray Bradbury and Joyce Carol Oates.” – PETER BELL, All Hallows His first collection BECOMING OCTOBER sold out quickly upon release, and he collaborated on the Halloween collection DARK HARVEST with author Paul Melznick. His stories have appeared in several venues, including Cemetery Dance, Flesh & Blood, Darkness Rising (1-9), Infinity Plus, Dark Discoveries, and many more. His poetry has appeared in Chizine, Gothic.net, Lullaby Hearse, Dead Cat Bouncing, etc. GRAHAM MASTERTON, author of The Minatou, said Simmons “has the gift of making an ordinary day seem scary.” NANCY KILPATRICK, author of The Goth Bible, said “Simmons has a knack for constructing dark, creepy, introverted tales, full of obscure terrors that reflect nearly mythical realms.” And T.M. WRIGHT, author of Strange Seed, compared Simmons’ horror fiction to “like being taken back forty years and discovering Poe for the first time, and M.R. James, and Shirley Jackson.” Simmons has contributed reviews, essays, and scholarship to Rue Morgue, Publisher’s Weekly, Wormwood, Hellnotes, Gauntlet, Cemetery Dance, and others. His review columns include “Dark Devotions”, “Literary Lesions”, and “Folk Fears”. He contributed an introduction to Falling into Heaven, by Maynard & Sims, and his reviews have been blurbed for several books. As a journalist, he created Our Ladies of Darkness, one of the earlier interview columns devoted to female genre authors, and Beyond the Fifth Dimension: The Twilight Zone Interviews, which spoke with surviving scribes of the influential television series. He also conducted two special chapbook length interviews with Richard Matheson and F. Paul Wilson, both for Gauntlet Press. His reviews have been used as blurbs by Tartan Asian Extreme and he has contributed Liner Notes to DVD releases. “His anthologies are carefully crafted, the stories bleeding into each other with seamless precision.” – MAYNARD & SIMS, Demon Eyes. As an anthologist he has edited the bestselling SEASON OF THE DEAD: SUPERNATURAL HORROR FOR HALLOWEEN (reviewed by Rue Morgue) and the bestselling WILDWOOD: TALES OF TERROR & TRANSFORMATION FROM THE FOREST. His other anthologies are MONSTER CARNIVAL and YULETIDE FRIGHTS. He is the series editor for Shadow House Publishing has several anthologies and single author collections in development. for Shadow House Publishing, including The Library of Weird Fiction and Horror Hall of Fame Novellas.


Al Sarrantonio (born May 25, 1952, in New York City) is an American horror and science fiction author who has published, over the past thirty years, more than forty books and sixty short stories. He has also edited numerous anthologies and has been called “a master anthologist” by Booklist. Wikipedia entry: Al Sarrantonio
