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Death As Told by a Sapiens to a Neanderthal book cover
Death As Told by a Sapiens to a Neanderthal
2022
First Published
4.06
Average Rating
304
Number of Pages
A dazzling follow-up to Life As Told by a Sapiens to a Neanderthal . ‘We would love to discover that each species has a biological clock in its cells, because, if that clock existed and if we were able to find it, perhaps we could stop it and thus become eternal,’ Arsuaga tells Millás in this book, in which science is intertwined with literature. The paleontologist reveals essential aspects of our existence to the writer, and debates the advisability of transmitting his random vision of life to a dieting Millás, who discovers that old age is a country in which he still feels like a foreigner. After the extraordinary international reception of Life as Told by a Sapiens to a Neanderthal, the most brilliant double act in Spanish literature once again dazzle the reader by addressing topics such as death and eternity, longevity, disease, ageing, natural selection, programmed death, and survival. Here you will find humour, biology, nature, life, a lot of life … and two fascinating characters, the Sapiens and the Neanderthal, who surprise us on every page with their sharp reflections on how evolution has treated us as a species. And also as individuals.
Avg Rating
4.06
Number of Ratings
2,198
5 STARS
31%
4 STARS
46%
3 STARS
19%
2 STARS
3%
1 STARS
0%
goodreads

Author

Juan José Millás
Juan José Millás
Author · 32 books

Juan José Millás is a Spanish writer and winner of the 1990 Premio Nadal. He was born in Valencia and has spent most of his life in Madrid where he studied Philosophy and Literature at the Universidad Complutense. His first novel was influenced by Julio Cortázar and consequently shows the influence of the then-prevalent literary experimentalism, as well as the uncertainty of a fledgling author. Although very original, his second book, Cerbero son las sombras (1975), obtained the Premio Sésamo and received a positive critical response. Thanks to an enthusiastic member of the judges panel for the Premio Sésamo, Juan García Hortelano, he was able to publish Visión del ahogado (1977) and El jardín vacío (The empty garden) (1981) with the prestigious publisher Alfaguara. But his most popular novel was Papel mojado (1983), an assignment for a publisher of young adult literature that was a commercial success and continues to sell well. Simultaneously, he began to publish articles in the Spanish press with great success, so he left the employment of the Iberian press and now makes a living as a journalist and author. In his numerous works, which are mostly psychological and introspective, any daily fact can become a fantastic event. He created his own personal literary genre, the articuento, in which an everyday story is transformed into a fantasy that allows the reader to see reality more critically. His weekly columns in El País have generated a great number of followers who appreciate the subtlety and originality of his point of view in dealing with current events, as well as his commitment to social justice and the quality of his writing. On the program La Ventana, on the channel Ser, he has a time slot (Fridays at 4:00) in which he encourages viewers to send short accounts about words from the dictionary. Currently, he is constructing a glossary, within which these accounts have a large role. His works have been translated into 23 languages, among them: English, French, German, Portuguese, Italian, Swedish, Danish, Norwegian, and Dutch. In his 2006 novel, titled Laura y Julio, we find his principal obsessions expressed: the problem of identity, symmetry, other inhabitable spaces within our space, love, fidelity, and jealousy.

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