Margins
Joy in the Morning book cover
Joy in the Morning
1947
First Published
4.28
Average Rating
275
Number of Pages

Part of Series

Trapped in rural Steeple Bumpleigh, a man less stalwart than Bertie Wooster would probably give way at the knees, for among those present were Florence Craye, to whom Bertie had once been engaged; her new fiancé "Stilton" Cheesewright, who sees Bertie as a snake in the grass; and that biggest blot on the landscape, Edwin the Boy Scout, who is busy doing acts of kindness out of sheer malevolence. All of Bertie's forebodings are fully justified, for in his efforts to oil the wheels of commerce, promote the course of true love, and avoid the consequences of a vendetta, he becomes the prey of all and sundry. In fact only Jeeves can save him.
Avg Rating
4.28
Number of Ratings
12,678
5 STARS
47%
4 STARS
38%
3 STARS
13%
2 STARS
2%
1 STARS
1%
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Author

P.G. Wodehouse
P.G. Wodehouse
Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

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