Born February 12th, 1970 and raised on Long Island in New York, Judd began cartooning professionally at 16 with a single-paneled strip called Nuts & Bolts. This ran weekly through Anton Publications, a newspaper publisher that produced town papers in the Tri state area. He was paid 10 dollars a week. In August of 1988, Judd began attending the University of Michigan, Ann Arbor bringing Nuts & Bolts with him, but turning it into a four-panel strip and creating a cast of characters to tell his tales. Nuts & Bolts ran in The Michigan Daily 5 days a week from my freshman year (freshperson, or first-year student, as they liked to say at U of M), until graduation in the spring of 1992. A collection of those college years Nuts & Bolts was published in Ann Arbor. Watching the Spin-Cycle: the Nuts & Bolts collection had a small run of a thousand books a couple of months before graduation. They sold out in about 2 weeks and there are no plans to republish it. Before graduation he accepted a development deal with a major syndicate (syndicates are the major league baseball of comic strips. They act as an agent or broker and sell comic strips to newspapers). Judd spent the next year living in Boston, and developing his strip. The bottom dropped out when the syndicate decided that they were not going to pursue Nuts and Bolts for syndication and were terminating his development contract. Crushed and almost broke, he moved back in with his parents in July 1993. Getting by doing spot illustration jobs, Judd actually had Nuts & Bolts in development with Nickelodeon as an animated series. At one point he even turned the human characters into mice (Young Urban Mice and Rat Race were the working titles). In August of 1993 he saw an ad on MTV for The Real World III, San Francisco. For those who may not know, The Real World is a real-life documentary soap opera, where 7 strangers from around the country are put up in a house and filmed for six months. You get free rent, free moving costs, you get to live in San Francisco, and get to be a famous pig on television. The "Audition process," was everything from doing a video, to filling out a 15 page application, to in-person interviews with the producers, to being followed around and filmed for a day. 6 months and 6 "levels" later, Judd was in. On February 12th 1993, he moved into a house on Russian Hill and they began filming. Along the way Nuts & Bolts was given a weekly spot in the San Francisco Examiner. This WHOLE deal was filmed and aired for the show. They moved out in June of 1994, a couple of days after O.J.'s Bronco chase in L.A. The show began airing a week later. Along with the weekly San Francisco Examiner gig, Judd began doing illustrations for The Complete Idiot's Guide series through QUE Books. Since then, Judd has illustrated over 300 Idiot's Guides and still does the cartoons for the computer oriented Idiot's Guides line. A collection of the computer related titles' cartoons was published in 1997 as Terminal Madness, The Complete Idiot's Guide Computer Cartoon Collection. Not too long after the show had been airing, Judd's roommate from the show and good friend, AIDS activist Pedro Zamora, took ill from AIDS complications. Pedro was to begin a lecture tour in September. Judd agreed to step in and speak on his behalf until he was well enough to do so again. In August of 1994, Pedro checked into a hospital and never recovered. Pedro passed away on November 11, 1994. He was 22. Judd continued to lecture about Pedro, Aids education and prevention and what it's like to live with some one who is living with AIDS for most of 1995. Speaking at over 70 schools across the country, Judd describes it as, "...the most fulfilling and difficult time in my life." But time and emotional constraints forced him to stop lecturing. In May of 1995 Judd found the weekly Nuts & Bolts under-whelming and decided to give syndication another go. Re-vamping Nuts & Bolts

Keith Ian Giffen was an American comic book illustrator and writer. He is possibly best-known for his long runs illustrating, and later writing the Legion of Super-Heroes title in the 1980s and 1990s. He also created the alien mercenary character Lobo (with Roger Slifer), and the irreverent "want-to-be" hero, Ambush Bug. Giffen is known for having an unorthodox writing style, often using characters in ways not seen before. His dialogue is usually characterized by a biting wit that is seen as much less zany than dialogue provided by longtime collaborators DeMatteis and Robert Loren Fleming. That approach has brought him both criticism and admiration, as perhaps best illustrated by the mixed (although commercially successful) response to his work in DC Comics' Justice League International (1987-1992). He also plotted and was breakdown artist for an Aquaman limited series and one-shot special in 1989 with writer Robert Loren Fleming and artist Curt Swan for DC Comics. Giffen's first published work was "The Sword and The Star", a black-and-white series featured in Marvel Preview, with writer Bill Mantlo. He has worked on titles (owned by several different companies) including Woodgod, All Star Comics, Doctor Fate, Drax the Destroyer, Heckler, Nick Fury's Howling Commandos, Reign of the Zodiac, Suicide Squad, Trencher (to be re-released in a collected edition by Boom! Studios)., T.H.U.N.D.E.R. Agents, and Vext. He was also responsible for the English adaptation of the Battle Royale and Ikki Tousen manga, as well as creating "I Luv Halloween" for Tokyopop. He also worked for Dark Horse from 1994-95 on their Comics Greatest World/Dark Horse Heroes line, as the writer of two short lived series, Division 13 and co-author, with Lovern Kindzierski, of Agents of Law. For Valiant Comics, Giffen wrote XO-Manowar, Magnus, Robot Fighter, Punx and the final issue of Solar, Man of the Atom. He took a break from the comic industry for several years, working on storyboards for television and film, including shows such as The Real Ghostbusters and Ed, Edd 'n' Eddy. He is also the lead writer for Marvel Comics' Annihilation event, having written the one-shot prologue, the lead-in stories in Thanos and Drax, the Silver Surfer as well as the main six issues mini-series. He also wrote the Star-Lord mini-series for the follow-up story Annihilation: Conquest. He currently writes Doom Patrol for DC, and is also completing an abandoned Grant Morrison plot in The Authority: the Lost Year for Wildstorm.