2012
First Published
4.30
Average Rating
200
Number of Pages
Generating an exciting poetic dialogue that is as insightful as it is eloquent and creative, this combined poem and complementary philosophical analysis is an astute rendering of the intersection of intellect and language as an art form. With the original French preserved on the facing pages, this collaborative work by an emerging French poet, Virginie Lalucq, and the distinguished philosopher Jean-Luc Nancy presents a startlingly robust poetic experience. The serial poem “Fortino Sámano” is a meditation on a photo of the eponymous subject, taken by Mexican photographer Agustín Víctor Casasola during the Mexican Revolution. In the image Sámano, a Zapatista lieutenant and counterfeiter, appears to stare death nonchalantly in the face moments before his execution by firing squad. The poem makes no attempt to craft a biography or history of the man, but instead treats the image itself—reflecting on the fact that the camera caught the image of life just prior to its end. Jean-Luc Nancy contributes a series of commentaries on the poem, creating a philosophical contemplation of “Fortino Sámano” but also a poetic investigation of the lyric genre that works hand-in-hand with the poem itself. The inspiring union becomes an altogether unique poetic experience with an unmatchable depth and plenty to ruminate on during each subsequent re-reading of this delightful and impressive project.
Avg Rating
4.30
Number of Ratings
10
5 STARS
40%
4 STARS
50%
3 STARS
10%
2 STARS
0%
1 STARS
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Authors
Jean-Luc Nancy
Author · 41 books
Jean-Luc Nancy is Emeritus Professor of Philosophy at the University of Strasbourg. Stanford has published English translations of a number of his works, including The Muses (1996), The Experience of Freedom (1993), The Birth to Presence (1993), Being Singular Plural (2000), The Speculative Remark (2001), and A Finite Thinking (2003).
