Margins
Nooit meer slapen book cover
Nooit meer slapen
1966
First Published
3.86
Average Rating
317
Number of Pages

A young Dutch geologist, Alfred Issendorf, is determined to win fame for making a great discovery. To this end he joins a small geological expedition to the far north of Norway where he hopes to be the first to identify craters made by meteorites in the landscape. It is a harsh and deserted environment which brings out all the faultlines amongst the group of young men and in Alfred's character. The tribulations increase: Alfred is unable to procure crucial aerial photographs, he falls on rocks, is soaked in a river, and is beset by mosquitoes and insomnia; the tent leaks appallingly. He is not a natural athlete, feels incapable, and knows he is superfluous to the group's needs. Alfred becomes desperate and paranoid, suspecting the others are leagued in conspiracy against him and is before long approaching the limits of physical and mental endurance. Haunted by the ghost of his scientist father, unable to escape the looming influence of his mother, and anxious to complete the thesis that will make his name, Alfred's preoccupations multiply in this wilderness. As, piece by piece, his equipment is lost or ruined and his thinking becomes ever more disjointed, he moves towards the final act of vanity which will trigger a catastrophe.

Avg Rating
3.86
Number of Ratings
10,621
5 STARS
26%
4 STARS
43%
3 STARS
22%
2 STARS
6%
1 STARS
2%
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Author

Willem Frederik Hermans
Willem Frederik Hermans
Author · 26 books
Willem Frederik Hermans is one of the greatest post-war Dutch authors. Before devoting his entire life to writing, Hermans had been teaching Physical Geography at the University of Groningen for many years. He had already started writing and publishing in magazines at a young age. His polemic and provocative style led to a court case as early as 1952. His caustic pieces were compiled in Mandarijnen op zwavelzuur (Mandarines in Sulphuric Acid, 1963), which was reprinted with additions a number of times. It is Hermans’s belief that in order to survive people have to create their own reality. It is inevitable that all these experiences of reality will collide. Language is essential to create order out of chaos and plays an important role in this process. In his essays on Wittgenstein, Hermans studied this problem in depth. In his novels and stories Hermans places his characters in a world of certainty for themselves but equivocal for the reader. It is in this field of tension that the intrigue in De tranen der acacia’s (Acacia’s Tears, 1949) and in De donkere kamer van Damocles (The Darkroom of Damocles, 1958) develops. Although stories such as Moedwil en misverstand (Malice and Misunderstanding) and Paranoia have a surrealistic tendency, Hermans’ novels The Darkroom Of Damocles, Nooit meer slapen (Beyond Sleep), Uit talloos veel miljoenen (From Countless Millions) are more realistic or satirical and everything in his rich oeuvre is subordinate to the author’s pessimistic philosophy.
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