Margins
NANA
1951
First Published
3.78
Average Rating
400
Number of Pages
Nana est un roman écrit par l'éminent écrivain français Émile Zola, publié pour la première fois en 1880. Il s'agit du neuvième volume de la célèbre série des Rougon-Macquart, une série de romans interconnectés explorant les aspects sociaux et familiaux de la France du Second Empire. L'histoire se déroule dans le Paris du XIXe siècle et met en scène le personnage éponyme, Nana, une femme séduisante et irrésistible. Née dans la misère, elle grimpe les échelons sociaux grâce à son charme et devient une courtisane de renom. Le roman explore son ascension fulgurante dans la société parisienne, ainsi que les relations complexes qu'elle entretient avec les hommes qui l'entourent, la passion, l'argent et le pouvoir. Zola utilise Nana pour critiquer la décadence morale de la société de l'époque, ainsi que pour illustrer comment le pouvoir de la séduction peut corrompre et détruire. Le livre offre une peinture vivante et parfois brutale du monde parisien de l'époque, avec ses excès, ses vices et ses conséquences tragiques. c'est un roman poignant qui explore des thèmes universels tels que la cupidité, la vanité, la chute sociale, et la nature destructrice de la passion. C'est un classique de la littérature française qui continue d'attirer les lecteurs du monde entier par son style réaliste et sa profondeur psychologique.
Avg Rating
3.78
Number of Ratings
32
5 STARS
25%
4 STARS
41%
3 STARS
25%
2 STARS
6%
1 STARS
3%
goodreads

Author

Emile Zola
Emile Zola
Author · 90 books

Émile François Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France. More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations. As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world." Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886). From 1877 with the publication of L'Assommoir, Émile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author. The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.

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