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Pourquoi rêver les rêves des autres? book cover
Pourquoi rêver les rêves des autres?
2020
First Published
3.56
Average Rating
64
Number of Pages

Depuis la sombre et anonyme arrière-boutique d’un bureau de tabac, Fernando Pessoa a inventé de surprenants univers littéraires en faisant de l’altérité une pratique de vie, un système de pensée et un dispositif de création. Ironiques et passionnées, ces lettres proposent un voyage dans l’esprit pluriel et vertigineux du poète, à la découverte de l’autre qui est en nous. Alvaro de Campos, Ricardo Reis, Alberto Caeiro... une myriade de noms cachant un même écrivain : FERNANDO PESSOA (1888-1935). Apparaissant au fil de sa correspondance, les doubles de Pessoa témoignent de son génie poétique et de son monde intérieur composite et profus, à la lisière de la schizophrénie. Dans ses lettres écrites en portugais, en anglais et en français, l’écrivain échange avec ses pairs et ses amis sur sa poésie, et notamment sur son recours aux hétéronymes. Figurent également dans ce livre les désormais célèbres lettres à Ofélia Queiroz, sa fiancée éternelle.

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Author

Fernando Pessoa
Fernando Pessoa
Author · 145 books

Fernando António Nogueira Pessoa was a poet and writer. It is sometimes said that the four greatest Portuguese poets of modern times are Fernando Pessoa. The statement is possible since Pessoa, whose name means ‘person’ in Portuguese, had three alter egos who wrote in styles completely different from his own. In fact Pessoa wrote under dozens of names, but Alberto Caeiro, Ricardo Reis and Álvaro de Campos were – their creator claimed – full-fledged individuals who wrote things that he himself would never or could never write. He dubbed them ‘heteronyms’ rather than pseudonyms, since they were not false names but “other names”, belonging to distinct literary personalities. Not only were their styles different; they thought differently, they had different religious and political views, different aesthetic sensibilities, different social temperaments. And each produced a large body of poetry. Álvaro de Campos and Ricardo Reis also signed dozens of pages of prose. The critic Harold Bloom referred to him in the book The Western Canon as the most representative poet of the twentieth century, along with Pablo Neruda.

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