Agus Noor, menulis banyak prosa, cerpen, naskah lakon (monolog dan teater) juga skenario sinetron. Beberapa buku yang telah ditulisnya antara lain, Memorabilia, Bapak Presiden yang Terhormat, Selingkuh Itu Indah, Rendezvous (Kisah Cinta yang Tak Setia), Matinya Toekang Kritik, Potongan Cerita di Kartu Pos. Karya-karya Agus Noor yang berupa cerpen juga banyak terhimpun dalam beberapa buku, antara lain: Jl. Asmaradana (Cerpen Pilihan Kompas, 2005), Ripin (Cerpen Kompas Pilihan, 2007), Kitab Cerpen Horison Sastra Indonesia, (Majalah Horison dan The Ford Foundation, 2002), Pembisik (Cerpen-cerpen terbaik Republika), 20 Cerpen Indonesia Terbaik 2008 (Pena Kencana), dll. Menerima penghargaan sebagai cerpenis terbaik pada Festival Kesenian Yogyakarta 1992. Mendapatkan sertifikat Anugerah Cerpen Indonesia dari Dewan Kesenian Jakarta pada tahun 1992 untuk tiga cerpennya: “Keluarga Bahagia”, “Dzikir Sebutir Peluru” dan “Tak Ada Mawar di Jalan Raya”. Sedang cerpen “Pemburu” oleh majalah sastra Horison, dinyatakan sebagai salah satu karya terbaik yang pernah terbit di majalah itu selama kurun waktu 1990-2000. Dan cerpen “Piknik” masuk dalam Anugerah Kebudayaan 2006 Departemen Seni dan Budaya untuk kategori cerpen.

Mulai menulis cerita pendek pada pertengahan tahun 1993. Karya-karyanya disiarkan di beberapa media massa; di antaranya majalah Horison, Matra, Basis, Jurnal Kebudayaan Kalam, Bahana (Brunei Darussalam), serta harian Kompas, Republika, Media Indonesia, Suara Pembaruan, The Jakarta Post, Pikiran Rakyat, Jawa Pos, Bernas, dan lain sebagainya. Karyanya dalam bentuk antologi adalah: Lampor (Kompas, 1994), Guru Tarno (Bigraf, 1995), Negeri Bayang Bayang (DKS, 1996), Candramawa (Pustaka Nusatama, 1996), Pistol Perdamaian (Kompas, 1996), Gerbong (Pustaka Pelajar, 1998), Aceh Mendesah dalam Nafasku (KaSUHA, Banda Aceh, 1999), dan Embun Tajjali (AksaraIndonesia, 2000); sedangkan esainya dalam antologi Begini Begini Begitu (Pustaka Pelajar, 1997). Kumpulan Cerita Pendek tunggalnya, Kali Mati (1999), Kastil Angin Menderu (2000), Air Kaldera (2000), dan Malaikat Tak Datang Malam Hari (2004). Kini menetap di Jogjakarta, menulis dan melukis.

Helvy Tiana Rosa is widely recognized for her works in Indonesian literary and for her relentless efforts to encourage people, especially the young, poor and women, to write and publish their own works. She was born in Medan, 2 April 1970 and had a bachelor and master degree of literature from Letters Faculty of University of Indonesia. She wrote more than 50 books, like Juragan Haji (The Juragan Hajj, 2014), Tanah Perempuan (The Woman’s Land, 2009), Segenggam Gumam (A Graps of Murmur, 2003), Mata Ketiga Cinta (The Third Eyes of Love, 2012) and Ketika Mas Gagah Pergi (When Mas Gagah Leaves, 1997). Some of her works were already translated in English, Japanese, Arabic, Swedish, German, French, and so forth. She was frequently invited to speak and read her works both in Indonesia and abroad, like Malaysia, Brunei, Singapore, Thailand, Hong Kong, Japan, Egypt, Turkey, and USA. In 1990 she established Teater Bening as a director and script writer for the play performances. She was the former editor and the Chief Editor of Annida Magazine and later she involved intensively to help the emergence of writers from different social backgrounds in many cities in Indonesia and abroad through Forum Lingkar Pena (FLP) which was founded by her in 1997. Koran Tempo named her as Lokomotif Penulis Muda, A Locomotive of Young Writers, and The Straits Times named her as a pioneer for contemporary Indonesia Islamic literature (2003). Helvy received more than 40 awards of national level in the field of writing and community empowerment, like A Literary Figure from Balai Pustaka and Majalah Sastra Horison (2013), A Figure of Books of IBF Award from IKAPI (2006), A Literary Figure of Nusantara Islamic Literary Festival (2016), A Literary Figure of Eramuslim Award (2006), Ummi Award (2004), Nova Award (2004), Kartini Award as one of The Most Inspiring Women in Indonesia (2009), and SheCAN! Award (2008). Her poem Fisabilillah was The Winner of Iqra Poetry Writing Competition of National Level in 1992, with the juries: HB Jassin, Sutardji Calzoum Bachri and Hamid Jabbar. Her short story Jaring-Jaring Merah was appointed as one of the best short stories of Sastra Horison Magazine in one decade between 1990 and 2000. Bukavu (LPPH 2008) was a nomination of Khatulistiwa Literary Award in 2008 and she became The Most Favourite Poet, and her work Mata Ketiga Cinta was chosen as as The Most Favourite Poetry Book of Indonesian’s Readers from Goodread Indonesia in 2012. She was arwaded an honour of Anugerah Karya Satya Lencana from the President of the Republic of Indonesia (2016). She became a member of Jakarta Arts Council (2003-2006) and as the Founder and the Advisor of Bengkel Sastra Jakarta and also as a Member of The Southeast Asia Board of Literature (2006-2014). Now, she is a vice chair of Islamic Culture and Art Development Commision, The Council of Islamic Scholars of Indonesia, and a Member Social and Art Commision, The Council of Islamic Women Scholars of Indonesia. Helvy then was listed in 33 Tokoh Sastra Paling Berpengaruh di Indonesia (33 People of The Most Influencial Literary Figures in Indonesia) written by Jamal D. Rahman et al (Gramedia, 2014). For nine years, from 2009 to 2017, She was also chosen out of 20 Indonesian people who were listed in 500 People of The Most Influencial Moslem Figures in the World, as research result conducted by Royal Islamic Strategic Studies Centre, in Jordan with several high rank universities in the world. Recently, she took charge as a producer for two movies based on her novel 'Ketika Mas Gagah Pergi." The first movie was released in 2016 under the same name. The sequel 'Duka Sedalam Cinta' is planned to be released in 2017.