Part of Series
Little Altars Everywhere The companion to the beloved bestseller Divine Secrets of the Ya-Ya Sisterhood, here is the funny, heartbreaking, and powerfully insightful tale that first introduced Siddalee, Vivi, their spirited Walker clan, and the indomitable Ya-Yas. Divine Secrets of the Ya-Ya Sisterhood When Vivi and Siddalee Walker, an unforgettable mother-daughter team, get into a savage fight over a New York Times article that refers to Vivi as a 'tap-dancing child abuser,' the Ya-Yas, sashay in and conspire to bring everyone back together. In 1932, Vivi and the Ya-Yas were disqualified from a Shirley Temple Look-Alike Contest for unladylike behavior. Sixty years later, they're 'bucking 70' and still making waves. With passion and a rare gift for language, Rebecca Wells moves from present to past, unraveling Vivi's life, her enduring friendships with the Ya-Yas, and the reverberations on Siddalee. The collective power of the Ya-Yas, each of them totally individual and authentic, permeates this story of a tribe of Louisiana wild women who are impossible to tame.
Author
Rebecca Wells was born and raised in Alexandria, Louisiana. “I grew up,” she says, “in the fertile world of story-telling, filled with flamboyance, flirting, futility, and fear.” Surrounded by Louisiana raconteurs, a large extended family, and Our Lady of Prompt Succor’s Parish, Rebecca’s imagination was stimulated at every turn. Early on, she fell in love with thinking up and acting in plays for her siblings—the beginnings of her career as an actress and writer for the stage. She recalls her early influences as being the land around her, harvest times, craw-fishing in the bayou, practicing piano after school, dancing with her mother and brothers and sister, and the close relationship to her black “mother” who cleaned for the Wells household. She counts black music and culture from Louisiana as something that will stay in her body’s memory forever. In high school, she read Walt Whitman’s “I Sing the Body Electric,” which opened her up to the idea that everything in life is a poem, and that, as she says, “We are not born separately from one another.” She also read “Howl,” Allen Ginsberg’s indictment of the strangling consumer-driven American culture he saw around him. Acting in school and summer youth theater productions freed Rebecca to step out of the social hierarchies of high school and into the joys of walking inside another character and living in another world. The day after she graduated from high school, Rebecca left for Yellowstone National Park, where she worked as a waitress. It was an introduction to the natural glories of the park—mountains, waterfalls, hot springs, and geysers—as well as to the art of hitchhiking. Rebecca graduated from Louisiana State University (LSU) in Baton Rouge, where she studied theater, English, and psychology. She performed in many college plays, but also stepped outside the theater department to become awakened to women’s politics. During this time she worked as a cocktail waitress—once accidentally kicking a man in the shins when he slipped a ten-dollar bill down the front of her dress—and began keeping a journal after reading Anais Nin, which she has done ever since. Click here to read more...
