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La rueda del hambriento y otros cuentos book cover
La rueda del hambriento y otros cuentos
2025
First Published
4.29
Average Rating
188
Number of Pages
Rosario Castellanos es una de las autoras más importantes de México y a nivel internacional, cumple 100 años de nacimiento. Su obra posee una perspectiva única sobre la condición de las mujeres y de los indígenas y las complejas y desiguales relaciones sociales, mismas que esculpió a través de su escritura con inteligencia y claridad, con originalidad y profundidad, como una forma de cuestionamiento a la explotación y la marginación. Los relatos aquí seleccionados, que pertenecen a sus libros Ciudad Real, Los convidados de agosto y Álbum de familia, y que dan cuenta de los cambios experimentados en su voz narrativa, se desarrollan tanto en la ciudad como en algunos pueblos de Chiapas, donde la autora pasó su adolescencia, y componen un mosaico fundamental del panorama literario e histórico de México. Vienen acompañados de un retrato que de ella hizo Rafael Barajas El Fisgón, de las ilustraciones de Jimena Estíbaliz, así como de una semblanza de la autora realizada por la escritora Sara Uribe.
Avg Rating
4.29
Number of Ratings
21
5 STARS
38%
4 STARS
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3 STARS
10%
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Author

Rosario Castellanos
Rosario Castellanos
Author · 15 books

Rosario Castellanos Figueroa (25 May 1925 – 7 August 1974) was a Mexican poet and author. Along with the other members of the Generation of 1950 (the poets who wrote following the Second World War, influenced by César Vallejo and others), she was one of Mexico's most important literary voices in the last century. Throughout her life, she wrote eloquently about issues of cultural and gender oppression, and her work has influenced feminist theory and cultural studies. Though she died young, she opened the door of Mexican literature to women, and left a legacy that still resonates today. Throughout her career, Castellanos wrote poetry, essays, one major play, and three novels: the semi-autobiographical Balún Canán and Oficio de tinieblas (translated into English as The Book of Lamentations) depicting a Tzotzil indigenous uprising in Chiapas based on one that had occurred in the 19th century. Despite being a ladino – of mestizo, not indigenous descent – Castellanos shows considerable concern and understanding for the plight of indigenous peoples. "Cartas a Ricardo," a collection of her letters to her husband Ricardo Guerra was published after her death as was her third novel, Rito de iniciación. Rosario Castellanos said of the collection of her letters in Cartas a Ricardo that she considered them to be her autobiography. Rito de iniciación is in the bildungsroman tradition about a young woman who discovers her vocation of a writer. Castellanos' poem, "Valium 10," is in the confessional mode, and is a great feminist poem comparable to Sylvia Plath's "Daddy." (from Wikipedia)

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