Rule #1: Don't fall for a client. Their fake relationship was scripted for ratings, no matter how real their dates started to feel. Then came a sensational public break-up. A chance meeting on the beach opens the door for another shot.. but this time at something real. Will they take it? Lily Alexander delivers a second-chance, Hollywood romance with a guaranteed happily ever after in this standalone contemporary story.

Nothing in Hollywood stays secret for long. Nora is a good girl and she's carefully cultivated her public persona to reflect that. As the sweetheart of the small screen, she'll do anything to maintain her image. Unfortunately, her blackmailing ex has other plans. Trying to hide the threats from everyone around her, including the new man in her life proves much harder than she expects. Will she and Maxwell make it or will Nora's spotlight end in disarray? Lily Alexander delivers a guaranteed happily ever after in this beachy, Hollywood flavored standalone contemporary romance.

Rehab: it's where you go to lose an addiction, not find one. Olivia's days on the outside of a jail cell-are numbered if she doesn't go to rehab. She’ll put on a smile through all the therapy while she works on a way to get out early, but she doesn't intend to like it. Not even when she’s paired up with a fling from her past who can’t remember what happened between them. For former child-star Ollie, his reputation preceding him is nearly never a good thing. He’s motivated to do anything he has to in order to leave the old, problematic version of himself behind–even self-commit to rehab. The last thing he expected was to get paired up with new patient Olivia. He recognizes her… but he can’t quite put his finger on why. Their tumultuous friendship quickly begins to morph into something completely unexpected. What happens when the truth about their past is revealed and their relationship is tested by the weight of all their bad decisions? (Image Destroyer is Book 3 and the final full-length story in the Image Series. It can be read as a standalone and is written in 3rd person.)