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With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it? As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it? Praise for On Risk “Timely.” —Margaret Atwood “Kingwell offers a slender, thoughtful, sometimes meandering disquisition on risk that “is inflected (or infected) by the virus, but not precisely about the virus—except as it grants new urgency to old questions of risk and politics. A host of cultural allusions—from Shakespeare to the Simpsons, Isaiah Berlin to Irving Berlin, Voltaire, Pascal, and Derrida—along with salient academic studies inspire Kingwell to examine the many contradictory ways that humans handle risk … An entertaining gloss on an enduring conundrum.”—Kirkus Reviews “On Risk is equal parts page turner and timely treatise.” —Open Book Praise for Mark Kingwell “Kingwell is dauntingly well-read … a gifted noticer … a lively writer [who] cites The Simpsons as often as Immanuel Kant. [Readers] are rewarded with neat, unexpected insights.” —Globe & Mail “[Kingwell] has grown into a pretty clever jack-of-almost-everything.”—National Post “Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher … His insights are intellectual anchors in a fast-changing world.”—Naomi Klein
Author
Mark Gerald Kingwell B.A, M.Litt, M.Phil, PhD, D.F.A. (born March 1, 1963) is a Canadian philosopher who is currently professor of philosophy and associate chair at the University of Toronto's Department of Philosophy. Kingwell is a fellow of Trinity College and a Senior Fellow of Massey College. He specialises in theories of politics and culture. Kingwell has published twelve different books, most notably, A Civil Tongue: Justice, Dialogue, and the Politics of Pluralism, which was awarded the Spitz Prize for political theory in 1997. In 2000 Kingwell received an honorary Doctor of Fine Arts from the Nova Scotia College of Art and Design, for contributions to theory and criticism. He has held visiting posts at various institutions including: Cambridge University, University of California at Berkeley, and City University of New York where he held the title of Weissman Distinguished Professor of Humanities. He studied at the University of Toronto, editing The Varsity through 1983 to 1984 and the University of Toronto Review from 84-85. He received his BA degree from the University of St. Michael's College with High Distinction in 1985, his MLitt degree from Edinburgh University in 1987, and both his M.Phil and PhD degrees from Yale University in 1989 and 1991 respectively. He was married to Gail Donaldson in 1988. The marriage ended in divorce in 2004. Kingwell is a contributing editor to Harper's Magazine, the literary quarterly Descant, the political monthly This Magazine and the Globe and Mail books section. He was also a drinks columnist for the men's magazine Toro. He was formerly a columnist for the National Post, and a contributing editor of Saturday Night. He frequently appears on television and radio, often on the CBC, and is well known for his appearance in the documentary film The Corporation. He has delivered, among others, the George Grant, Harold Innis, Marx Wartofsky and Larkin-Stuart memorial lectures. Kingwell’s work has been translated into ten languages, and he lectures to academic and popular audiences around the world. From 2001 to 2004, he was chair of the Institute for Contemporary Culture at the Royal Ontario Museum. His work on philosophy, art, and architecture has appeared in many leading academic journals and magazines, including The Journal of Philosophy, Philosophical Forum, Ethics, Political Theory, and the Yale Journal of Law and the Humanities, the New York Times and The New York Times Magazine, Utne Reader, Adbusters, the Walrus, Harvard Design Magazine,Canadian Art, Azure, Toronto Life, the Globe and Mail, and the National Post. Kingwell is one of two University of Toronto professors teaching a first year philosophy course entitled Introduction to Philosophy. Kingwell teaches his class in Victoria College's Isabel Bader Theatre, with a class size of around 700 students. He has also been part of the University of Trinity College's TrinityOne program, for which he taught a seminar class entitled Ethics and the Creative Imagination. He describes himself as a social democrat and a "recovering Catholic". According to the Canadian Who's Who 2006, he also enjoys running, baseball, basketball, jazz, films and pop music. He has two brothers: a younger brother named Sean Kingwell and an older brother named Steven Kingwell.
