Margins
Ya Yas in Bloom book cover
Ya Yas in Bloom
2005
First Published
3.65
Average Rating
272
Number of Pages

Part of Series

An emotionally charged addition to Rebecca Wells' bestselling and much loved previous novels, Ya-Yas in Bloom reveals the roots of the Ya-Yas' friendship in the 1930s and roars through sixty years of marriage, child-raising, and hair-raising family secrets. When four year old Teensy Whitman stuffs a pecan up her nose, she sets off the chain of events that lead Teensy, Caro, Vivi and Necie to become true sister-friends. Told in alternating voices of Vivi and the Petite Ya-Yas, Siddalee and Baylor Walker, as well as other denizens of Thornton, Louisiana, Ya-Yas in Bloom shows is the Ya-Yas in love, and at war with convention. Through crises of faith and hilarious lapses of parenting skills, brushes with alcoholism and glimpses of the dark reality of racial bigotry, the Ya-Ya values of unconditional loyalty, high style and Cajun sass shine through. But in the Ya-Yas' inimitable way, these four remarkable women also teach their children about the the wonder of snow in the Deep South, the possibility that humans are made of stars, and the belief that miracles do happen. And they need a miracle when old grudges and wounded psyches lead to a heartbreaking crime - and the dynamic web of sisterhood is the only safety net strong enough to endure.
Avg Rating
3.65
Number of Ratings
13,914
5 STARS
23%
4 STARS
33%
3 STARS
33%
2 STARS
9%
1 STARS
2%
goodreads

Author

Rebecca Wells
Rebecca Wells
Author · 5 books

Rebecca Wells was born and raised in Alexandria, Louisiana. “I grew up,” she says, “in the fertile world of story-telling, filled with flamboyance, flirting, futility, and fear.” Surrounded by Louisiana raconteurs, a large extended family, and Our Lady of Prompt Succor’s Parish, Rebecca’s imagination was stimulated at every turn. Early on, she fell in love with thinking up and acting in plays for her siblings—the beginnings of her career as an actress and writer for the stage. She recalls her early influences as being the land around her, harvest times, craw-fishing in the bayou, practicing piano after school, dancing with her mother and brothers and sister, and the close relationship to her black “mother” who cleaned for the Wells household. She counts black music and culture from Louisiana as something that will stay in her body’s memory forever. In high school, she read Walt Whitman’s “I Sing the Body Electric,” which opened her up to the idea that everything in life is a poem, and that, as she says, “We are not born separately from one another.” She also read “Howl,” Allen Ginsberg’s indictment of the strangling consumer-driven American culture he saw around him. Acting in school and summer youth theater productions freed Rebecca to step out of the social hierarchies of high school and into the joys of walking inside another character and living in another world. The day after she graduated from high school, Rebecca left for Yellowstone National Park, where she worked as a waitress. It was an introduction to the natural glories of the park—mountains, waterfalls, hot springs, and geysers—as well as to the art of hitchhiking. Rebecca graduated from Louisiana State University (LSU) in Baton Rouge, where she studied theater, English, and psychology. She performed in many college plays, but also stepped outside the theater department to become awakened to women’s politics. During this time she worked as a cocktail waitress—once accidentally kicking a man in the shins when he slipped a ten-dollar bill down the front of her dress—and began keeping a journal after reading Anais Nin, which she has done ever since. Click here to read more...

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