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Ya Yas book cover 1
Ya Yas book cover 2
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Ya Yas
Series · 4 books · 1992-2005

Books in series

Divine Secrets of the Ya-Ya Sisterhood book cover
#1

Divine Secrets of the Ya-Ya Sisterhood

1996

When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to analyze her mother, she comes face to face with the tangled beauty of imperfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.
Little Altars Everywhere book cover
#2

Little Altars Everywhere

1992

Little Altars Everywhere is a national best-seller, a companion to Rebecca Wells' celebrated novel Divine Secrets of the Ya-Ya Sisterhood. Originally published in 1992, Little Altars introduces Sidda, Vivi, the rest of the spirited Walker clan, and the indomitable Ya-Yas. Told in alternating voices of Vivi and her husband, Big Shep, along with Sidda, her siblings Little Shep, Lulu, Baylor, and Cheney and Willetta—the black couple who impact the Walkers' lives in ways they never fully comprehend—Little Altars embraces nearly thirty years of life on the plantation in Thorton, Louisiana, where the cloying air of the bayou and a web of family secrets at once shelter, trap and define an utterly original community of souls. Who can resist such cadences of Sidda Walker and her flamboyant, secretive mother, ViVi? Here the young Sidda—a precocious reader and an eloquent observer of the fault lines that divide her family—leads us on a mischievous adventures at Our Lady of Divine Compassion parochial school and beyond. A Catholic girl of pristine manners, devotion, and provocative ideas, Sidda is the very essence of childhood joy and sorrow. In a series of luminous reminiscences, we also hear Little Shep's stories of his eccentric grandmother, Lulu's matter-of-fact account of her shoplifting skills, and Baylor's memories of Vivi and her friends, the Ya-Yas. Beneath the humor and tight-knit bonds of family and friendship lie the undercurrents of alcoholism, abuse, and violence. The overlapping recollections of how the Walkers' charming life uncoils to convey their heart-breaking confusion are oat once unsettling and familiar. Wells creates an unforgettable portrait of the eccentric cast of characters and exposes their poignant and funny attempts to keep reality at arm's length. Through our laughter we feel their inevitable pain, with a glimmer of hope for forgiveness and healing. An arresting combination of colloquialism, poetry, and grace, Little Altars Everywhere is an insightful, piercing and unflinching evocation of childhood, a loving tribute to the transformative power of faith, and a thoroughly fresh chronicle of a family that is as haunted as it is blessed.
Ya Yas in Bloom book cover
#3

Ya Yas in Bloom

2005

An emotionally charged addition to Rebecca Wells' bestselling and much loved previous novels, Ya-Yas in Bloom reveals the roots of the Ya-Yas' friendship in the 1930s and roars through sixty years of marriage, child-raising, and hair-raising family secrets. When four year old Teensy Whitman stuffs a pecan up her nose, she sets off the chain of events that lead Teensy, Caro, Vivi and Necie to become true sister-friends. Told in alternating voices of Vivi and the Petite Ya-Yas, Siddalee and Baylor Walker, as well as other denizens of Thornton, Louisiana, Ya-Yas in Bloom shows is the Ya-Yas in love, and at war with convention. Through crises of faith and hilarious lapses of parenting skills, brushes with alcoholism and glimpses of the dark reality of racial bigotry, the Ya-Ya values of unconditional loyalty, high style and Cajun sass shine through. But in the Ya-Yas' inimitable way, these four remarkable women also teach their children about the the wonder of snow in the Deep South, the possibility that humans are made of stars, and the belief that miracles do happen. And they need a miracle when old grudges and wounded psyches lead to a heartbreaking crime - and the dynamic web of sisterhood is the only safety net strong enough to endure.
Little Altars Everywhere & Divine Secrets of the Ya-Ya Sisterhood book cover
#1-2

Little Altars Everywhere & Divine Secrets of the Ya-Ya Sisterhood

1999

Little Altars Everywhere The companion to the beloved bestseller Divine Secrets of the Ya-Ya Sisterhood, here is the funny, heartbreaking, and powerfully insightful tale that first introduced Siddalee, Vivi, their spirited Walker clan, and the indomitable Ya-Yas. Divine Secrets of the Ya-Ya Sisterhood When Vivi and Siddalee Walker, an unforgettable mother-daughter team, get into a savage fight over a New York Times article that refers to Vivi as a 'tap-dancing child abuser,' the Ya-Yas, sashay in and conspire to bring everyone back together. In 1932, Vivi and the Ya-Yas were disqualified from a Shirley Temple Look-Alike Contest for unladylike behavior. Sixty years later, they're 'bucking 70' and still making waves. With passion and a rare gift for language, Rebecca Wells moves from present to past, unraveling Vivi's life, her enduring friendships with the Ya-Yas, and the reverberations on Siddalee. The collective power of the Ya-Yas, each of them totally individual and authentic, permeates this story of a tribe of Louisiana wild women who are impossible to tame.

Author

Rebecca Wells
Rebecca Wells
Author · 5 books

Rebecca Wells was born and raised in Alexandria, Louisiana. “I grew up,” she says, “in the fertile world of story-telling, filled with flamboyance, flirting, futility, and fear.” Surrounded by Louisiana raconteurs, a large extended family, and Our Lady of Prompt Succor’s Parish, Rebecca’s imagination was stimulated at every turn. Early on, she fell in love with thinking up and acting in plays for her siblings—the beginnings of her career as an actress and writer for the stage. She recalls her early influences as being the land around her, harvest times, craw-fishing in the bayou, practicing piano after school, dancing with her mother and brothers and sister, and the close relationship to her black “mother” who cleaned for the Wells household. She counts black music and culture from Louisiana as something that will stay in her body’s memory forever. In high school, she read Walt Whitman’s “I Sing the Body Electric,” which opened her up to the idea that everything in life is a poem, and that, as she says, “We are not born separately from one another.” She also read “Howl,” Allen Ginsberg’s indictment of the strangling consumer-driven American culture he saw around him. Acting in school and summer youth theater productions freed Rebecca to step out of the social hierarchies of high school and into the joys of walking inside another character and living in another world. The day after she graduated from high school, Rebecca left for Yellowstone National Park, where she worked as a waitress. It was an introduction to the natural glories of the park—mountains, waterfalls, hot springs, and geysers—as well as to the art of hitchhiking. Rebecca graduated from Louisiana State University (LSU) in Baton Rouge, where she studied theater, English, and psychology. She performed in many college plays, but also stepped outside the theater department to become awakened to women’s politics. During this time she worked as a cocktail waitress—once accidentally kicking a man in the shins when he slipped a ten-dollar bill down the front of her dress—and began keeping a journal after reading Anais Nin, which she has done ever since. Click here to read more...

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