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Ou o Poema Contínuo book cover
Ou o Poema Contínuo
2002
First Published
4.36
Average Rating
481
Number of Pages
Baroque, marquée un temps par le surréalisme, l'oeuvre visionnaire et novatrice d'Herbeto Helder semble vouloir capter et restituer, dans des formes longues d'une extraordinaire densité, les pures énergies qui traversent les êtres et les choses. Pour Gastão Cruz, son langage est une "vision de la vision, une ré-vision du "rêve de l'enfant" émergeant du "chaos maternel"". Si la psychologie et la biographie sont apparemment absentes de son écriture, le corps dans ses multiples formes et fonctions y est le lieu constant où se révèle un monde surgissant d'un flot continu de métaphores surprenantes, à prendre littéralement, qui s'entrechoquent avec rigueur et démesure. Mais ce magma incandescent n'est jamais en repos : Helder réorganise perpétuellement son oeuvre complète, régulièrement rééditée, rajoutant rarement, mais évidant, condensant, éliminant à la manière d'un sculpteur. La grande force de cette oeuvre "construite sur la chair et le temps" voit l'influence de son auteur, malgré son retrait total de toute vie sociale, croître d'année en année au Portugal et gagner un lectorat plus vaste, et il apparaît chaque jour davantage, un peu à la manière d'un Michaux en France, comme un des phares de la poésie européenne.
Avg Rating
4.36
Number of Ratings
75
5 STARS
57%
4 STARS
27%
3 STARS
11%
2 STARS
5%
1 STARS
0%
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Author

Herberto Helder
Herberto Helder
Author · 14 books

Herberto Helder was born into a family of Jewish ancestry in the Portuguese Atlantic island of Madeira. In 1946 he traveled to Lisbon to complete his secondary studies and subsequently in 1948 moved to Coimbra to study Law at university. In 1949 he had changed to the Humanities University to study Romance Philology but dropped out after three years without completing the course. After returning to Lisbon he took up several temporal jobs, and got in contact with a circle of artists and writers such as Mário Cesariny, Luiz Pacheco, João Vieira and Hélder Macedo, known as the "café gelo" group . This group revolved around Surrealism which would inform his early writings. In 1958 his first book, O Amor em Visita, was published. In the following years he traveled and lived in France, Holland and Belgium taking menial and marginal jobs to survive. He returned to Portugal in 1960 and published some of his best books in the following years A Colher na Boca, Poemacto e Lugar, Os Passos em Volta and A máquina de emaranhar paisagens. In 1964 he participates in the organization of Experimental Poetry magazine. After the April Revolution he published Cobra, O Corpo, O Luxo, A Obra, Photomaton and Vox. The singularity of his poetry goes along with the personality of the poet: nowadays he abandoned public life, refusing prizes or interviews.

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