Philosophical discussions on the ways that death makes life meaningful and sacred • Reveals how being conscious of death gives our fate its full meaning, inviting the reader to contemplate life in the light of their own death • Examines the author’s experience of ancestor worship in his native China and the beliefs that underlie it • Explains how death is a transition in a longer living process not visible from the modern “black and white” view of life and death • Translated by award-winning translator Jody Gladding Born from intimate discussions with friends, these five meditations on death from poet-philosopher François Cheng examine the multiple ways the prospect of death significantly shapes life and is, in fact, what makes life meaningful and sacred. Written at the age of 84, in the twilight of life, these meditations each approach the human understanding of death from different yet intertwined perspectives, effortlessly returning to certain themes and ideas, questioning them again more deeply with each passing. The author shows that death is a transition in a longer living process not visible from the modern “black and white” view of life and death. He examines his experience of ancestor worship in his native China and the beliefs that underlies it: Our ancestors are alive in another form, that what is living can never die and what is dead has never lived. Cheng looks at the consequences of a world that has abandoned the sacred and avoids the mention of death, a world now blindly staggering through the chaos it has created, yet which can return to balance if we once again embrace the essential sacredness of life as well as death. Throughout these five heart-baring meditations, Cheng invites us to contemplate life in the light of our own death. He reveals that to be conscious of death gives our fate its full meaning. Our death is an integral part of our great adventure in becoming. For if birth is a seed, then death is the fruit—the final sacred product of a life well lived.
Author
François Cheng is a French academician, writer, poet and calligrapher. He is the author of essays, novels, collections of poetry and books on art written in the French language, and the translator of some of the great French poets into Chinese. Born in China and taking French citizenship in 1973, he was elected to the Académie française in 2002, and was the first person of Asian origin to be a member of the Academy. He was the winner of the 1998 Prix Femina for Le Dit de Tianyi ("The saying of Tianyi") When Cheng arrived in France in 1948, on a study grant, he did not speak a word of the language. He subsequently adapted quickly and profoundly. In his speech to the Académie française, he explained, "I became a Frenchman in law, mind and heart more than thirty years ago [...] especially from that moment when I resolutely went over to the French language, making it the weapon, or the soul, of my creative work. This language, how can I say everything that I owe to it? It is so intimately bound up with the way I live and my inner life that it has proved to be the emblem of my destiny." It took many years before he became a novelist. His first works were on Chinese poetry and painting. Later he began to write works of poetry himself, before finally turning to the writing of novels.
