“All of us at the orphanage had one thing, one terribly important thing, in common: We were mistakes. I never really understood what that meant, but Sister said it often enough that I knew it must be true. We came from villages, farms, even the city itself; we were brought with favourite toys or blankets or in harsh, cheap, unraveling baskets or by some relative who hid us from the light of day. Those who brought us in were fed the lies. Of course he can keep his favourite blanket. Naturellement, she will have her stuffed rabbit with her in bed at night. Bien sur, there will be a good education. We love them all as though they were our own. Well, we were theirs, all right; but love didn’t have anything to do with it.” When four women are found over several months brutally murdered and shockingly posed on park benches throughout Montreal, Martine LeDuc—public relations director for the mayor’s office—fears a PR disaster. The women seem to have nothing in common: They’re of varying ages, backgrounds, and body types, and yet the macabre presentation of their bodies hints at a connection. Martine’s boss appoints her as liaison between the mayor and the police department, and she is paired with a young detective, Julian Fletcher. Together they dig deeply into the city’s past, uncovering dark secrets hidden during the 1950s, when orphanages in Montreal and elsewhere were converted to hospitals for the insane. It isn’t until Martine finds herself imprisoned beneath the old asylum that she can put the pieces together—and then it’s almost too late....

Who can you trust when you make an international discovery that’s to die for? When Martine LeDuc, publicity director for the city of Montréal, is summoned into the mayor's office, she's pleasantly surprised to find the city is due for a PR coup: a doctoral researcher at McGill University claims to have found proof that the British crown jewels were stored in Montréal during WWII. Martine is thrilled to be part of the excavation project, until it turns out that the dig's discoveries include the skeleton of a man with diamonds in his ribcage and a hole in his skull. Is this decades-old murder leading her too far into the dangerous world of Canada’s neo-Nazi networks, or is there something going on that makes the jewels themselves deadly? Is history ever really completely buried? With pressing personal issues crowding into her professional life, Martine needs to solve not only the puzzle of the jewels, but some more recent crimes—including another murder, a kidnapping, and the operation of an ancient cult in Montréal—and do it before the past reaches out to silence her for good.

When a boy's body is discovered in one of the tunnels under the streets of Montréal, publicity director Martine LeDuc teams up again with police lieutenant Julian Fletcher to solve the mystery.