Junior Bender is a Los Angeles burglar with a magic touch. Since he first started breaking into houses when he was fourteen years old, he’s never once been caught. But now, after twenty-two years of an exemplary career, Junior has been blackmailed by Trey Annunziato, one of the most powerful crime bosses in LA, into acting as a private investigator on the set of Trey’s porn movie venture, which someone keeps sabotaging. The star Trey has lined up to do all that’s unwholesome on camera is Thistle Downing, America’s beloved child star, who now lives alone in a drug-induced stupor, destitute and uninsurable. Her starring role will be the scandalous fall-from-grace gossip of rubber-neckers across the country. No wonder Trey needs help keeping the production on track. Junior knows what that he should do—get Thistle out and find her help—but doing the right thing will land him on the wrong side of LA’s scariest mob boss. With the help of his precocious twelve-year-old daughter, Rina, and his criminal sidekick, Louie the Lost (an ex-getaway driver), Junior has to figure out a miracle solution.

[Library Edition Audiobook CD in vinyl case.] [Read by Peter Berkrot] Junior Bender is back, and he's got one foot in the worst aspect of the sixties—some of the lamest rock and roll ever inflicted upon the world. Junior is forced by a corrupt cop to go to the rescue of an old record producer, a guy who, in the sixties, grabbed handsome boys off of Philadelphia stoops and turned them into little Elvises for six months to a year, until the fans got tired of them. A supermarket-tabloid journalist has been murdered on Hollywood Boulevard, and the cops think the music producer did it because, well, he was scouting for a hit man. The producer swears that somebody else got to the journalist first. The story takes Junior into the arena of old-time rock and roll, missing persons, the world's oldest still-dangerous gangster, a murderer of young women, and a terrifying if somewhat hapless hit man named Fronts. There's even a love interest for Junior. Well, a serious like interest, anyway—for now.

THE HIGHLY ANTICIPATED, LAUGH-OUT-LOUD THRID INSTALLMENT OF THE FAN-FAVORITE JUNIOR BENDER MYSTERIES There are not many people brave enough to say no to Irwin Dressler, Hollywood’s scariest mob boss-turned-movie king. Even though Dressler is ninety-three years old, LA burglar Junior Bender is quaking in his boots when Dressler’s henchman haul him in for a meeting. Dressler wants Junior to solve a “crime” he believes was committed more than seventy years ago, when an old friend of his, once-famous starlet Dolores La Marr, had her career destroyed after compromising photos were taken of her at a Los Vegas party. Dressler wants justice for Dolores and the shining career she never had. Junior can’t help but think the whole thing is a little crazy. After all, it’s been seventy years. Even if someone did set Dolores up for a fall from grace back then, they’re probably long dead now. But he can't say no to Irwin Dressler (no one can, really). So he starts digging. And what he finds is that some vendettas never die—they only get more dangerous.

Junior Bender, the clown prince of crime fiction, returns in his most hardboiled adventure yet—a tale that will take Junior Bender deep into a murderous conspiracy in present day Los Angeles and uncover an increasingly confusing legacy of his burglar-mentor, Herbie Mott, who until very recently was always one-step-ahead of just about everybody. It’s everyday business when Wattles, the San Fernando Valley’s top “executive crook,” sets up a hit. He establishes a chain of criminals to pass along the instructions and the money, ensuring that the hitter doesn’t know who hired him. But one day Wattles finds his office safe open and a single item the piece of paper on which he has written the names of the crooks in the chain. When people associated with the chain begin to pop up dead, the only person Wattles can approach to solve his problem is Junior Bender, professional burglar and begrudging private eye for crooks. But Junior already knows exactly who took Wattles’s the signature is too obvious. It was Herbie Mott, Junior’s burglar mentor—and when Junior seeks him out to discuss the missing list, he finds Herbie very unpleasantly murdered. Junior follows the links in the chain back toward the killer, and as he does, he learns disturbing secrets from Herbie’s hidden past.

Los Angeles burglar Junior Bender is in the middle of burgling a house and has just gotten his hands on one of the world’s rarest stamps when the job goes terrifically wrong. After barely escaping, Junior realizes the danger is far from over. He’s gotten himself on the wrong side of a man whose name is synonymous with violence, and to save his own skin he’s set off a chain reaction of blackmail, strong-arming, and escalating crime. To pay off his underworld debts, Junior is forced to break into the house of the most powerful man in Hollywood, the shadowy, widely feared studio mogul known as King Maybe. It’s an impossible break-in, and to get out of the house alive Junior will need to use everything he’s learned, plus a few skills he knows he doesn’t possess. From the Hardcover edition.

It s the week before Christmas in Tinsel Town, and the Edgerton Mall isn t exactly full of holiday cheer, despite its two Santas. The mall is a fossil of an industry in decline; many of its stores are closed, and to make matters worse, there is a rampant shoplifting problem. Enter burglar Junior Bender, the unwilling fixer for LA s various underworld bosses. The murderous Russian gangster who owns the mall hires Junior to look into the shoplifting problem for him. But Junior s surveillance operation doesn t go well: within two days, two people are dead. It s obvious that shoplifting is the least of the mall s problems. Meanwhile, Junior must confront his own deep-seated melancholy at the very notion of Christmas both present and past."

Los Angeles burglar Junior Bender has a rule about never taking a job that pays too well—in the criminal underworld, if someone is offering you more money than a job is worth, someone is going to end up dead. But he’s bending his rule this one time because he and his girlfriend, Ronnie, are in desperate need of cash so they can hire a top-notch kidnapper to snatch Ronnie’s two-year-old son back from her evil ex. The whole thing is pretty complicated, and has Junior on edge. The parameters of his too-well-paying job do nothing to calm his nerves. A nameless woman in an orange wig has offered Junior fifty grand—twenty-five up front—to break into the abandoned house of a recently deceased 97-year-old recluse, Daisy Horton, and steal a doll from the woman’s collection. Junior knows no doll is worth $50k, so he figures there must be something hidden inside the doll that can get him in a heap of trouble. It takes Junior less time than he would have hoped to realize he’s not the only person looking for the doll. When an old friend ends up murdered, Junior decides he will stop at nothing to figure out who the woman in the orange wig is, and why she wants the doll so bad she’s leaving a trail of bodies in her wake.

Junior Bender, Los Angeles burglar and off-the-books detective to the felonious, is reminded that rock and roll will never die, no matter how fervently he wishes some of it would, when Hollywood's most dangerous geriatric mobster, Irwin Dressler, retains Junior's investigative services to solve a rather unharmonious problem. Four of Dressler's old gangster colleagues have put together a national tour of once-popular rock bands they own a piece of: three nights of concerts by guys (and a few gals) who were big shots back in the 1960s and 1970s, and who are now hoping at one more gasp of glory with this nostalgia exhibition. The Rock of Ages tour has proved itself to be anything but a love fest: plenty of the bandmates have been feuding for forty years, and—perhaps unsurprisingly—drugs and bad behavior have created health, wellness, and legal problems for the musicians and managers. Plus there have been two near-fatal accidents that might have been attempted murders. But they're not what Irwin Dressler is concerned about. It's that someone—one of his own colleagues—is using the tour as a front to steal Dressler's money. And that simply cannot be allowed. Now the tour has pulled into LA, and Junior has one weekend to figure out who's to blame—a weekend that begins with his tires being slashed, threatening notes left on his car, and a theatrical backdrop falling on a drummer during the truly terrible first set of the first concert. To make things worse, Junior is saddled for the weekend with his teenage daughter, Rina, who lately has been much, much too interested in how her father earns his living. Can Junior recover Dressler's money, prevent a murder, talk his daughter out of pursuing a life of crime, and somehow survive all that bad music?