When Alice is with Mathilde, her experience of the world shifts, as though Mathilde brings with her a force that charges everything around her: the park bench, the sticky linoleum floor of the supermarket, their interlocked hands, the buttons on a winter coat. But Mathilde is also mercurial and “perfectly” married to Alexander, and Alice is moving into a bigger flat with Simon who has just returned to her life. Alice’s precarious solution is to proceed into a quadrilateral relationship, impatient to define her own outline in the eyes of others. In Elastic, Bille cleanly gleans the nebulous distinctions between love, sex and intimacy, exerting a softly fragmentary style that underpins Alice’s vacillations.