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LRB Collections
Series · 3 books · 2018-2023

Books in series

Foodists book cover
#2

Foodists

Writing About Eating from the London Review of Books

2023

‘Food, like sex, is mostly in the head,’ John Bayley writes in the piece that gives this anthology its title. Sure enough, in the LRB’s pages, food has often been a medium for thinking about other things: history, literature, art, cultural criticism, philosophy and – in the second half of the paper’s lifetime – more political concerns, too, such as agro-industry, ecology and inequality. This changing emphasis is salutary, but these essays also remind us that food is fun, and nothing about it is ever completely new. As his 1980 piece about vegetables makes clear, E.S. Turner, a contributor born when Edward VII was king, knew that avocados were a ‘cliché’, and that it was hard work pretending to like kale. Featuring: John Bayley, Joanna Biggs, Angela Carter, John Lanchester, James Meek, Emma Rothschild, Steven Shapin, Adam Smyth, E.S. Turner, Margaret Visser, Bee Wilson and Francis Wyndham.
The Flood book cover
#3

The Flood

2018

The world has always been ending. From The Epic of Gilgamesh to the dire warnings of the latest IPCC report, the prospect of our annihilation has always been with us, and the warning signs are often written in water. The ocean has always reminded us of unfathomable deeps and forces beyond our control, but in the past few decades, the prospect of apocalypse has taken a strange new turn. Myth has collided with science and left us reeling. In the forty-year span since the LRB was founded, we have lost half of the ocean’s vertebrates. Fisheries will fail. Coral reefs will disappear. Huge swaths of ocean will become ‘dead zones’. This is not doomsday ranting; this future has arrived. How are we to think about all this? What are we to do? The pieces collected in The Flood sketch a chronology of our dawning awareness of this ongoing catastrophe.
Broom, Broom book cover
#7

Broom, Broom

Writing about Witches from the London Review of Books

2019

‘the witches eat your book then you then everything’ – Rebecca Tamás Witches in history were usually poor, ill, weak and uneducated, yet they instilled fear in learned, highly placed men in churches and law courts, academies and council chambers. Witches in fairy tales are also poor, often old and ugly, yet they inspire delighted shivers of terror and a strong desire to emulate their witchy powers. The essays in this collection explores cases from Renaissance Germany to New England and South Africa as they puzzle over the contradictions of a desire to dismiss witches as foolish and deluded, while punishing them for the harm they are believed to be able to do: it’s a cruel paradox that the most dedicated believers in witchcraft were not the witches and their clients, but their persecutors. Throughout these rich essays, ‘never again’ whispers between the lines, but one can’t be sure. Featuring: John Bayley, Wendy Doniger, Malcolm Gaskill, Jeremy Harding, Hilary Mantel, Rosalind Mitchinson, Rebecca Tamás, Robert Tashman, Lee Palmer Wandel, Marina Warner and Leslie Wilson.

Authors

John Bayley
John Bayley
Author · 9 books

Professor John Bayley CBE, FBA, FRSL was a British literary critic and writer. Bayley was born in Lahore, British India, and educated at Eton, where he studied under G. W. Lyttelton, who also taught Aldous Huxley, J.B.S. Haldane, George Orwell and Cyril Connolly. After leaving Eton, he went on to take a degree at New College, Oxford. From 1974 to 1992, Bayley was Warton Professor of English at Oxford. He is also a novelist and writes literary criticism for several newspapers. He edited Henry James' The Wings of the Dove and a two-volume selection of James' short stories. From 1956 until her death in 1999, he was married to the writer Dame Iris Murdoch. When she was diagnosed with Alzheimer's disease, he wrote the book Iris: A Memoir of Iris Murdoch, which was made into the 2001 film Iris by Richard Eyre. In this film, Bayley was portrayed in his early years by Hugh Bonneville, and in his later years by Jim Broadbent, who won an Oscar for the performance. After Murdoch's death he married Audi Villers, a family friend. He was awarded the CBE in 1999.

Frank Kermode
Frank Kermode
Author · 19 books
Sir John Frank Kermode was a highly regarded British literary critic best known for his seminal critical work The Sense of an Ending: Studies in the Theory of Fiction, published in 1967 (revised 2003).
Rebecca Solnit
Rebecca Solnit
Author · 32 books
Writer, historian, and activist Rebecca Solnit is the author of more than twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including Call Them By Their True Names (Winner of the 2018 Kirkus Prize for Nonfiction), Cinderella Liberator, Men Explain Things to Me, The Mother of All Questions, and Hope in the Dark, and co-creator of the City of Women map, all published by Haymarket Books; a trilogy of atlases of American cities, The Faraway Nearby, A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster, A Field Guide to Getting Lost, Wanderlust: A History of Walking, and River of Shadows: Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). Her forthcoming memoir, Recollections of My Nonexistence, is scheduled to release in March, 2020. A product of the California public education system from kindergarten to graduate school, she is a columnist at the Guardian and a regular contributor to Literary Hub.
Iain Sinclair
Iain Sinclair
Author · 29 books

Iain Sinclair is a British writer and film maker. Much of his work is rooted in London, most recently within the influences of psychogeography. Sinclair's education includes studies at Trinity College, Dublin, where he edited Icarus, the Courtauld Institute of Art (University of London), and the London School of Film Technique (now the London Film School). His early work was mostly poetry, much of it published by his own small press, Albion Village Press. He was (and remains) closely connected with the British avantgarde poetry scene of the 1960s and 1970s – authors such as J.H. Prynne, Douglas Oliver, Peter Ackroyd and Brian Catling are often quoted in his work and even turn up in fictionalized form as characters; later on, taking over from John Muckle, Sinclair edited the Paladin Poetry Series and, in 1996, the Picador anthology Conductors of Chaos. His early books Lud Heat (1975) and Suicide Bridge (1979) were a mixture of essay, fiction and poetry; they were followed by White Chappell, Scarlet Tracings (1987), a novel juxtaposing the tale of a disreputable band of bookdealers on the hunt for a priceless copy of Arthur Conan Doyle's A Study in Scarlet and the Jack the Ripper murders (here attributed to the physician William Gull). Sinclair was for some time perhaps best known for the novel Downriver (1991), which won the James Tait Black Memorial Prize and the 1992 Encore Award. It envisages the UK under the rule of the Widow, a grotesque version of Margaret Thatcher as viewed by her harshest critics, who supposedly establishes a one party state in a fifth term. The volume of essays Lights Out for the Territory gained Sinclair a wider readership by treating the material of his novels in non-fiction form. His essay 'Sorry Meniscus' (1999) ridicules the Millennium Dome. In 1997, he collaborated with Chris Petit, sculptor Steve Dilworth, and others to make The Falconer, a 56 minute semi-fictional 'documentary' film set in London and the Outer Hebrides about the British underground filmmaker Peter Whitehead. It also features Stewart Home, Kathy Acker and Howard Marks. One of his most recent works and part of a series focused around London is the non-fiction London Orbital; the hard cover edition was published in 2002, along with a documentary film of the same name and subject. It describes a series of trips he took tracing the M25, London's outer-ring motorway, on foot. Sinclair followed this with Edge of the Orison, a psychogeographical reconstruction of the poet John Clare's walk from Dr Matthew Allen's private lunatic asylum, at Fairmead House, High Beach, in the centre of Epping Forest in Essex, to his home in Helpston, near Peterborough. Sinclair also writes about Claybury Asylum, another psychiatric hospital in Essex, in Rodinsky's Room, a collaboration with the artist Rachel Lichtenstein. Much of Sinclair's recent work consists of an ambitious and elaborate literary recuperation of the so-called occultist psychogeography of London. Other psychogeographers who have worked on similar material include Will Self, Stewart Home and the London Psychogeographical Association. In 2008 he wrote the introduction to Wide Boys Never Work, the London Books reissue of Robert Westerby's classic London low-life novel. Hackney, That Rose-Red Empire: A Confidential Report followed in 2009. In an interview with This Week in Science, William Gibson said that Sinclair was his favourite author. Iain Sinclair lives in Haggerston, in the London Borough of Hackney, and has a flat in Hastings, East Sussex.

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