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The Flood book cover
The Flood
2018
First Published
3.88
Average Rating
104
Number of Pages

Part of Series

The world has always been ending. From The Epic of Gilgamesh to the dire warnings of the latest IPCC report, the prospect of our annihilation has always been with us, and the warning signs are often written in water. The ocean has always reminded us of unfathomable deeps and forces beyond our control, but in the past few decades, the prospect of apocalypse has taken a strange new turn. Myth has collided with science and left us reeling. In the forty-year span since the LRB was founded, we have lost half of the ocean’s vertebrates. Fisheries will fail. Coral reefs will disappear. Huge swaths of ocean will become ‘dead zones’. This is not doomsday ranting; this future has arrived. How are we to think about all this? What are we to do? The pieces collected in The Flood sketch a chronology of our dawning awareness of this ongoing catastrophe.
Avg Rating
3.88
Number of Ratings
16
5 STARS
19%
4 STARS
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3 STARS
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2 STARS
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Authors

Rebecca Solnit
Rebecca Solnit
Author · 32 books
Writer, historian, and activist Rebecca Solnit is the author of more than twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including Call Them By Their True Names (Winner of the 2018 Kirkus Prize for Nonfiction), Cinderella Liberator, Men Explain Things to Me, The Mother of All Questions, and Hope in the Dark, and co-creator of the City of Women map, all published by Haymarket Books; a trilogy of atlases of American cities, The Faraway Nearby, A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster, A Field Guide to Getting Lost, Wanderlust: A History of Walking, and River of Shadows: Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). Her forthcoming memoir, Recollections of My Nonexistence, is scheduled to release in March, 2020. A product of the California public education system from kindergarten to graduate school, she is a columnist at the Guardian and a regular contributor to Literary Hub.
Iain Sinclair
Iain Sinclair
Author · 29 books

Iain Sinclair is a British writer and film maker. Much of his work is rooted in London, most recently within the influences of psychogeography. Sinclair's education includes studies at Trinity College, Dublin, where he edited Icarus, the Courtauld Institute of Art (University of London), and the London School of Film Technique (now the London Film School). His early work was mostly poetry, much of it published by his own small press, Albion Village Press. He was (and remains) closely connected with the British avantgarde poetry scene of the 1960s and 1970s – authors such as J.H. Prynne, Douglas Oliver, Peter Ackroyd and Brian Catling are often quoted in his work and even turn up in fictionalized form as characters; later on, taking over from John Muckle, Sinclair edited the Paladin Poetry Series and, in 1996, the Picador anthology Conductors of Chaos. His early books Lud Heat (1975) and Suicide Bridge (1979) were a mixture of essay, fiction and poetry; they were followed by White Chappell, Scarlet Tracings (1987), a novel juxtaposing the tale of a disreputable band of bookdealers on the hunt for a priceless copy of Arthur Conan Doyle's A Study in Scarlet and the Jack the Ripper murders (here attributed to the physician William Gull). Sinclair was for some time perhaps best known for the novel Downriver (1991), which won the James Tait Black Memorial Prize and the 1992 Encore Award. It envisages the UK under the rule of the Widow, a grotesque version of Margaret Thatcher as viewed by her harshest critics, who supposedly establishes a one party state in a fifth term. The volume of essays Lights Out for the Territory gained Sinclair a wider readership by treating the material of his novels in non-fiction form. His essay 'Sorry Meniscus' (1999) ridicules the Millennium Dome. In 1997, he collaborated with Chris Petit, sculptor Steve Dilworth, and others to make The Falconer, a 56 minute semi-fictional 'documentary' film set in London and the Outer Hebrides about the British underground filmmaker Peter Whitehead. It also features Stewart Home, Kathy Acker and Howard Marks. One of his most recent works and part of a series focused around London is the non-fiction London Orbital; the hard cover edition was published in 2002, along with a documentary film of the same name and subject. It describes a series of trips he took tracing the M25, London's outer-ring motorway, on foot. Sinclair followed this with Edge of the Orison, a psychogeographical reconstruction of the poet John Clare's walk from Dr Matthew Allen's private lunatic asylum, at Fairmead House, High Beach, in the centre of Epping Forest in Essex, to his home in Helpston, near Peterborough. Sinclair also writes about Claybury Asylum, another psychiatric hospital in Essex, in Rodinsky's Room, a collaboration with the artist Rachel Lichtenstein. Much of Sinclair's recent work consists of an ambitious and elaborate literary recuperation of the so-called occultist psychogeography of London. Other psychogeographers who have worked on similar material include Will Self, Stewart Home and the London Psychogeographical Association. In 2008 he wrote the introduction to Wide Boys Never Work, the London Books reissue of Robert Westerby's classic London low-life novel. Hackney, That Rose-Red Empire: A Confidential Report followed in 2009. In an interview with This Week in Science, William Gibson said that Sinclair was his favourite author. Iain Sinclair lives in Haggerston, in the London Borough of Hackney, and has a flat in Hastings, East Sussex.

Frank Kermode
Frank Kermode
Author · 19 books
Sir John Frank Kermode was a highly regarded British literary critic best known for his seminal critical work The Sense of an Ending: Studies in the Theory of Fiction, published in 1967 (revised 2003).
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