Naples, March 1931: a bitter wind stalks the city streets, and murder lies at its chilled heart. As one of the world s greatest tenors, Maestro Vezzi, is found brutally murdered in his dressing room at Naples famous San Carlo Theatre, the enigmatic and aloof Commissario Ricciardi is called in to investigate. Arrogant and bad-tempered, Vezzi was hated by many, but with the livelihoods of the opera at stake, who would have committed this callous act? Ricciardi, along with his loyal colleague, Maione, is determined to discover the truth. But Ricciardi carries his own secret: will it help him solve this murder?

Ricciardi has visions. He sees and hears the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most acute and successful homicide detectives in the Naples police force. But all that horror and suffering has hollowed him out emotionally. He drinks and doesn’t sleep. Other than his loyal partner Brigadier Maione he has no friends. Naples, 1931. In a working class apartment in the Sanita’ neighborhood an elderly woman by the name of Carmela Calise has been beaten to death. When Ricciardi and Maione arrive at the scene they start asking the neighbors questions. No one wants to talk but slowly a few interesting facts slip out. Carmela Calise was moonlighting as a fortuneteller and moneylender. In her decrepit apartment she would receive clients, among them some of the city’s rich and powerful, predicting their futures in such a way as to manipulate and deceive. If economic ruin lurked in their futures, Calise was happy to help. For a price, of course. She had many enemies, those indebted to her, manipulated by her lies, disappointed by her prophesies or destroyed by her machinations. Murder suspects in this atmospheric thriller abound and Commissario Ricciardi, one of the most original and intriguing investigators in contemporary crime fiction, will have his work cut out for him.

Book three in the Commissario Ricciardi series. Naples 1931. Together with his indefatigable partner, Brigadier Maione, Ricciardi, a man driven into solitude by his paranormal �gift” of seeing the final seconds in the lives of victims of violent deaths—a talent that also makes him a highly effective investigator—is conducting an investigation into the death of the beautiful and mysterious Duchess of Camparino, whose connections to Neapolitan privileged social circles and the local fascist elite make the case a powder keg waiting to blow.

In this fourth installment of the internationally successful Commissario Ricciardi series, the Commissario is investigating the death of Matteo, one of the many street urchins who live hand-to-mouth in the dark alleys of 1930s Naples. While at first the death seems provoked by natural causes, it quickly emerges that there’s more to the tragedy than meets the eye. Commissario Ricciardi is the undisputed wizard of Neapolitan crime scenes. He solves every crime with an uncanny swiftness that leaves his colleagues dumbfounded. Indeed, there are those who think his abilities are the work of the devil, and unnatural and ungodly gift to be exorcised. And maybe they’re right. Ricciardi sees the dead. He sees and hears the final moments in the lives of those who have suffered violent deaths. It may be a talent or it may be a curse, but it is nonetheless a kind of black magic. Sometimes, however, even black magic isn’t enough. It’s a rainy autumn in Naples and the fog lays thick over the city as its inhabitants celebrate the week of the dead. Ricciardi’s instincts tell him that the dead boy is the victim of a murder, but investigating the homicide is not going to be easy. The authorities want to avoid any trouble, any sign that things are not as they ought to be in Naples, for they are preparing for the state visit of Benito Musolini. Ricciardi will have to conduct his investigation hidden from the eyes of his superiors. What’s worse, his sixth sense is no help to him this time; the scene of the crime is silent, still, not a word or a sign, or even a scream from the dead. Has his unwelcome gift finally faded? Or is something more sinister at work?

As Naples prepares for its holiday celebrations, behind the facade of order and happiness imposed by the fascist regime, lurks terrible poverty and blinding desperation. In a luxurious apartment on the Mergellina beach the bodies of a fascist militia officer and his wife have been found. The woman has had her throat cut while the man has been stabbed over sixty times. Seemingly, the hands of two separate killers have been at work. A statuette of San Giuseppe, patron saint of workers, lies in pieces on the floor. At the scene of the crime, Ricciardi, who has the dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, listens to the enigmatic last words of the couple. Accompanied by his faithful partner Brigadier Raffaele Maione, and once more troubled by two women who compete for his attentions, the Commissario will have to trace a wide and frenetic arc through the streets of Naples in order to uncover the truth.

Springtime proffers fragrant temptations to the men and women of Naples. But evil also lurks in the sweet-smelling spring air. It is one week before Easter, Naples, 1932. At the high-class brothel in the center of town known as Paradiso, Viper, the most famous prostitute of all, is found dead. Suffocated with a pillow. Her last client swears that when he left her she was alive and well. But when her next client arrived, he found her dead. Who killed her and why? Ricciardi has to untangle a complex knot of greed, frustration, jealousy and rancor in order to solve the riddle of Viper’s death. As he does so, he will discover no end of conflicting emotions just beneath the surface of a city that lives on passion. De Giovanni’s mysteries unfold with such sinuous ease that they seem to write themselves. They enchant, surprise; they hold readers enthralled. Commissario Ricciardi, whose dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, is one of the most fascinating investigators to make his appearance in the world of international crime fiction in recent years. And in Vipers, the lustful and boisterous city of Naples has never been more seductive.

In the middle of a summer heat wave, as Naples prepares for one of its most important holy days, a renowned surgeon falls to his death from the window of his office. For Commissario Ricciardi and Brigadier Maione it is the beginning of an investigation that will bring them into contact with the most torrid, conflicting and enduring of human passions. In the world Ricciardi and Maione are about to enter, infidelity appears inextricable from the most joyful expressions of love, and, this interdependence sows doubt and uncertainty in both men, compromising their own attempts at love. Ricciardi is one of the most intriguing and unique figures to appear in crime fiction in recent years. He possesses the dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death. This ability makes him an unusually effective investigator but plagues him and renders human relationships almost impossible. He is a classic noir hero and the cursed son of a city that, for all its Mediterranean splendor, is a perfect noir city. In this new installment in the Commissario Ricciardi series, Maurizio de Giovanni creates a large cast of unforgettable characters and a compelling, suspenseful plot that demonstrates once more why he is considered one of the best crime writers working today.

The eighth entry in Maurizio de Giovanni's internationally bestselling Commissario Ricciardi series. In the abyss of a profound personal crisis, Commissario Ricciardi feels unable to open himself up to life. He has refused the love of both Enrica and Livia and the friendship of his partner, Maione. Contentment for Ricciardi proves as elusive as clues to the latest crime he has been asked to investigate. The beautiful, haughty Bianca, countess of Roccaspina, pleads with Ricciardi to investigate a homicide that was officially closed months ago. In the tense, charged atmosphere of 1930s Italy, where Benito Mussolini and his fascist thugs monitor the police closely, an unauthorized investigation is grounds for immediate dismissal and possible criminal charges. But Ricciardi's thirst for justice cannot be sated. A tightly plotted historical noir novel, this eighth installment in the Commissario Ricciardi series is a gripping meditation on revenge and justice in which each character's soul reveals itself to be made of glass. "The construction of Glass Souls is remarkable. It's like a very sophisticated mosaic in which each protagonist occupies precisely the right amount of space. The powerful rhythm with which the plot develops will surprise readers at every turn." —La Reppublica

A Commissario Ricciardi Mystery That autumn it seemed the rain in Naples would never stop, and Commissario Ricciardi found himself having to face not only a homicide but long-buried feelings that have grown thick roots inside him. It's been over fifteen years since Vinnie Sannino left on a ship for America without telling anyone. During that decade and a half, Vinnie found fame, success, and wealth as a boxer, becoming the middleweight champion of the world. But that all came to a terrifying halt when his last opponent died in the ring and Vinnie lost his desire to fight. Now, he's back in Italy in search of the woman he left behind, Cettina, the love of his life. But Cettina has moved on. She's now a woman, a married woman. Or, she was until recently. Her husband, a wealthy businessman, has been found murdered. There's no murder weapon to speak of. He was killed with a single blow to the head, not unlike the blow that felled Vinnie's opponent in the ring on that fateful night in America. For Ricciardi, and his partner Maione, it is going to be a long, rainy, and deadly autumn.

Il Natale è appena trascorso e la città si prepara al Capodanno quando, sul palcoscenico di un teatro di varietà, il grande attore Michelangelo Gelmi esplode un colpo di pistola contro la giovane moglie, Fedora Marra. Non ci sarebbe nulla di strano, la cosa si ripete tutte le sere, ogni volta che i due recitano nella canzone sceneggiata: solo che dentro il caricatore, quel 28 dicembre, tra i proiettili a salve ce n'è uno vero. Gelmi giura la propria innocenza, ma in pochi gli credono. La carriera dell'uomo, già in là con gli anni, è in declino e dipende ormai dal sodalizio con Fedora, stella al culmine del suo splendore. Lei, però, cosí dice chi la conosceva, si era innamorata di un altro e forse stava per lasciarlo. Da come si sono svolti i fatti, il caso sembrerebbe già risolto, eppure Ricciardi è perplesso. Mentre il fedele Maione aiuta il dottor Modo in una questione privata, il commissario, la cui vita sentimentale pare arrivata a una svolta decisiva, riuscirà con pazienza a riannodare i fili della vicenda. Un mistero che la nebbia improvvisa calata sulla città rende ancora piú oscuro, e che riserverà un ultimo, drammatico colpo di coda. «Il vento tagliente. Fuochi d'artificio, vecchie stoviglie lanciate da balconi e finestre. Una cena cilentana che aspetta, e che non sarà mangiata. Un ospedale, l'odore dei disinfettanti, una porta chiusa. Una donna bellissima e aristocratica in lacrime, vestita di velluto viola, come i suoi occhi. Una ragazza con gli occhiali che corre. Un vecchio che saluta un giovane e un mandolino. La solita, stranissima emozione fatta di sollievo e nostalgia. Ciao, Ricciardi. È stato meraviglioso incontrarti ancora una volta». Maurizio de Giovanni

Tutto il dolore del mondo, è questo che la vita ha riservato a Ricciardi. Almeno fino a un anno fa. Poi, a dispetto del buonsenso e delle paure, un pezzo di felicità lo ha preso al volo pure lui. Solo che il destino non prevede sconti per chi è condannato dalla nascita a dare compassione ricevendo in cambio sofferenza, e non è dunque su un omicidio qualsiasi che il commissario si trova a indagare nel torrido luglio del 1934. Il morto è l’uomo che per poco non gli ha tolto la speranza di un futuro; il principale sospettato, una donna che lo ha desiderato, e lo desidera ancora, con passione inesauribile. Così, prima di scoprire in modo definitivo se davanti a sé, ad attenderlo, c’è una notte perenne o se ogni giorno arriverà l’alba con le sue promesse, deve ancora una volta, più che mai, affrontare il male. E tentare di ricomporre, per quanto è possibile, ciò che altri hanno spezzato.

Cinque anni possono cambiare un mondo. Una vita, tante vite. Il grande ritorno del commissario Ricciardi. È il 1939, sono trascorsi cinque anni da quando l’esistenza di Ricciardi è stata improvvisamente sconvolta. E ora il vento d’odio che soffia sull’Europa rischia di spazzare via l’idea stessa di civiltà. Sull’orlo dell’abisso, l’unico punto fermo è il delitto. Fra i cespugli di un boschetto vengono ritrovati i cadaveri di due giovani, stavano facendo l’amore e qualcuno li ha brutalmente uccisi. Le ragioni dell’omicidio appaiono subito oscure; dietro il crimine si affaccia il fantasma della politica. Con l’aiuto del fidato Maione – in ansia per una questione di famiglia – Ricciardi dovrà a un tempo risolvere il caso e proteggere un caro amico che per amore della libertà rischia grosso. Intanto la figlia Marta cresce: ormai, per il commissario, è giunto il momento di scoprire se ha ereditato la sua dannazione, quella di vedere e sentire i morti.