In this encounter between one of the 20th century's greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet's importance in the overthrow of traditional values in painting. Originally delivered in Tunis in 1971 as part of a conference on Manet and here translated into English for the first time, this powerful critique takes the form of a commentary on 13 of Manet's paintings. For the political-minded philosopher, the connection between visual art and power was clear: art is not an aesthetic pursuit, but a means to explore and challenge power dynamics. A precursor to Foucault's later work on le regard, or the gaze, the text examines paintings like Un Bar aux Folies-Bergère, where Manet used the mirror to imply the multiple gaze of the waitress, the viewer, and the man at the bar, who may or may not be the artist himself. Foucault used Manet as a basis for a wider exploration of culture. With a new introduction by leading French critic and Tate curator Nicolas Bourriaud and a note on the translation by Matthew Barr, this is a major contribution to the fields of both modern philosophy and art history.
Author
Michel Foucault was a French philosopher, social theorist and historian of ideas. He held a chair at the Collège de France with the title "History of Systems of Thought," but before he was Professor at University of Tunis, Tunisia, and then Professor at University Paris VIII. He lectured at several different Universities over the world as at the University at Buffalo, the University of California, Berkeley and University of São Paulo, University of Rio de Janeiro, Brazil. Foucault is best known for his critical studies of social institutions, most notably psychiatry, medicine, the human sciences and the prison system, as well as for his work on the history of human sexuality. His writings on power, knowledge, and discourse have been widely influential in academic circles. In the 1960s Foucault was associated with structuralism, a movement from which he distanced himself. Foucault also rejected the poststructuralist and postmodernist labels later attributed to him, preferring to classify his thought as a critical history of modernity rooted in Immanuel Kant. Foucault's project was particularly influenced by Nietzsche, his "genealogy of knowledge" being a direct allusion to Nietzsche's "genealogy of morality". In a late interview he definitively stated: "I am a Nietzschean." Foucault was listed as the most cited scholar in the humanities in 2007 by the ISI Web of Science.
