Margins
De l'âme book cover
De l'âme
Sept lettres à une amie
2016
First Published
3.80
Average Rating
147
Number of Pages
« Lorsque j'ai reçu votre première lettre, chère amie, je vous ai répondu immédiatement. Avoir de vos nouvelles plus de trente ans après m'a procuré une telle émotion que ma réaction ne pouvait être qu'un cri instantané.Votre deuxième lettre, que j'ai sous les yeux, je l'ai gardée longtemps avec moi, c'est seulement aujourd'hui que je tente de vous donner une réponse. La raison de ce retard, vous l'avez sans doute devinée, puisque votre missive contient une singulière requête : "Parlez-moi de l'âme"...Votre phrase : "Sur le tard, je me découvre une âme", je crois l'avoir dite à maintes reprises moi-même. Mais je l'avais aussitôt étouffée en moi, de peur de paraître ridicule. Tout au plus, dans quelques-uns de mes textes et poèmes, j'avais osé user de ce vocable désuet, ce qui surement vous a autorisée à m'interpeller. Sous votre injonction, je comprends que le temps m'est venu de relever le défi... »
Avg Rating
3.80
Number of Ratings
181
5 STARS
30%
4 STARS
31%
3 STARS
28%
2 STARS
10%
1 STARS
1%
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Author

François Cheng
François Cheng
Author · 13 books

François Cheng is a French academician, writer, poet and calligrapher. He is the author of essays, novels, collections of poetry and books on art written in the French language, and the translator of some of the great French poets into Chinese. Born in China and taking French citizenship in 1973, he was elected to the Académie française in 2002, and was the first person of Asian origin to be a member of the Academy. He was the winner of the 1998 Prix Femina for Le Dit de Tianyi ("The saying of Tianyi") When Cheng arrived in France in 1948, on a study grant, he did not speak a word of the language. He subsequently adapted quickly and profoundly. In his speech to the Académie française, he explained, "I became a Frenchman in law, mind and heart more than thirty years ago [...] especially from that moment when I resolutely went over to the French language, making it the weapon, or the soul, of my creative work. This language, how can I say everything that I owe to it? It is so intimately bound up with the way I live and my inner life that it has proved to be the emblem of my destiny." It took many years before he became a novelist. His first works were on Chinese poetry and painting. Later he began to write works of poetry himself, before finally turning to the writing of novels.

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