
Since 1966, Lippard has published 20 books on feminism, art, politics and place and has received numerous awards and accolades from literary critics and art associations. A 2012 exhibition on her seminal book, Six Years: The Dematerialization of the Art Object at the Brooklyn Museum, titled "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art", cites Lippard's scholarship as its point of entry into a discussion about conceptual art during its era of emergence, demonstrating her crucial role in the contemporary understanding of this period of art production and criticism. Her research on the move toward dematerialization in art making has formed a cornerstone of contemporary art scholarship and discourse. Co-founder of Printed matter (an art bookstore in New York City centered around artist's books), the Heresies Collective, Political Art Documentation/Distribution (PAD/D), Artists Call Against U.S. Intervention in Central America, and other artists' organizations, she has also curated over 50 exhibitions, done performances, comics, guerrilla theater, and edited several independent publications the latest of which is the decidedly local La Puente de Galisteo in her home community in Galisteo, New Mexico. She has infused aesthetics with politics, and disdained disinterestedness for ethical activism.

The Transportation of Place
2006

1971

1976

1979

2002

1995

New Art in a Multicultural America
1990

Tourism, Art, and Place
1999

Contemporary Art and the Art of Prehistory
1983

With Essays on Photographs of Native North Americans
1992

1966

Dematerialization of the Art Object
1972

Instead of a Memoir
2023

1969

Photographs of a Changing Environment
2011

Senses of Place in a Multicentered Society
1997

Selected Essays on Feminist Art
1995

A Wild Ride Through Land Use, Politics, and Art in the Changing West
2013

3 critics on 3 poets on 3 heroines
1980