Margins
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Field Notes
Series · 8 books · 2020-2023

Books in series

On Risk book cover
#1

On Risk

2020

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it? As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it? Praise for On Risk “Timely.” —Margaret Atwood “Kingwell offers a slender, thoughtful, sometimes meandering disquisition on risk that “is inflected (or infected) by the virus, but not precisely about the virus—except as it grants new urgency to old questions of risk and politics. A host of cultural allusions—from Shakespeare to the Simpsons, Isaiah Berlin to Irving Berlin, Voltaire, Pascal, and Derrida—along with salient academic studies inspire Kingwell to examine the many contradictory ways that humans handle risk … An entertaining gloss on an enduring conundrum.”—Kirkus Reviews “On Risk is equal parts page turner and timely treatise.” —Open Book Praise for Mark Kingwell “Kingwell is dauntingly well-read … a gifted noticer … a lively writer [who] cites The Simpsons as often as Immanuel Kant. [Readers] are rewarded with neat, unexpected insights.” —Globe & Mail “[Kingwell] has grown into a pretty clever jack-of-almost-everything.”—National Post “Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher … His insights are intellectual anchors in a fast-changing world.”—Naomi Klein
On Property book cover
#2

On Property

Policing, Prisons, and the Call for Abolition

2021

From plantation rebellion to prison labour's super-exploitation, Walcott examines the relationship between policing and property. That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we've organized society. Yet the intensity of the calls to abolish the police after George Floyd's death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery's afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.
On Decline book cover
#3

On Decline

2021

What if there is something to the notion of the decline of the West after all? For all our enlightenment faith in reason and progress, there are structural features of our existence that raise the question of whether it's all just an extended dream. Has the COVID-19 pandemic finally snapped us out of it, and into the waking reality of a much poorer and less illusioned existence?
On the Origin of the Deadliest Pandemic in 100 Years book cover
#4

On the Origin of the Deadliest Pandemic in 100 Years

2021

In this compulsive whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin. When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic’s ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC? Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compulsive whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth. Praise for On the Origin “Before I read this book, I thought the Wuhan lab leak hypothesis was just a wild conspiracy. Elaine Dewar makes a very strong case that it may well be true. She even goes farther, showing scientists are often sloppy with hazardous biological materials, that they engage in naive research with some dubious government actors, and, when caught, dodge responsibility by smearing their critics as enemies of science.” —Mark Bourrie, author of Bush Runner: The Adventures of Pierre-Esprit Radisson Praise for Elaine Dewar “Dewar is justly well known for her relentless research and we are fortunate to have her.”—Philip Marchand, National Post “Dewar is a keen observer of place and personality.”—Publishers Weekly
On Browsing book cover
#5

On Browsing

2022

A defense of the dying art of losing an afternoon—and gaining new appreciation—amidst the bins and shelves of bricks-and-mortar shops. Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing’s essays chronicle what we’ve lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacks.
On Writing and Failure book cover
#6

On Writing and Failure

Or, On the Peculiar Perseverance Required to Endure the Life of a Writer

2023

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin's advice just to endure, where living with the struggle and the pointlessness of writing is the point.
On Class book cover
#7

On Class

2023

Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class―and what will happen when we do. Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply the working class and poor. On Class is an exploration of the ways in which we talk about of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?
On Community book cover
#8

On Community

2023

ONE OF CBC BOOKS CANADIAN NONFICTION TO READ IN THE FALL We need community to live. But what does it look like? Why does it often feel like it's slipping away? We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a cumulative definition of community, and what it has come to mean to Plett, emerges. Looking at phenomena from transgender literature, to Mennonite history, to hacker houses of Silicon Valley, and the rise of nationalism in North America, Plett delves into the thorny intractability of community's boons and faults. Deeply personal, authoritative in its illuminations, On Community is an essential contribution to the larger cultural discourse that asks how, and to what socio-political ends, we form bonds with one another.

Authors

Stephen Marche
Stephen Marche
Author · 9 books
Stephen Marche is the author of The Unmade Bed (2016), The Hunger of the Wolf (2015), Love and the Mess We’re In (2013), How Shakespeare Changed Everything (2012), Shining at the Bottom of the Sea (2007) and Raymond and Hannah (2005). He's written for nearly every newspaper and magazine you can name.
Mark Kingwell
Mark Kingwell
Author · 16 books

Mark Gerald Kingwell B.A, M.Litt, M.Phil, PhD, D.F.A. (born March 1, 1963) is a Canadian philosopher who is currently professor of philosophy and associate chair at the University of Toronto's Department of Philosophy. Kingwell is a fellow of Trinity College and a Senior Fellow of Massey College. He specialises in theories of politics and culture. Kingwell has published twelve different books, most notably, A Civil Tongue: Justice, Dialogue, and the Politics of Pluralism, which was awarded the Spitz Prize for political theory in 1997. In 2000 Kingwell received an honorary Doctor of Fine Arts from the Nova Scotia College of Art and Design, for contributions to theory and criticism. He has held visiting posts at various institutions including: Cambridge University, University of California at Berkeley, and City University of New York where he held the title of Weissman Distinguished Professor of Humanities. He studied at the University of Toronto, editing The Varsity through 1983 to 1984 and the University of Toronto Review from 84-85. He received his BA degree from the University of St. Michael's College with High Distinction in 1985, his MLitt degree from Edinburgh University in 1987, and both his M.Phil and PhD degrees from Yale University in 1989 and 1991 respectively. He was married to Gail Donaldson in 1988. The marriage ended in divorce in 2004. Kingwell is a contributing editor to Harper's Magazine, the literary quarterly Descant, the political monthly This Magazine and the Globe and Mail books section. He was also a drinks columnist for the men's magazine Toro. He was formerly a columnist for the National Post, and a contributing editor of Saturday Night. He frequently appears on television and radio, often on the CBC, and is well known for his appearance in the documentary film The Corporation. He has delivered, among others, the George Grant, Harold Innis, Marx Wartofsky and Larkin-Stuart memorial lectures. Kingwell’s work has been translated into ten languages, and he lectures to academic and popular audiences around the world. From 2001 to 2004, he was chair of the Institute for Contemporary Culture at the Royal Ontario Museum. His work on philosophy, art, and architecture has appeared in many leading academic journals and magazines, including The Journal of Philosophy, Philosophical Forum, Ethics, Political Theory, and the Yale Journal of Law and the Humanities, the New York Times and The New York Times Magazine, Utne Reader, Adbusters, the Walrus, Harvard Design Magazine,Canadian Art, Azure, Toronto Life, the Globe and Mail, and the National Post. Kingwell is one of two University of Toronto professors teaching a first year philosophy course entitled Introduction to Philosophy. Kingwell teaches his class in Victoria College's Isabel Bader Theatre, with a class size of around 700 students. He has also been part of the University of Trinity College's TrinityOne program, for which he taught a seminar class entitled Ethics and the Creative Imagination. He describes himself as a social democrat and a "recovering Catholic". According to the Canadian Who's Who 2006, he also enjoys running, baseball, basketball, jazz, films and pop music. He has two brothers: a younger brother named Sean Kingwell and an older brother named Steven Kingwell.

Rinaldo Walcott
Author · 5 books
Rinaldo Walcott is a Professor in the Women and Gender Studies Institute, University of Toronto, author of Queer Returns: Essays on Multiculturalism, Diaspora, and Black Studies, and coauthor of BlackLife: Post-BLM and the Struggle for Freedom.
Casey Plett
Casey Plett
Author · 5 books
Casey Plett is the author of A Dream of a Woman, Little Fish, A Safe Girl to Love, the co-editor of Meanwhile, Elsewhere: Science Fiction and Fantasy From Transgender Writers, and the Publisher at LittlePuss Press. She has written for The New York Times, Harper’s Bazaar, The Guardian, The Globe and Mail, McSweeney’s Internet Tendency, the Winnipeg Free Press, and other publications. A winner of the Amazon First Novel Award, the Firecracker Award for Fiction, and a two-time winner of the Lambda Literary Award, her work has also been nominated for the Scotiabank Giller Prize. She splits her time between New York City and Windsor, Ontario.
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