"When love's for sale, who really pays?" Connor Morrison is a 3-D optics pioneer, the star of the UC Berkeley physics department, and a socially inept workaholic. And with his dear friend and business partner, Steve Campbell, handling their investors, he's content to remain in the shadows. That is, until he meets the gorgeous and starry-eyed physics student Wes Martin. Wes is brilliant but broke. Ever since his scholarship fell victim to the financial crisis, he's had no choice but to sell his body to stay in school. Already half in love with Connor, Wes initially resists Steve's offer to be Connor's thirty-fifth birthday present. But in the end, Wes is too broke—and too smitten—to say no. Connor has no idea Steve bought Wes' attentions, and he quickly falls under the young man's spell. Yet after one night together, Wes disappears. He can't bear to hook with a man he could so easily grow to love, but he also can't bear to tell him the truth. Besides, if he sleeps with Connor again, there'd be no way to hide the bruises one of his regular johns loves to inflict. Only one thing to do: let Connor go. Walking away is painful, but not nearly as much as building a relationship on lies. Reader discretion advised. This title contains the following sensitive themes: non-consent. (This title is part of the 2012 Rentboy Collection.)

Loving your best friend is hard . . . especially when he's marrying someone else. On the surface, Steve Campbell seems to have it all: a beautiful home, a snazzy car, and a dream job as one of the country’s top 3-D optics researchers. But underneath, he’s restless and dissatisfied, tired of empty encounters with leggy lab assistants and endless evenings alone. A chance meeting with a handsome escort lifts Steve’s spirits and opens his eyes to his long-repressed attraction to men—and his love for his best friend and business partner, Connor Morrison. Connor might’ve loved Steve like that once, but now it’s too late for their happily ever after; Connor’s about to ask his boyfriend to marry him. Fortunately, it's never too late to learn about yourself, and maybe Steve can find a happy ending on his own.

How can you plan for the future when escaping the past seems impossible? After over a year together, Connor Morrison and Wes Martin decide to tie the knot. But an ethics complaint regarding their deeply non-traditional relationship threatens Connor’s job and Wes’s Ph.D. The fact that Connor tried to keep it from Wes—even with the best of intentions—makes the situation even worse and casts a pall over their plans for a Christmas wedding in New York. It doesn’t help that Connor still treats Wes like glass, though Wes insists he’s recovered from the brutal assault he suffered a year and a half earlier. Wes may be okay, but Connor isn’t. Memories of taking a battered, terrified Wes to the emergency room that night still haunt him, and he can’t let go of the need to protect Wes from any and everything life might throw at him. But Wes has had enough. Between the specter of the ethics complaint and Connor’s overprotectiveness, he’s already beginning to question their plans. Add in a family ashamed of and angered by his choices, and Wes might just leave Connor standing at the altar.

Steve Campbell used to be a player, until a mid-life crisis opened his eyes to his long-repressed love for Connor, his soon-to-be-married best friend and business partner. Coming out at thirty-eight means learning how to date all over again, and this time, Steve’s not willing to settle for empty one-night stands. He wants the real thing. Gil Alvarez has never had it easy, struggling through childhood and rejected by his family for a body that didn’t match who he was inside. A skilled driver and mechanic, he’s working hard to make his auto shop a success. The last thing he needs is a rich white guy in a candy-apple-red Ferrari tempting him, but Steve’s ready smile and easygoing manner prove irresistible. One brief, intimate encounter leaves them both hungry for more. Gil’s not ashamed of who he is, but he’s terrified that Steve will reject him—or worse—when he discovers what Gil can’t find the courage to tell him.