Margins
Floater book cover
Floater
2003
First Published
3.89
Average Rating
150
Number of Pages
Detective William Dempsey of the New York Police Department is having a bad time of it. Having endured—along with his brothers in blue, Manny Pinero and Evan Haley—a months-long homicide trial for the inadvertant (or was it?) shooting of Haitian immigrant, Israel Lara, he's been abandoned by his fiancée, deemed unfit for duty, and is sinking into an oblivion of vodka and pills. Then there's that little problem with his eye. A floater, his optometrist says. Nothing to worry about. Microscopic bits of protein adrift in the humor that cast shadows on the retina. But Dempsey's worried. For one thing, instead of dispersing, the floater continues to grow, occluding his vision and causing disturbing hallucinations. For another, his partner, Pinero, is behaving strangely and there's the suggestion that the floater may not be a harmless opthamological incident but an emblem that signals a peculiar form of vengeance and the imminence of a voodoo god. As he tries to determine what is happening, Dempsey's investigation leads him from rave culture to santeria ceremonies in storefront temples and, ultimately, to a circumstance that may have cosmic implications and a truth that lies hidden in the deepest sub-basements of his own mind.
Avg Rating
3.89
Number of Ratings
38
5 STARS
26%
4 STARS
39%
3 STARS
32%
2 STARS
3%
1 STARS
0%
goodreads

Author

Lucius Shepard
Lucius Shepard
Author · 31 books

Brief biographies are, like history texts, too organized to be other than orderly misrepresentations of the truth. So when it's written that Lucius Shepard was born in August of 1947 to Lucy and William Shepard in Lynchburg, Virginia, and raised thereafter in Daytona Beach, Florida, it provides a statistical hit and gives you nothing of the difficult childhood from which he frequently attempted to escape, eventually succeeding at the age of fifteen, when he traveled to Ireland aboard a freighter and thereafter spent several years in Europe, North Africa, and Asia, working in a cigarette factory in Germany, in the black market of Cairo's Khan al Khalili bazaar, as a night club bouncer in Spain, and in numerous other countries at numerous other occupations. On returning to the United States, Shepard entered the University of North Carolina, where for one semester he served as the co-editor of the Carolina Quarterly. Either he did not feel challenged by the curriculum, or else he found other pursuits more challenging. Whichever the case, he dropped out several times and traveled to Spain, Southeast Asia (at a time when tourism there was generally discouraged), and South and Central America. He ended his academic career as a tenth-semester sophomore with a heightened political sensibility, a fairly extensive knowledge of Latin American culture and some pleasant memories. Toward the beginning of his stay at the university, Shepard met Joy Wolf, a fellow student, and they were married, a union that eventually produced one son, Gullivar, now an architect in New York City. While traveling cross-country to California, they had their car break down in Detroit and were forced to take jobs in order to pay for repairs. As fortune would have it, Shepard joined a band, and passed the better part of the 1970s playing rock and roll in the Midwest. When an opportunity presented itself, usually in the form of a band break-up, he would revisit Central America, developing a particular affection for the people of Honduras. He intermittently took odd jobs, working as a janitor, a laborer, a sealer of driveways, and, in a nearly soul-destroying few months, a correspondent for Blue Cross/Blue Shield, a position that compelled him to call the infirm and the terminally ill to inform them they had misfiled certain forms and so were being denied their benefits. In 1980 Shepard attended the Clarion Writers’ Workshop at Michigan State University and thereafter embarked upon a writing career. He sold his first story, "Black Coral," in 1981 to New Dimensions, an anthology edited by Marta Randall. During a prolonged trip to Central America, covering a period from 1981-1982, he worked as a freelance journalist focusing on the civil war in El Salvador. Since that time he has mainly devoted himself to the writing of fiction. His novels and stories have earned numerous awards in both the genre and the mainstream.

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