With the advent of new AI technology, Polity citizens now possess incredible lifespans. Yet they struggle to find meaning in their longevity, seeking danger and novelty in their increasingly mundane lives. On a mission to find a brighter future for humanity, ex-soldier Ursula fosters a colony on the hostile planet Threpsis. Here, survival isn’t a given, and colonists thrive without their AI guidance. But when deadly alien raptors appear, Ursula and her companions find themselves forced to adapt in unprecedented ways. And they will be pushed to the very brink of what it means to be human. As a desperate battle rages across the planet, Ursula must dig deep into her past if she is to save humanity’s future.

The Polity Collective is the pinnacle of space-faring civilization. Academic and insightful, its dominion stretches from Earth Central into the unfathomable reaches of the galactic void. But when the Polity finally encounters alien life in the form of massive, hostile, crab-like carnivores known as the Prador, there can be only one outcome—total warfare! Starships clash, planets fall, and space stations are overrun, but for Jebel Krong and Moria Salem, two unlikely heroes trapped at the center of the action, this war is far more than a mere clash of cultures, far more than technology versus brute force... this war is personal.

Raised to adulthood during the end of the war between the human Polity and a vicious alien race, the Prador, Ian Cormac is haunted by childhood memories of a sinister scorpion-shaped war drone and the burden of losses he doesn’t remember. Cormac signs up with Earth Central Security and is sent out to help restore and maintain order on worlds devastated by the war. There he discovers that though the Prador remain as murderous as ever, they are not anywhere near as treacherous or dangerous as some of his fellow humans, some closer to him than he would like. Amidst the ruins left by wartime genocides, Cormac will discover in himself a cold capacity for violence and learn some horrible truths about his own past while trying to stay alive on his course of vengeance.

Gridlinked is a science fiction adventure in the classic, fast-paced, action-packed tradition of Harry Harrison and Poul Anderson, with a dash of cyberpunk and a splash of Ian Fleming added to spice the mix. Cormac is a legendary Earth Central Security agent, the James Bond of a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in an eye blink throughout the settled worlds of the Polity. Unfortunately Cormac is nearly burnt out, "gridlinked" to the AI net so long that his humanity has begun to drain away. He has to take the cold-turkey cure and shake his addiction to having his brain on the net. Now he must do without just as he's sent to investigate the unique runcible disaster that's wiped out the entire human colony on planet Samarkand in a thirty-megaton explosion. With the runcible out, Cormac must get there by ship, but he has incurred the wrath of a vicious psychopath called Arian Pelter, who now follows him across the galaxy with a terrifying psychotic killer android in tow. And deep beneath Samarkand's surface there are buried mysteries, fiercely guarded. This is fast-moving, edge-of-the-seat entertainment, and a great introduction to the work of one of the most exciting new SF talents in years.

Full-scale action SF by one of Britain's most popular new writers. Outlink station Miranda has been destroyed by a nanomycelium, and the very nature of this sabotage suggests that the alien bioconstruct Dragon - a creature as untrustworthy as it is gigantic - is somehow involved. Sent out on a titanic Polity dreadnought, the Occam Razor, agent Cormac must investigate the disaster. Meanwhile, on the remote planet Masada, the long-term rebellion can never rise above-ground, as the slave population is subjugated by orbital laser arrays controlled by the Theocracy in their cylinder worlds, and by the fact that they cannot safely leave their labour compounds. For the wilderness of Masada lacks breathable air ... and out there roam monstrous predators called hooders and siluroynes, not to mention the weird and terrible gabbleducks.

Ian Cormac, a legendary Earth Central Security agent, the James Bond of a wealthy future, is hunting an interstellar dragon, little knowing that, far away, his competition has resurrected an horrific killing machine named "Mr. Crane" to assist in a similar hunt, ecompassing whole star systems. Mr. Crane, the insane indestructible artificial man now in a new metal body, seeks to escape a bloody past he can neither forget nor truly remember. And he is on a collision course with Ian Cormac.

From eight hundred years in the future, a runcible gate is opened into the Polity and those coming through it have been sent specially to take the alien maker back to its home civilization in the Small Magellanic cloud. Once these refugees are safely through, the gate itself is rapidly shut downbecause something alien is pursuing them. The gate is then dumped into a nearby sun. From those refugees who get through, agent Cormac learns that the Maker civilization has been destroyed by pernicious virus known as the Jain technology. This, of course, raises questions: why was Dragon, a massive biocontruct of the Makers, really sent to the Polity; why did a Jain node suddenly end up in the hands of someone who could do the most damage with it? Meanwhile an entity called the Legate is distributing pernicious Jain nodes... And a renegade attack ship, The King of Hearts, has encountered something very nasty outside the Polity itself.

The Polity is under attack from melded AI entity controlling the lethal Jain technology, but the attack seems to have no coherence. When one of Erebus' wormships kills millions of innocent civilians on Klurhammon, a high-tech agricultural world of no real tactical significance, Cormac is sent to investigate... though he is secretly struggling to control a new-found ability no human being should rightfully possess, while also beginning to question the true motives of his AI masters. Further attacks and seemingly indiscriminate slaughter ensue, but serve only to bring some of the most dangerous individuals in the Polity into the war. Mr. Crane, the indefatigable brass killing machine, sets out for vengeance, and Orlandine, a vastly augmented haiman also in control of Jain technology, is seeking a weapon of appalling power with the aid of some bizarre relics from an ancient war. Meanwhile Mika, scientist and Dragon expert, is again kidnapped by that massive alien entity and dragged into the heart of to wake the cerators of Jain technology from their five-million-year slumber. Then it begins to emerge that attacks by Erebus are not as indiscriminate as they seem, and could actually mean the beginning of the end for the Polity...

The Theocracy has been dead for twenty years, and the Polity rules on Masada. But the Tidy Squad consists of rebels who cannot accept the new order. Their hate for surviving theocrats is undiminished, and the iconic Jeremiah Tombs is at the top of their hitlist. Escaping his sanatorium Tombs is pushed into painful confrontation with reality he has avoided since the rebellion. His insanity must cured, because the near mythical hooder called the Technician that attacked him all those years ago, did something to his mind even the AIs fail to understand. Tombs might possess information about the suicide of an entire alien race. The war drone Amistad, whose job it is to bring this information to light, recruits Lief Grant, an ex-rebel Commander, to protect Tombs, along with the black AI Penny Royal, who everyone thought was dead. The amphidapt Chanter, who has studied the bone sculptures the Technician makes with the remains of its prey, might be useful too. Meanwhile, in deep space, the mechanism the Atheter used to reduce themselves to animals, stirs from slumber and begins to power-up its weapons.

"Dark Intelligence is the first novel in the Transformation series, a no-holds-barred adventure set in Neal Asher's popular Polity universe. One man will transcend death to seek vengeance. One woman will transform herself to gain power. And no one will emerge unscathed . . . Thorvald Spear wakes in hospital, where he finds he's been brought back from the dead. What's more, he died in a human vs. alien war which ended a whole century ago. But when he relives his traumatic final moments, he finds the spark to keep on living. That spark is vengeance. Trapped and desperate on a world surrounded by alien Prador forces, Spear had seen a rescue ship arriving. But instead of providing backup, Penny Royal, the AI within the destroyer turned rogue. It annihilated friendly forces in a frenzy of destruction, and, years later, it's still free. Spear vows to track it across worlds and do whatever it takes to bring it down. Isobel Satomi ran a successful crime syndicate. But after competitors attacked, she needed more power. Yet she got more than she bargained for when she negotiated with Penny Royal. She paid it to turn her part-AI herself, but the upgrades hid a horrifying secret. The Dark AI had triggered a transformation in Isobel that would turn her into a monster, rapidly evolving into something far from human. Spear hires Isobel to take him to the Penny Royal AI's last known whereabouts. But he cheats her in the process and he becomes a target for her vengeance. And as she is evolves further into a monstrous predator, rage soon wins over reason. Will Spear finish his hunt, before he becomes the hunted?"

Thorvald Spear, resurrected from his death over a hundred years earlier, continues to hunt Penny Royal, the rogue AI and dangerous war criminal on the run from Polity forces. Beyond the Graveyard, a lawless and deadly area in deep space, Spear follows the trail of several enemy Prador, the crab-like alien species with a violent history of conflict with humanity. Sverl, a Prador genetically modified by Penny Royal and slowly becoming human, pursues Cvorn, a Prador harboring deep hatred for the Polity looking to use him and other hybrids to reignite the dormant war with mankind. Blite, captain of a bounty hunting ship, hands over two prisoners and valuable memplants from Penny Royal to the Brockle, a dangerous forensics entity under strict confinement on a Polity spaceship that quickly takes a keen interest in the corrupted AI and its unclear motives. Penny Royal meanwhile continues to pull all the strings in the background, keeping the Polity at bay and seizing control of an attack ship. It seeks Factory Station Room 101, a wartime manufacturing space station believed to be destroyed. What does it want with the factory? And will Spear find the rogue AI before it gets there? War Factory, the second book in the Transformation trilogy, is signature space opera from Neal Asher: breakneck pacing, high-tech science, bizarre alien creatures, and gritty, dangerous far-future worlds.

In the outskirts of space, and the far corners of the Polity, complex dealings are in play. Several forces continue to pursue the deadly and enigmatic Penny Royal, none more dangerous than the Brockle, a psychopathic forensics AI and criminal who has escaped the Polity’s confinements and is upgrading itself in anticipation of a deadly showdown, becoming ever more powerful and intelligent. Aboard Factory Station Room 101, the behemoth war factory that birthed Penny Royal, groups of humans, alien prador, and AI war drones grapple for control. The stability of the ship is complicated by the arrival of a gabbleduck known as the Weaver, the last living member of the ancient and powerful Atheter alien race. What would an Atheter want with the complicated dealings of Penny Royal? Are the Polity and prador forces playing right into the dark AI’s hand, or is it the other way around? Set pieces align in the final book of Neal Asher’s action-packed Transformation trilogy, pointing to a showdown on the cusp of the Layden’s Sink black hole, inside of which lies a powerful secret, one that could destroy the entire Polity.

In a far corner of space, on the very borders between humanity’s Polity worlds and the kingdom of the vicious crab-like prador, is an immediate threat to all sentient life: an accretion disc, a solar system designed by the long-dead Jain race and swarming with living technology powerful enough to destroy entire civilizations. Neither the Polity or the prador want the other in full control of the disc, so they’ve placed an impartial third party in charge of the weapons platform guarding the technology from escaping into the galaxy: Orlandine, a part-human, part-AI haiman. She’s assisted by Dragon, a mysterious, spaceship-sized alien entity who has long been suspicious of Jain technology and who suspects the disc is a trap lying-in-wait. Meanwhile, the android Angel is planning an attack on the Polity, and is searching for a terrible weapon to carry out his plans: a Jain super-soldier. But what exactly the super-soldier is, and what it could be used for if it fell into the wrong hands, will bring Angel and Orlandine’s missions to a head in a way that could forever change the balance of power in the Polity universe. In The Soldier, British science fiction writer Neal Asher kicks off another Polity-based trilogy in signature fashion, concocting a mind-melting plot filled with far-future technology, lethal weaponry, and bizarre alien creations.

Their nemesis lies in wait . . . Orlandine has destroyed the alien Jain super-soldier by deploying an actual black hole. And now that same weapon hoovers up clouds of lethal Jain technology, swarming within the deadly accretion disc’s event horizon. All seems just as she planned. Yet behind her back, forces incite rebellion on her home world, planning her assassination. Earth Central, humanity’s ruling intelligence, knows Orlandine was tricked into releasing her weapon, and fears the Jain are behind it. The prador king knows this too – and both foes gather fleets of warships to surround the disc. The alien Client is returning to the accretion disc to save the last of her kind, buried on a ship deep within it. She upgrades her vast weapons platform in preparation, and she’ll need it. Her nemesis also waits within the disc’s swirling dusts – and the Jain have committed genocide before. In this second volume of Rise of the Jain, Neal Asher takes us on a thrilling ride into interstellar politics and impending war. The Warship is set in Neal's popular Polity universe.

A warship is laying waste to the galaxy, making for unexpected allies in the face of incredible acts of war. This is the high-octane conclusion to Neal Asher's Rise of the Jain trilogy. An entire galaxy hangs in the balance. A Jain warship has risen from the depths of space, emerging with a deadly grudge and a wealth of ancient yet lethal technology. It is determined to hunt down the alien Client, and will annihilate all those who stand in its way. So Orlandine must prepare humanity's defence. Both humanity and the Prador thought their ancient foe - the Jain - had perished in a past age. And they resolve to destroy these outliers at any cost. Orlandine wants the Client's inside knowledge to act, but the Client has her own agenda. Earth Central therefore looks to the Prador for alliance, after the Jain destroy their fleet. However, not everyone is happy with this, and some will do anything to shatter this fragile coalition. As the Jain warship makes its way across the galaxy, it seems unstoppable. Human and Prador forces alike struggle to withstand its devastating weaponry. Orlandine's life work is to neutralize Jain technology, so if she can't triumph, no one can. But will she become what she's vowed to destroy? The Human is the third and final book in Neal Asher's Rise of the Jain trilogy, following The Soldier and The Warship.

Neal Asher, whom Tor introduced to the American audience with Gridlinked, takes us deeper into his unique universe with an even more remarkable second novel, The Skinner . On the planet Spatterjay arrive three Janer, acting as the eyes of the hornet Hive mind, on a mission not yet revealed to him; Erlin, searching for Ambel—the ancient sea captain who can teach her how to live; and Sable Keech, on a vendetta he cannot abandon, though he himself has been dead for 700 years. This remote world is mostly ocean, and it is a rare visitor who ventures beyond the safety of the island Dome. Outside it, only the native Hoopers dare risk the voracious appetites of the planet's wildlife. But somewhere out there is Spatterjay Hoop—and Keech will not rest until he brings this legendary renegade to justice for hideous crimes committed centuries ago during the Prador Wars. While Keech is discovering that Hoop is now a monster—his body and head living apart from each other—Janer is bewildered by a place where the native inhabitants just will not die and angry when he finally learns the Hive mind's intentions for him. Meanwhile, Erlin thinks she has plenty of time to find the answers she seeks, but could not be more wrong. For one of the most brutal of the alien Prador is about to pay the planet a surreptitious visit, intent on exterminating all remaining witnesses to his wartime atrocities. As the visitors' paths converge, major hell is about to erupt in a chaotic waterscape where minor hell is already a remorseless fact of everyday life . . . and death.

Sable Keech is a walking dead man, and the only one to have been resurrected by nanochanger. Did he succeed because he was infected by the Spatterjay virus, or because he came late to resurrection in a tank of seawater? Tracing the man's last-known seaborne journey, Taylor Bloc wants to know the truth. He also wants so much else - adulation, power, control - and will go to any lengths to achieve them. An ancient hive mind, almost incomprehensible to the human race, has sent an agent to this uncertain world. Does it simply want to obtain the poison 'sprine' that is crucial to immortality - and, if so, maybe Janer must find it and stop it. Meanwhile, still faced with the ennui of immortality, Erlin has her solitude rudely interrupted by a very angry whelkus titanicus, and begins the strangest of journeys. Deep in the ocean the Spatterjay virus has wrought a terrible change that will affect them all. Something dormant for ten years is breaking free, and once again the aftershocks of an ancient war will focus on this watery world. And Sniper, for ten years the Warden of Spatterjay, finally takes delivery of his new drone shell. It's much better than his old powerful engines, more lethal weapons, thicker armour. He's going to need them.

In charge of an old cargo spaceship, the Old Captain Orbus flees a violent and sadistic past, but he doesn’t know that the lethal war drone, Sniper, is a stowaway, and that the past is rapidly catching up with him. His old enemy the Prador Vrell, mutated by the Spatterjay virus into something powerful and dangerous, has seized control of a Prador dreadnought, murdering its crew, and is now seeking to exact vengeance on those who tried to have him killed. Their courses inexorably converge in the Graveyard, the border realm lying between the Polity and the Prador Kingdom, a place filled with the ruins left by past genocides and interplanetary war. But this is the home of the Golgoloth, monster to a race of monsters, the place where a centuries-long cold war is being fought. Meanwhile, the terrifying Prador King is coming, prepared to do anything to ensure Vrell’s death and keep certain deadly secrets buried... and somewhere out there something that has annihilated civilizations is stirring from a slumber of five million years. The cold war is heating up, fast.

This high-octane adventure is set in the same world as Neal Asher's acclaimed Polity universe. It's a thrilling, fast-paced standalone novel, perfect for fans of Alastair Reynolds and Stephen Baxter. Created to die–determined to live . . . Jack Four–one of twenty human clones–has been created to be sold. His purchasers are the alien prador and they only want him for their experimentation program. But there is something different about Jack. No clone should possess the knowledge that’s been loaded into his mind. And no normal citizen of humanity’s Polity worlds would have this information. The prador’s king has been mutated by the Spatterjay virus into a creature even more monstrous than the prador themselves. And his children, the King’s Guard, have undergone similar changes. They were infected by the virus during the last humans-versus-prador war, now lapsed into an uneasy truce. But the prador are always looking for new weapons – and their experimentation program might give them the edge they seek. Suzeal trades human slaves out of the Stratogaster Space Station, re-engineering them to serve the prador. She thinks the rewards are worth the risks, but all that is about to change. The Station was once a zoo, containing monsters from across known space. All the monsters now dwell on the planet below, but they aren’t as contained as they seem. And a vengeful clone may be the worst danger of all. ‘Neal Asher’s books are like an adrenaline shot targeted directly for the brain’ John Scalzi, author of the Old Man’s War series 'Magnificently awesome. Then Asher turns it up to eleven' Peter F. Hamilton, author of Salvation and others, on Asher's The Soldier

During a war between two planets in the same solar system - each occupied by adapted humans - what is thought to be a cosmic superstring is discovered. After being cut, this object collapses into four cylindrical pieces, each about the size of a tube train. Each is densely packed with either alien technology or some kind of life. They are placed for safety in three ozark cylinders of a massively secure space station. There a female research scientist subsequently falls pregnant, and gives birth to quads. Then she commits suicide - but why? By the end of the war one of the contesting planets has been devastated by the hilldiggers - giant space dreadnoughts employing weapons capable of creating mountain ranges. The quads have meanwhile grown up and are assuming positions of power in the post-war society. One of them will eventually gain control of the awesome hilldiggers ...

Most of Neal Asher's stories are set in a galactic future-scape called 'The Polity', and with this collection of marvellously inventive and action-packed short stories, he takes us further into the manifold diversities of that amazing universe. No one does monsters better than Neal Asher, so be prepared to revisit the lives and lifestyles of such favourites as the gabbleduck and the hooder, to savour alien poisons, the walking dead, the Sea of Death, and the putrefactor symbiont. Through these stories, welcome to a universe of unbridled imagination, each one of them a delight in itself. Contents: Softly Spoke the Gabbleduck \[Polity Universe\] (2005) / novelette by Neal Asher Putrefactors \[Polity Universe\] (1999) / novelette by Neal Asher Garp and Geronamid \[Polity Universe\] (2005) / novelette by Neal Asher (variant of Garp & Geronamid) The Sea of Death \[Polity Universe\] (2001) / short story by Neal Asher Alien Archaeology \[Polity Universe\] (2007) / novella by Neal Asher Acephalous Dreams \[Polity Universe\] (2005) / novelette by Neal Asher Snow in the Desert \[Polity Universe\] (2002) / novelette by Neal Asher Choudapt \[Polity Universe\] (2000) / novelette by Neal Asher Adaptogenic \[Polity Universe\] (1994) / short story by Neal Asher The Gabble \[Polity Universe\] (2006) / novelette by Neal Asher .