Faith. Sex. The Devil. Faith likes to dabble with magic. Her friends think it’s cute-and not just a little off-putting, but it’s part of her charm and her warped search for purpose in a world that makes too much sense. But she’s a true believer and knows there is a power within her reach. She’s right, of course. It just took a while for that magic, that temptation, that unknowable thing to find her . . . In short- Faith is bored as hell. And Hell has noticed. New York Times bestselling writer Brian Azzarello ( 100 Bullets, Batman: Damned ) and artist Maria Llovet ( Loud ) with Eisner Award winning artist Paul Pope on covers coalesce in a story of self-exploration, eroticism, and maybe even love.

Faith is drawn into a new world when she attends a party at the home of renowned artist Louis Thorn. It’s a world of opulence, excess, and sensuality—and something darker that she can’t put her finger on. There is something . . . curious about these people, a darkness or shadow just at the edge of reason . . . and maybe it is exactly what Faith is looking for.

All those little shadows and shapes that Faith catches at the peripheral of her vision start to take shape. There are omens. These events and details have Faith unsettled, but she moves past them with her attention drawn to something new: the Devil.

Faith falls deeper into Poppy and Louis’s mysterious world, which has dire consequences for her closest friends.

At first, Faith had faced her trials naively, then willingly. Eagerly, even, becoming more and more corrupted over time. But something has woken her up to the truth… and to the darkness she’s found herself enveloped in.

Faith is ready to take new risks with her art and her magic - and something powerful that lives between the two. But her experiments draws new attention, and a mysterious collector may be interested in more than just Faith's art.

If you're going through Hell, keep going.

'Baby Faith' finds herself in a very compromising position with the devil.

Nine months after her mysterious disappearance, Faith suddenly drops back onto the map. While the art world debates whether her disappearance was a piece of performance art or all just a publicity stunt, Faith retreats to Louis' studio to recover from her journey into the unknown. But Ginny begins to realize that something is very much amiss with Faith. Where was she for nine months? And why does Faith suddenly seem so obsessed with Ginny's son Jacob?