Margins
O Segundo Olhar book cover
O Segundo Olhar
2018
First Published
4.28
Average Rating
187
Number of Pages
Neste livro magistral, José Miguel Wisnik percorre a obra de Drummond e a história da mineração naquilo que diz respeito ao poeta, sem nunca perder de vista a potência da poesia como instrumento de percepção alargada e de criação de mundos.Numa viagem circunstancial a Itabira, cidade natal de Drummond, José Miguel Wisnik deparou com traços do passado e sinais contemporâneos que levaram à elaboração de Maquinação do mundo, um dos mais originais e envolventes livros de nossa crítica literária. Ensaísta de mão-cheia, Wisnik identifica na atividade mineradora uma questão crucial para um escritor apegado ao provinciano lugar de origem e ao mesmo tempo marcado por um sentimento cosmopolita do vasto mundo.Ao descobrir um veio inexplorado pela bibliografia sobre um de nossos maiores poetas, José Miguel Wisnik pôs seu brilhantismo e erudição a serviço da imaginação crítica. Mobilizando vasto repertório da produção drummondiana, o ensaísta defende a atualidade dessa literatura no panorama atual, em que o espaço público se encontra em linha de faccionalização e a cultura deixou de ser baliza de autorreconhecimento da sociedade. Com Maquinação do mundo, Wisnik não apenas reposiciona a obra de Drummond como torna evidente a dimensão política de que a arte e a cultura se investem hoje.
Avg Rating
4.28
Number of Ratings
29
5 STARS
52%
4 STARS
28%
3 STARS
17%
2 STARS
3%
1 STARS
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Author

Mario Quintana
Mario Quintana
Author · 19 books

I was born in Alegrete, on the 30th of July 1906. I believe that was the first thing that happened to me. And now they have asked me to speak of myself. Well! I always thought that every confession that wasn’t altered by art is indecent. My life is in my poems, my poems are myself, never have I written a comma that wasn’t a confession. Ah! but what they want are details, rawness, gossip...Here we go! I am 78 years old, but without age. Of ages, there are only two: either you are alive or dead. In the latter case, it is too old, because what was promised to us was eternity. I was born in the rigor of the winter, temperature: 1 degree °C; and still I was premature, which would leave me kind of complexed because I used to think I wasn’t ready. One day I discovered that someone as complete as Winston Churchill was born premature - the same thing happened to Sir Issac Newton! Excusez du peu... I prefer to cite the opinion of others about me. They say I am modest. On the contrary, I am so proud that I think I never reached the height of my writing. Because poetry is insatisfaction, an affliction of self-elevation. A satisfied poet doesn’t satisfy. They say I am timid. Nothing of the sort! I am very quiet, introspective. I don’t know why they subject the introverts to treatment. Only for not being as annoying at the rest? It is exactly for detesting annoyingness, the lengthiness, that I love synthesis. Another element of poetry is the search for the form (not of the form), the dosage of words. Perhaps what contributes to my safety is the fact that I have been a practitioner of pharmacy for five years. Note that the same happened with Carlos Drummond de Andrade, Alberto de Oliveira, Erico Verissimo - they well know (or knew) what a loving fight with words means.

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