People best know American writer Louisa May Alcott for Little Women (1868), her largely autobiographical novel. As A.M. Barnard: Behind a Mask, or a Woman's Power (1866) The Abbot's Ghost, or Maurice Treherne's Temptation (1867) A Long Fatal Love Chase (1866 – first published 1995) First published anonymously: A Modern Mephistopheles (1877) Philosopher-teacher Amos Bronson Alcott, educated his four daughters, Anna, Louisa, Elizabeth and May and Abigail May, wife of Amos, reared them on her practical Christianity. Louisa spent her childhood in Boston and Concord, Massachusetts, where visits to library of Ralph Waldo Emerson, excursions into nature with Henry David Thoreau, and theatricals in the barn at Hillside (now "Wayside") of Nathaniel Hawthorne enlightened her days. Like Jo March, her character in Little Women, young Louisa, a tomboy, claimed: "No boy could be my friend till I had beaten him in a race, ... and no girl if she refused to climb trees, leap fences...." Louisa wrote early with a passion. She and her sisters often acted out her melodramatic stories of her rich imagination for friends. Louisa preferred to play the "lurid" parts in these plays, "the villains, ghosts, bandits, and disdainful queens." At 15 years of age in 1847, the poverty that plagued her family troubled her, who vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!" Confronting a society that offered little opportunity to women, seeking employment, Louisa determined "...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, Louisa ably found work for many years. Career of Louisa as an author began with poetry and short stories in popular magazines. In 1854, people published Flower Fables, her first book, at 22 years of age. From her post as a nurse in Washington, District of Columbia, during the Civil War, she wrote home letters that based Hospital Sketches (1863), a milestone along her literary path. Thomas Niles, a publisher in Boston, asked 35-year-old Louisa in 1867 to write "a book for girls." She wrote Little Women at Orchard House from May to July 1868. Louisa and her sisters came of age in the novel, set in New England during Civil War. From her own individuality, Jo March, the first such American juvenile heroine, acted as a living, breathing person rather than the idealized stereotype that then prevailed in fiction of children. Louisa published more than thirty books and collections of stories. Only two days after her father predeceased her, she died, and survivors buried her body in Sleepy Hollow cemetery in Concord.

See J.H. Riddell Charlotte Riddell aka Mrs J.H. Riddell was a one of the most popular and influential writers of the Victorian period. The author of 56 books, novels and short stories, she was also part owner and editor of the St. James' Magazine, one of the most prestigious literary magazines of the 1860s. (from Wikipedia)

Elizabeth Stuart Phelps Ward, born Mary Gray Phelps, (August 31, 1844-January 28, 1911) was an American author. She was born at Andover, Massachusetts. In most of her writings she used her mother's name "Elizabeth Stuart Phelps" as a pseudonym, both before and after her marriage in 1888 to Herbert Dickinson Ward, a journalist seventeen years younger. She also used the pseudonym Mary Adams. Her father Austin Phelps was pastor of the Pine Street Congregational Church until 1848, when he accepted a position as the Chair of Rhetoric at Andover Theological Seminary and moved the family to Boston. Ward wrote three Spiritualist novels, The Gates Ajar, Between the Gates and Beyond the Gates, and a novella about animal rights, Loveliness. While writing other popular stories, she was also a great advocate, by lecturing and otherwise, for social reform, temperance, and the emancipation of women. She was also involved in clothing reform for women, urging them to burn their corsets in 1874. Ward's mother, Elizabeth (Wooster) Stuart Phelps, (August 13, 1815—November 30, 1852) wrote the Kitty Brown books under the pen name H. Trusta. Elizabeth Stuart Phelps and her husband co-authored two Biblical romances in 1890 and 1891. Her autobiography, Chapters from a Life was published in 1896 after being serialized in McClure's. She also wrote a large number of essays for Harper's Phelps continued to write short stories and novels into the twentieth century. One work, Trixy (1904), dealt with another cause she supported, anti-vivisection (a topic on which she also addressed the Massachusetts State Legislature). Her last work, Comrades (1911), was published posthumously. Phelps died January 28, 1911, in Newton Center, Massachusetts.

The novels Lélia (1833) and Consuelo (1842) among works, plays, and essays of French writer George Sand, pen name of Amandine Aurore Lucie Dupin, baroness Dudevant, concern the freedom and independence of women. People recognize this best known, most popular memoirist and journalist, more renowned in Europe in her lifetime than Victor Hugo and Honoré de Balzac in England in the 1830s and 1840s, People recognize Sand of the most notable writers of the Romantic era of Europe. People celebrated this controversial life, which oftentimes overshadowed her creative production. Known for its blend of romance and realism, her effortless spontaneity proliferated without sacrificing style and form. Sand stated the primary happiness in life in love and so focused on relationships in most of her novels as she tackled the complexities of politics, society, and gender. People best know Sand for bold statements about the rights in 19th-century society, her exploration of contemporary social and philosophical issues, and her depiction of the lives and language of provincials. Set of influences of each period of her literary career focused on specific themes. Her rustic perhaps truly represented her form as an author. Her first period reflected her rebellion against the bonds of marriage and deal largely with the relationships between men and women. English poet Lord Byron and French philosopher Jean-Jacques Rousseau clearly influenced Sand with romantic novels, full of passionate personal revolt and ardent feminism, attitudes that went against societal conventions and outraged her early British and American critics. These extremely successful early Indiana , Lelia, and Jacques (1834) established Sand as an important literary voice for her generation. Pastorals, which depict rural scenes and peasant characters, form the last phase of her career. Her love of the French countryside and her sympathy with the peasants inspired La Mare au Diable (1846) and Francis the Waif (1847–1848), set in Berry. Gentle idealism distinguished these realistic pastorals in background detail; many critics finest considered them her finest. After her pastoral period, she continued until her death, but people remember few today. Unconventional life of George Sand in numerous ways: she fondly dressed in clothing of men to gain access to those parts of Paris, not decorous for ladies to go. She smoked in public to scandalize Parisian society. Lust affairs of Sand included high-profile relationships with the composer Frédéric François Chopin, the novelist Prosper Mérimée, and the poet and playwright Louis Charles Alfred de Musset.

Emilia Pardo Bazán was a Galician author and scholar from Galicia. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era. Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics. The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism. She was also a journalist, essayist and critic. She died in Madrid.

(Adeline) Virginia Woolf was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs. Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929) with its famous dictum, "a woman must have money and a room of her own if she is to write fiction."

Mary Crawford Fraser, usually known as Mrs. Hugh Fraser, was a writer noted for her various memoirs and historical novels. She was the daughter of American sculptor Thomas Crawford and Louisa Cutler Ward. She was sister to novelist Francis Marion Crawford and the niece of Julia Ward Howe (the American abolitionist, social activist, and poet most famous as the author of "The Battle Hymn of the Republic"). As the wife of British diplomat, she followed her husband to his postings in Peking, Vienna, Rome, Santiago, and Tokyo. In Rome in 1884, over the opposition of her mother, she converted to Catholicism. In 1889, her husband Hugh Fraser was posted to Japan as "Minister Plenipotentiary and Envoy Extraordinary (head of the British Legation) to Japan—a diplomatic ranking just below that of full Ambassador. before the establishment of full and equal relations between Britain and Japan which Fraser was, in fact, negotiating. A month before the signing of the final treaty, her husband died suddenly in 1894, leaving her a widow after twenty years of marriage. Still under her married name of Mrs. Hugh Fraser, she was the author of Palladia (1896), The Looms of Time (1898), The Stolen Emperor (1904), The Satanist (1912, with J. I. Stahlmann, the pseudonym of one of her sons, John Crawford Fraser).

Elizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 – 12 November 1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. AKA: Елізабет Гаскелл (Ukrainian)

Margaret Oliphant Wilson Oliphant (née Margaret Oliphant Wilson) was a Scottish novelist and historical writer, who usually wrote as Mrs. Oliphant. Her fictional works encompass "domestic realism, the historical novel and tales of the supernatural". Margaret Oliphant was born at Wallyford, near Musselburgh, East Lothian, and spent her childhood at Lasswade (near Dalkeith), Glasgow and Liverpool. As a girl, she constantly experimented with writing. In 1849 she had her first novel published: Passages in the Life of Mrs. Margaret Maitland which dealt with the Scottish Free Church movement. It was followed by Caleb Field in 1851, the year in which she met the publisher William Blackwood in Edinburgh and was invited to contribute to the famous Blackwood's Magazine. The connection was to last for her whole lifetime, during which she contributed well over 100 articles, including, a critique of the character of Arthur Dimmesdale in Nathaniel Hawthorne's The Scarlet Letter.

Helena Petrovna Blavatsky (Russian: Еле́на Петро́вна Блава́тская, Yelena Petrovna Blavatskaya, often known as Madame Blavatsky; 12 August [O.S. 31 July] 1831 – 8 May 1891) was a Russian occultist, philosopher, and author who co-founded the Theosophical Society in 1875. She gained an international following as the leading theoretician of Theosophy, the esoteric religion that the society promoted. Source: Wikipedia

Born at Portslade, Sussex, Arabella Kenealy was one of the eleven legitimate children of the Irish barrister E. V. H. Kenealy (1819–1880), who was once imprisoned for violence to his illegitimate son, and who was disbarred (1874) for his mad behaviour (perhaps owing to diabetes) while defending the Tichborne Claimant. Kenealy published an admiring biography (1908) of her father. Annesley Kenealy (1861-1927) was her sister; and their brother Alexander Kenealy (1864–1915) became editor of the Daily Mirror in 1904. Educated at home and the London School of Medicine for Women, she practised medicine in London and Watford (1888–1894) before retiring from ill health after catching diphtheria. Her first novel, Dr Janet of Harley Street (1893), about a female doctor and her protégée, has lesbian overtones. Her later fiction is much concerned with problems of sex and marriage. In The Love of Richard Herrick (1902) Sybilla, a painter, refuses Herrick's offer of marriage because she wants to be independent. He then marries an ordinary girl, who goes mad, and has an affair with a fascinating widow, before the mad wife dies, enabling him to marry the now repentant Sybilla. Eugenicism, sexuality, and feminism are major themes. But some of the stories in the collection Dr. Smith of Queen Anne Street (1907) are far more conventional treatments of the motif of the woman who doesn't realize what she wants. In ‘Bridge and Marriage’ a girl must marry a man to whom she owes money. In ‘A Mésalliance’ Sir Brian is magnanimous to a former fiancée who eloped foolishly with a gamekeeper. An American Duchess (1906) is a novel about the decadence of high society; Stella Herbert, a beautiful graduate, is too high-minded to cope and divorces the husband she loves, only to end by wooing him in disguise. Kenealy also wrote non-fiction about medical and sexual issues. Like many feminists of her generation, she was an anti-vivisectionist and interested in the occult. Her books include The Failure of Vivisection (1909), Feminism and Sex-Extinction (1920) and The Human Gyroscope: A Consideration of the Gyroscopic Rotation of Earth as Mechanism of the Evolution of Terrestrial Living Forms (1934).

María Rosalía Rita de Castro, better known as Rosalía de Castro (Santiago de Compostela, 24 February 1837 – Padrón, 15 July 1885), was a poet, novelist and Galician nationalist ("Probe Galicia, non debes / chamarte nunca española" ["Poor Galicia, you should never / called yourself Spanish"]). Contemporary feminism has trumped her as a pioneer. For her novel "Daugher of the Sea" (1859), she wrote in the prologue, "Because it is not yet allowed for women to write about what they feel and what they know". A native of Santiago de Compostela in the Galicia nation or "historic nationality" of northwest Spain, she wrote in both Galician and Castilian. Writing in the Galician language, after the Séculos Escuros (Dark Centuries), she became an important figure of the Galician romantic movement, known today as the Rexurdimento ("renaissance"), along with Manuel Curros Enríquez and Eduardo Pondal. Her poetry is marked by 'saudade', an almost ineffable combination of nostalgia, longing and melancholy. She is considered the most important female poet of Spanish history, and, along with Gustavo Adolfo Bécquer, one of the best Romantic poets of Spain.

Charlotte Brontë was an English novelist, the eldest out of the three famous Brontë sisters whose novels have become standards of English literature. See also Emily Brontë and Anne Brontë. Charlotte Brontë was born in Thornton, Yorkshire, England, the third of six children, to Patrick Brontë (formerly "Patrick Brunty"), an Irish Anglican clergyman, and his wife, Maria Branwell. In April 1820 the family moved a few miles to Haworth, a remote town on the Yorkshire moors, where Patrick had been appointed Perpetual Curate. This is where the Brontë children would spend most of their lives. Maria Branwell Brontë died from what was thought to be cancer on 15 September 1821, leaving five daughters and a son to the care of her spinster sister Elizabeth Branwell, who moved to Yorkshire to help the family. In August 1824 Charlotte, along with her sisters Emily, Maria, and Elizabeth, was sent to the Clergy Daughters' School at Cowan Bridge in Lancashire, a new school for the daughters of poor clergyman (which she would describe as Lowood School in Jane Eyre). The school was a horrific experience for the girls and conditions were appalling. They were regularly deprived of food, beaten by teachers and humiliated for the slightest error. The school was unheated and the pupils slept two to a bed for warmth. Seven pupils died in a typhus epidemic that swept the school and all four of the Brontë girls became very ill - Maria and Elizabeth dying of tuberculosis in 1825. Her experiences at the school deeply affected Brontë - her health never recovered and she immortalised the cruel and brutal treatment in her novel, Jane Eyre. Following the tragedy, their father withdrew his daughters from the school. At home in Haworth Parsonage, Charlotte and the other surviving children—Branwell, Emily, and Anne—continued their ad-hoc education. In 1826 her father returned home with a box of toy soldiers for Branwell. They would prove the catalyst for the sisters' extraordinary creative development as they immediately set to creating lives and characters for the soldiers, inventing a world for them which the siblings called 'Angria'. The siblings became addicted to writing, creating stories, poetry and plays. Brontë later said that the reason for this burst of creativity was that: 'We were wholly dependent on ourselves and each other, on books and study, for the enjoyments and occupations of life. The highest stimulus, as well as the liveliest pleasure we had known from childhood upwards, lay in attempts at literary composition.' After her father began to suffer from a lung disorder, Charlotte was again sent to school to complete her education at Roe Head school in Mirfield from 1831 to 1832, where she met her lifelong friends and correspondents, Ellen Nussey and Mary Taylor. During this period (1833), she wrote her novella The Green Dwarf under the name of Wellesley. The school was extremely small with only ten pupils meaning the top floor was completely unused and believed to be supposedly haunted by the ghost of a young lady dressed in silk. This story fascinated Brontë and inspired the figure of Mrs Rochester in Jane Eyre. Brontë left the school after a few years, however she swiftly returned in 1835 to take up a position as a teacher, and used her wages to pay for Emily and Anne to be taught at the school. Teaching did not appeal to Brontë and in 1838 she left Roe Head to become a governess to the Sidgewick family—partly from a sense of adventure and a desire to see the world, and partly from financial necessity. Charlotte became pregnant soon after her wedding, but her health declined rapidly and, according to biographer Elizabeth Gaskell, she was attacked by "sensations of perpetual nausea and ever-recurring faintness." She died, with her unborn child, on 31 March 1855.

Kate Chopin was an American novelist and short-story writer best known for her startling 1899 novel, The Awakening. Born in St. Louis, she moved to New Orleans after marrying Oscar Chopin in 1870. Less than a decade later Oscar's cotton business fell on hard times and they moved to his family's plantation in the Natchitoches Parish of northwestern Louisiana. Oscar died in 1882 and Kate was suddenly a young widow with six children. She turned to writing and published her first poem in 1889. The Awakening, considered Chopin's masterpiece, was subject to harsh criticism at the time for its frank approach to sexual themes. It was rediscovered in the 1960s and has since become a standard of American literature, appreciated for its sophistication and artistry. Chopin's short stories of Cajun and Creole life are collected in Bayou Folk (1894) and A Night in Acadie (1897), and include "Desiree's Baby," "The Story of an Hour" and "The Storm." Some biographers cite 1850 as Chopin's birth year.

Charlotte Mary Mew was a modernist British poet. Mew's father, architect Frederick Mew, died in 1898 without making adequate provision for his family; two of her siblings suffered from mental illness, and were committed to institutions, and three others died in early childhood leaving Charlotte, her mother and her sister, Anne. Charlotte and Anne made a pact never to marry for fear of passing on insanity to their children. In 1894, Mew succeeded in getting a short story into The Yellow Book, but wrote very little poetry at this time. Her first collection of poetry, The Farmer's Bride, was published in 1916. Mew gained the patronage of several literary figures, notably Thomas Hardy, who called her the best woman poet of her day, Virginia Woolf, who said she was "very good and quite unlike anyone else," and Siegfried Sassoon. She obtained a small Civil List pension with the aid of Cockerell, Hardy, John Masefield and Walter de la Mare. This helped ease her financial difficulties. After the death of her sister, she descended into a deep depression, and was admitted to a nursing home where she eventually committed suicide by drinking Lysol. Mew is buried in Hampstead Cemetery.

Juana Manuela Gorriti Zuviria (Horcones, Rosario de la Frontera, provincia de Salta, 15 de julio de 1818 - Buenos Aires, 6 de noviembre de 1896) fue una escritora argentina, aunque también se ha hecho célebre por las peripecias de su vida y por haber tenido como notoria afición la de ser cocinera. Fue la primera narradora argentina, una de las figuras femeninas mas originales e interesantes en la América del siglo XIX. De temperamento independiente -raro en una mujer de su época- carácter fuerte y gran talento. Nació en el seno de una familia tradicional y adinerada. De ella heredo su disposición a las letras y las virtudes patricias, y con ellos soporto la angustia del destierro y la pobreza. Vivió el exilio en la Paz, Bolivia, donde se caso a los catorce años con Manuel Isidoro Belzú, un caudillo militar boliviano que fue luego presidente de su país. Separada de su esposo, enfrento los prejuicios sociales y marcho con sus hijos a Lima. Allí se dedico primero a la docencia y luego a la escritura, publicando su primera novela corta, La Quena. En 1884, cuando se declaro la guerra entre Chile y Perú. regreso a Buenos Aires, donde siguió escribiendo y edito la mayor parte de sus libros, entre ellos: El pozo de Yocci (historia de amor y celos), La hija del mazorquero (relatos de la época de Rosas), El ángel caído (sobrenatural y terrorífico), Panorama de la vida (leyendas y descripciones americanas) Murió en 1892, en Buenos Aires. From: "El vampiro y otros cuentos", Andres Bello, 2004

Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was a prominent American sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story, "The Yellow Wallpaper", which she wrote after a severe bout of post-partum depression. She was the daughter of Frederic B. Perkins.

Mary Eleanor Wilkins Freeman was born in Randolph, Massachusetts, and attended Mount Holyoke College (then, Mount Holyoke Female Seminary) in South Hadley, Massachusetts, for one year, from 1870–71. Freeman's parents were orthodox Congregationalists, causing her to have a very strict childhood. Religious constraints play a key role in some of her works. She later finished her education at West Brattleboro Seminary. She passed the greater part of her life in Massachusetts and Vermont. Freeman began writing stories and verse for children while still a teenager to help support her family and was quickly successful. Her best known work was written in the 1880s and 1890s while she lived in Randolph. She produced more than two dozen volumes of published short stories and novels. She is best known for two collections of stories, A Humble Romance and Other Stories (1887) and A New England Nun and Other Stories (1891). Her stories deal mostly with New England life and are among the best of their kind. Freeman is also remembered for her novel Pembroke (1894), and she contributed a notable chapter to the collaborative novel The Whole Family (1908). In 1902 she married Doctor Charles M. Freeman of Metuchen, New Jersey. In April 1926, Freeman became the first recipient of the William Dean Howells Medal for Distinction in Fiction from the American Academy of Arts and Letters. She died in Metuchen and was interred in Hillside Cemetery in Scotch Plains, New Jersey.

Amelia Ann Blandford Edwards An English novelist, journalist, lady traveller and Egyptologist, born to an Irish mother and a father who had been a British Army officer before becoming a banker. Edwards was educated at home by her mother, showing considerable promise as a writer at a young age. She published her first poem at the age of 7, her first story at age 12. Edwards thereafter proceeded to publish a variety of poetry, stories and articles in a large number of magazines. Edwards' first full-length novel was My Brother's Wife (1855). Her early novels were well received, but it was Barbara's History (1864), a novel of bigamy, that solidly established her reputation as a novelist. She spent considerable time and effort on their settings and backgrounds, estimating that it took her about two years to complete the researching and writing of each. This painstaking work paid off, her last novel, Lord Brackenbury (1880), emerged as a run-away success which went to 15 editions. In the winter of 1873–1874, accompanied by several friends, Edwards toured Egypt, discovering a fascination with the land and its cultures, both ancient and modern. Journeying southwards from Cairo in a hired dahabiyeh (manned houseboat), the companions visited Philae and ultimately reached Abu Simbel where they remained for six weeks. During this last period, a member of Edwards' party, the English painter Andrew McCallum, discovered a previously-unknown sanctuary which bore her name for some time afterwards. Having once returned to the UK, Edwards proceeded to write a vivid description of her Nile voyage, publishing the resulting book in 1876 under the title of A Thousand Miles up the Nile. Enhanced with her own hand-drawn illustrations, the travelogue became an immediate bestseller. Edwards' travels in Egypt had made her aware of the increasing threat directed towards the ancient monuments by tourism and modern development. Determined to stem these threats by the force of public awareness and scientific endeavour, Edwards became a tireless public advocate for the research and preservation of the ancient monuments and, in 1882, co-founded the Egypt Exploration Fund (now the Egypt Exploration Society) with Reginald Stuart Poole, curator of the Department of Coins and Medals at the British Museum. Edwards was to serve as joint Honorary Secretary of the Fund until her death some 14 years later. With the aims of advancing the Fund's work, Edwards largely abandoned her other literary work to concentrate solely on Egyptology. In this field she contributed to the ninth edition of the Encyclopædia Britannica, to the American supplement of that work, and to the Standard Dictionary. As part of her efforts Edwards embarked on an ambitious lecture tour of the United States in the period 1889–1890. The content of these lectures was later published under the title Pharaohs, Fellahs, and Explorer (1891). Amelia Edwards died at Weston-super-Mare, Somerset, on the 15 April 1892, bequeathing her collection of Egyptian antiquities and her library to University College London, together with a sum of £2,500 to found an Edwards Chair of Egyptology. She was buried in St Mary's Church Henbury, Bristol, Wikipedia: Amelia B. Edwards

Kathleen Mansfield Murry (née Beauchamp) was a prominent New Zealand modernist writer of short fiction who wrote under the pen name of Katherine Mansfield. Katherine Mansfield is widely considered one of the best short story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies. Mansfield also proved ahead of her time in her adoration of Russian playwright and short story writer Anton Chekhov, and incorporated some of his themes and techniques into her writing. Katherine Mansfield was part of a "new dawn" in English literature with T.S. Eliot, James Joyce and Virginia Woolf. She was associated with the brilliant group of writers who made the London of the period the centre of the literary world. Nevertheless, Mansfield was a New Zealand writer - she could not have written as she did had she not gone to live in England and France, but she could not have done her best work if she had not had firm roots in her native land. She used her memories in her writing from the beginning, people, the places, even the colloquial speech of the country form the fabric of much of her best work. Mansfield's stories were the first of significance in English to be written without a conventional plot. Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allan Poe, Rudyard Kipling, H. G. Wells), Mansfield concentrated on one moment, a crisis or a turning point, rather than on a sequence of events. The plot is secondary to mood and characters. The stories are innovative in many other ways. They feature simple things - a doll's house or a charwoman. Her imagery, frequently from nature, flowers, wind and colours, set the scene with which readers can identify easily. Themes too are universal: human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering, and the inevitability of these paradoxes. Oblique narration (influenced by Chekhov but certainly developed by Mansfield) includes the use of symbolism - the doll's house lamp, the fly, the pear tree - hinting at the hidden layers of meaning. Suggestion and implication replace direct detail.

Mary Louisa Molesworth, née Stewart was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. Her name occasionally appears in print as M.L.S. Molesworth. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontës, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice. Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance. She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story." A new edition of The Cuckoo Clock was published in 1914. She died in 1921 and is buried in Brompton Cemetery, London. [https://en.m.wikipedia.org/wiki/Mary\_...]