Do the Blind Dream? shows Gifford at the height of his powers, navigating with ease the new, more fragmented imaginative landscape of morning-after America. Gifford seems to have anticipated themes that suddenly are recognizable the fragility of identity; the power of coincidence; the illusion of a secure tomorrow. In contrast to his often nightmarish, satirical, groundbreaking novels of the 1990s—Wild at Heart, Perdita Durango, and Night People among them—Do the Blind Dream? continues in the tender and deeply introspective vein revealed in two recent Gifford’s memoir The Phantom Father (named a New York Times Notable Book), and the award-winning novella Wyoming . From the intimate, stylistically daring examination of the darkest secrets in the history of an Italian family, to the terrible but often beautiful fears and discoveries of childhood, to the sardonic, desperate confusion of adult life, Do the Blind Dream? reveals an exceptionally versatile, highly tuned sensibility.
Author
Barry Gifford is an American author, poet, and screenwriter known for his distinctive mix of American landscapes and film noir- and Beat Generation-influenced literary madness. He is described by Patrick Beach as being "like if John Updike had an evil twin that grew up on the wrong side of the tracks and wrote funny..."He is best known for his series of novels about Sailor and Lula, two sex-driven, star-crossed protagonists on the road. The first of the series, Wild at Heart, was adapted by director David Lynch for the 1990 film of the same title. Gifford went on to write the screenplay for Lost Highway with Lynch. Much of Gifford's work is nonfiction.
